Re: [Frameworks] film/digtial hybrid

From: Tim Halloran <>
Date: Thu, 8 Dec 2011 09:57:19 -0800

Just a tangential question sparked by Daina's story--since Kodak no longer makes printing stocks, what do people use these days for "print stocks" when working on an optical printer? Or even when just making dupe prints?

Date: Thu, 8 Dec 2011 09:35:22 -0800
Subject: Re: [Frameworks] film/digtial hybrid

Around 2002 I completed a film called "Summer Light" which was begun by shooting on 16mm film about 10 years earlier. I had hoped to complete it by optical printing but Kodak stopped making the 16mm optical printing stocks and I also didn't have access to an optical printer.

Daina Krumins

--- On Thu, 12/8/11, Ji-hoon Felix Kim <> wrote:

From: Ji-hoon Felix Kim <>
Subject: [Frameworks] film/digtial hybrid
To: "Experimental Film Discussion List" <>
Date: Thursday, December 8, 2011, 6:10 AM

Hi Frameworkers,

As part of my research, I've been compiling a group of contemporary filmmakers who have employed hand-processing of film and digital visual effects in hybrid ways.The filmmakers I've caught up with thus far include Johanna Vaude, Stephanie Maxwell, Jurgen Reble (for Materia Obscura), Kerry Laitra. I'd like any of you to raise
more similar filmmakers who come to your mind, so that I will bring more cases together to my list.

Thank you in advance,
Ji-hoon Kim
Assistant Professor, Division of Broadcast & Cinema Studies
Wee Kim Wee School of Communication and Information
Nanyang Technological University
Room 02-08, 31 Nanyang Link
Singapore 637718
Office phone: (65) 6514-8351
Mobile: (65) 9720-8484
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Received on Thu Dec 08 2011 - 09:57:39 CST