This week [May 28 - June 5, 2011] in avant garde cinema
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NEW FILM/VIDEO: NON-FEATURE:
============================
"Help Wanted" by Waylon Bacon
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NEW CALLS FOR ENTRIES:
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International Science and Film Festival (Marseilles (France); Deadline: May 30, 2011)
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Film Fridays at the Varsity (Carbondale, IL, USA; Deadline: July 15, 2011)
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Go Short - International Film Festival Nijmegen (Nijmegen, the Netherlands; Deadline: November 30, 2011)
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ARTErra Artistic Residence (Tondela; Deadline: May 20, 2011)
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Journal of Short Film Volume 24 (Columbus, Ohio; Deadline: June 10, 2011)
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EXiS international experimental film & video festival in Seoul (Seoul; Deadline: June 15, 2011)
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Sydney Underground Film Festival (Sydney, NSW, Australia; Deadline: June 24, 2011)
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Venice International Film Festival (Italy; Deadline: June 24, 2011)
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DEADLINES APPROACHING:
======================
ATA Film & Video Festival (San Francisco; Deadline: June 01, 2011)
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25 FPS Festival (Zagreb, Croatia; Deadline: June 01, 2011)
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OFF // Oblò Film Festival (Lausanne, Vaud, Switzerland; Deadline: July 01, 2011)
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Antimatter Film Festival (Victoria, BC, Canada; Deadline: June 17, 2011)
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VIDEOHOLICA (Varna, Bulgaria; Deadline: June 30, 2011)
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L'Alternativa, Barcelona Independent Film Festival (Barcelona; Deadline: July 01, 2011)
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Dallas VideoFest (Dallas, Texas USA; Deadline: June 28, 2011)
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International Science and Film Festival (Marseilles (France); Deadline: May 30, 2011)
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Babel Fiche - a microfilm museum - Deadline Extended (Manchester, UK; Deadline: June 01, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1310.ann
Ellensburg Film Festival (Ellensburg, WA, USA; Deadline: May 31, 2011)
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Margaret Mead Film Festival (New York, NY; Deadline: June 01, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1314.ann
Journal of Short Film Volume 24 (Columbus, Ohio; Deadline: June 10, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1321.ann
EXiS international experimental film & video festival in Seoul (Seoul; Deadline: June 15, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1322.ann
Sydney Underground Film Festival (Sydney, NSW, Australia; Deadline: June 24, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1323.ann
Venice International Film Festival (Italy; Deadline: June 24, 2011)
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THIS WEEK'S PROGRAMS (SUMMARY):
==============================
* Two Films By Melika Bass [May 28, Dallas, Texas]
* Stop & Go Rides Again [May 28, Rotterdam, NL]
* Sat. 5/28: New Experimental Works [May 28, San Francisco, California]
* Essential Cinema: Wavelength [May 29, New York]
* Essential Cinema: Back and Forth [May 29, New York]
* The Free Screen: Perlin Papers [June 1, Toronto, Ontario, Canada]
* The Perlin Papers; Jenny Perlin In Person! [June 1, Toronto, Ontario, Canada]
* Stop & Go Rides Again [June 3, Berlin, DE]
* Wasteland Utopias With Filmmaker David Sherman In Discussion With Curator
Paul Roth [June 4, Brooklyn, New York]
* Martha Colburn & Friends [June 4, New York]
* Sharing Some Sharits: Classic Films By Paul Sharits [June 5, Los Angeles, California]
* Hapax Legomena, Part 1 [June 5, New York]
* Hapax Legomena, Part 2 [June 5, New York]
Events are sorted by CITY within each DATE.
