I think that one could make an argument that the jump cuts in Godard's early
films, particularly the "machine gun" sequence in Vivre Sa Vie, constitute
a rupture as it was originally described in this thread. Rupture need not be
a litteral break or abrasion?
On Apr 19, 2011 2:17 AM, "Ken Bawcom" <kjbawc_at_umich.edu> wrote:
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Received on Tue Apr 19 2011 - 08:34:04 CDT
