MEDIUM COOL has several instances where there are reflexive references to
the camera, the camera operator, the film, the material of film, etc. I'm
not sure if these examples are as intrusive into the fictional world as you
might want.
CC
On Sun, Apr 17, 2011 at 7:06 PM, Anastasia Tsarkova <
nastya.tsarkova_at_gmail.com> wrote:
> Dear colleagues,
>
> Could you please tell me in which films (mostly non-experimental, but
> experimental is also ok) we can observe the film's rupture and the involving
> of film (as material) into the fictional world (just like in Bergman's *Persona
> & *Peter Tscherkassky's *Outer Space*)? The examples with the premeditated
> and non-accidental scrathes are also worth a lot.
> Thanks in advance
>
> Best Regards,
> Anastasia
>
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>
--
Caryn Cline
Filmmaker and Teacher
New York City and Seattle, WA
vimeo.com/carynyc
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Received on Wed Apr 20 2011 - 12:50:26 CDT