----------------------
SATURDAY, MAY 28, 2011
----------------------
5/28
Dallas, Texas: Contemplative Cinema
http://www.contemplativecinema.blogspot.com
8pm, 301 N. Waverly Dr. Dallas, TX 75219
TWO FILMS BY MELIKA BASS
At the next installment of Contemplative Cinema, we will be showing two
brand new films by Chicago filmmaker Melika Bass. Shoals, a short
feature that also functions as an installation, has been described as a
"lulling, singular peculiarity." A description from Melika's website
reads, "A prairie grotesque. On the grounds of a rural sanitarium, three
young women search for wellness, as a cult leader seeks to control their
bodies through labor and daily rituals." Also included in the program is
a short film entitled Waking Things that features the Chicago based
performance troupe Every House Has A Door. The whole program will run
about 92 minutes. ***After the screening, a Q&A will be held with Melika
via skype. Don't miss it!***
5/28
Rotterdam, NL: KUNST & COMPLEX
http://www.stopandgoshow.com
8:00 pm, KEILEWEG 26
STOP & GO RIDES AGAIN
This spring Stop & Go will travel from San Francisco to Europe to screen
the second installment of the show Stop & Go Rides Again. For this
occasion the screening will take place alongside an exhibition of
small-scale artworks by some of the screening artists. The exhibition is
designed to illuminate a deeper connection between the animations in the
program and the artist's primary practice of painting, drawing,
sculpture or media work. Stop & Go Rides Again includes animations by
Reed Anderson, Daniel Davidson , Kathy Aoki, Alessandra Ausenda, Lizzie
Black, Anna Maria Murphy, Paz de la Calzada, Michael Rauner, Deborah
Davidovits, Almut Determeyer , Owen Gatley, Luke Jinks, Sarah Klein,
Evelien Lohbeck, Miwa Matreyek, Tucker Nichols, David O'Kane, Ara
Peterson, Mel Prest, Jen Stark, Melinda Stone, Sam Sharkey, Sjors
Vervoort, Andy Vogt and Scott Wolniak .
5/28
San Francisco, California: Other Cinema
http://www.othercinema.com/
8:30PM, 992 Valencia Street
SAT. 5/28: NEW EXPERIMENTAL WORKS
Here's an energized evening of new cinematic efforts that champion
personal expression and radical form. Constituting the season's most
exploratory programming initiative—and with many of the makers in
person—are Martha Colburn's DOLLS VS. DICTATORS, Kelly Sears' Devil's
Canyon, Carl Diehl's Polterzeitgeist, and Salise Hughes' Celluloid
Heroes Never Really Die. PLUS recent pieces by Zach Ianazzi, Doug
Katelus, Tommy Becker, Karl Lind, Bryan Boyce, Richard Mitchell, Molly
Hankwitz, James Hong/Yin-Ju Chen, and others TBA. Come early for
artists' reception, free pencils, and the Dream Machine!
--------------------
SUNDAY, MAY 29, 2011
--------------------
5/29
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
6:30 pm, 32 2nd Avenue
ESSENTIAL CINEMA: WAVELENGTH
by Michael Snow 1967, 45 minutes, 16mm "WAVELENGTH is without precedent
in the purity of its confrontation with the essence of cinema: the
relationships between illusion and fact, space and time, subject and
object. It is the first post-Warhol, post-Minimal movie; one of the few
films to engage those higher conceptual orders which occupy modern
painting and sculpture. It has rightly been described as a 'triumph of
contemplative cinema.'" – Gene Youngblood, L.A. FREE PRESS, 1968
5/29
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:45 pm, 32 2nd Avenue
ESSENTIAL CINEMA: BACK AND FORTH
by Michael Snow 1969, 52 minutes, 16mm "...This neat, finely tuned,
hypersensitive film examines the outside and inside of a banal prefab
classroom, stares at an asymmetrical space so undistinguished that it's
hard to believe the whole movie is confined to it, and has this
neckjerking camera gimmick which hits a wooden stop arm at each end of
its swing. Basically it's a perpetual motion film which ingeniously
builds a sculptural effect by insisting on time-motion to the point
where the camera's swinging arcs and white wall field assume the
hardness, the dimensions of a concrete beam. "In such a hard, drilling
work, the wooden clap sounds are a terrific invention, and, as much as
any single element, create the sculpture. Seeming to thrust the image
outward off the screen, these clap effects are timed like a metronome,
sometimes occuring with torrential frequency." –Manny Farber, ARTFORUM,
1970
-----------------------
WEDNESDAY, JUNE 1, 2011
-----------------------
6/1
Toronto, Ontario, Canada: TIFF Bell Lightbox
http://tiff.net/cinematheque
7:00pm, 350 King Street West
THE FREE SCREEN: PERLIN PAPERS
Free Event! Jenny Perlin in person! "Much of Perlin's practice looks
closely at how the sweeping statements of history are reflected in
specific details of human experience."—MoMA The Perlin Papers by
American artist Jenny Perlin is a cycle of eight short films that
reveals stories of domestic espionage during the Cold War period in the
United States. The films focus on overlooked, incomplete and banal
documents from the 1940s and 1950s in an effort to unpack history and
connect it to the present. The title refers to a 250,000-page archive
located at Columbia University containing many of the FBI documents
related to the investigation, trial and 1953 execution of Julius and
Ethel Rosenberg, US citizens who were convicted of conspiracy to violate
the Espionage Act of 1917. For nearly two decades after the execution,
the FBI tracked hundreds of people tangentially connected to the case.
The archive is named for a distant relative of the artist, Marshall
"Mike" Perlin, a civil liberties lawyer whose work with the Rosenberg
children, Michael and Robert Meeropol, resulted in the declassification
of the documents. The first six films in Jenny Perlin's striking and
elegant cycle are direct representations of documents in the Perlin
Papers archive. The last two films are, respectively, a fiction and an
observation. Jenny Perlin is an artist who lives in Brooklyn, NY. Her
practice in 16mm film, video and drawing incorporates innovative
stylistic techniques in an effort to work with and against documentary
traditions. Letter USA 2010 | 1 min. | 16mm | BetaSP Leads USA 2009 | 6
min. | 16mm | BetaSP Division USA 2010 | 1 min. | 16mm | BetaSP
Transcript USA 2006 | 12 min. | 16mm | BetaSP Inaudible USA 2006/2010 |
2 min. | 16mm Notes USA 2006/2010 | 3 min. | 16mm Mimeograph USA 2010 |
21 min. | 16mm | BetaSP Storage USA 2008 | 5 min. | 16mm Jenny Perlin is
an artist who lives in Brooklyn, NY. Her practice in 16mm film, video
and drawing incorporates innovative stylistic techniques in an effort to
work with and against documentary traditions. Presented by TIFF
Cinematheque and Pleasure Dome www.pdome.org
6/1
Toronto, Ontario, Canada: Pleasure Dome
http://www.pdome.org/
7pm, TIFF Bell Lightbox, Reitman Square, 350 King St. West Free!
THE PERLIN PAPERS; JENNY PERLIN IN PERSON!
Pleasure Dome and TIFF Cinematheque present The Perlin Papers by
American artist Jenny Perlin. The Perlin Papers is a cycle of eight
short films that reveals stories of domestic espionage during the Cold
War period in the United States. The films focus on overlooked,
incomplete and banal documents from the 1940s and 1950s in an effort to
unpack history and connect it to the present. The title refers to a
250,000-page archive located at Columbia University containing many of
the FBI documents related to the investigation, trial and 1953 execution
of Julius and Ethel Rosenberg, US citizens who were convicted of
conspiracy to violate the Espionage Act of 1917. For nearly two decades
after the execution, the FBI tracked hundreds of people tangentially
connected to the case. The archive is named for a distant relative of
the artist, Marshall "Mike" Perlin, a civil liberties lawyer whose work
with the Rosenberg children, Michael and Robert Meeropol, resulted in
the declassification of the documents. The first six films in Jenny
Perlin's striking and elegant cycle are direct representations of
documents in the Perlin Papers archive. The last two films are,
respectively, a fiction and an observation.
--------------------
FRIDAY, JUNE 3, 2011
--------------------
6/3
Berlin, DE: GENERAL PUBLIC in collaboration with Fluctuating Images
www.fluctuating-images.de/de/node/32
8:00 pm, SCHONHAUSER ALLEE 167 C
STOP & GO RIDES AGAIN
This spring Stop & Go will travel from San Francisco to Europe to screen
the second installment of the show Stop & Go Rides Again. For this
occasion the screening will take place alongside an exhibition of
small-scale artworks by some of the screening artists. The exhibition is
designed to illuminate a deeper connection between the animations in the
program and the artist's primary practice of painting, drawing,
sculpture or media work. Stop & Go Rides Again includes animations by
Reed Anderson, Daniel Davidson , Kathy Aoki, Alessandra Ausenda, Lizzie
Black, Anna Maria Murphy, Paz de la Calzada, Michael Rauner, Deborah
Davidovits, Almut Determeyer , Owen Gatley, Luke Jinks, Sarah Klein,
Evelien Lohbeck, Miwa Matreyek, Tucker Nichols, David O'Kane, Ara
Peterson, Mel Prest, Jen Stark, Melinda Stone, Sam Sharkey, Sjors
Vervoort, Andy Vogt and Scott Wolniak .
http://www.stopandgoshow.com
----------------------
SATURDAY, JUNE 4, 2011
----------------------
6/4
Brooklyn, New York: UnionDocs
http://www.uniondocs.org
7:30, 322 UNION AVE BROOKLYN, NY 11211
WASTELAND UTOPIAS WITH FILMMAKER DAVID SHERMAN IN DISCUSSION WITH CURATOR
PAUL ROTH
Wasteland Utopias explores the intersection of two radically different
utopian thinkers: mega-developer Del Webb and outsider
psychiatrist/naturalist Wilhelm Reich. Each found his way into southern
Arizona's Sonoran Desert in the late 1950s—Webb building his colossal,
panoptically-planned retirement community Sun City and Reich conducting
his weather manipulation experiments using Orgone Energy. This unlikely
pairing provokes a hallucinatory, magic-conceptualist examination of the
disintegrating fabric that connects man with nature, evoking questions
about both ecological and social sustainability. Using found footage,
documentary interviews, and narrative tableaux, the film interweaves
contradictory narratives and critically poetic observations. By
juxtaposing these two thinkers—who represent ostensibly opposing visions
of a still-undefined future—Sherman asks viewers to consider a
multiplicity of perspectives on our endangered natural and social
environments.---------------- Paul Roth is the Executive Director of the
Richard Avedon Foundation. Prior to that, Roth served as senior curator
of photograph and media arts at the Corcoran Gallery of Art.
6/4
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
8:00 pm, 32 2nd Avenue
MARTHA COLBURN & FRIENDS
MARTHA COLBURN & FRIENDS PROGRAM Share + Film Notes
NEW/IMPROVED/INSTITUTIONAL/QUALITY Anthology's exhibition program
encompasses many different categories of screenings each calendar –
along with our theatrical premieres, thematic series, and auteur and
actor retrospectives, we're equally dedicated to presenting new or
recent work by individual artists working at the vanguard of
avant-garde/experimental/non-commercial cinema, encompassing filmmakers
who are emerging, at their peak, or long-established but still prolific.
Each month we showcase at least one such program under the rubric
NEW/IMPROVED/INSTITUTIONAL/QUALITY, an Owen Land-inspired title for a
series that, after all, features new moving-image work, exhibited at a
hallowed institution, and whose high quality we're more than prepared to
guarantee. This calendar's programs feature the work of Boston-based
16mm filmmaker Rebecca Meyers, Chinese found-footage documentarian Huang
Weikai, and experimental animator and musician Martha Colburn. JUNE:
MARTHA COLBURN & FRIENDS With pianist Thollem McDonas (Edgetone Records)
and drummer Greg Saunier (DEERHOOF). This evening we will host
experimental animator (and this calendar's cover artist!) Martha Colburn
for a special screening/performance, featuring a selection of her work
from the past 17 years, including the NY Theatrical Premiere of her new
film DOLLS VS. DICTATORS and the first screening on 35mm of TRIUMPH OF
THE WILD (fresh from the 2011 Sundance Film Festival). Martha is as
active musically as she is cinematically, having collaborated with THE
BOREDOMS, Jad Fair, Serj Tankian, the new group MUSICUM CONSORTIUM with
Sean Lennon and Greg Saunier, and others. Tonight she'll be joined for a
live performance by pianist Thollem McDonas and drummer Greg Saunier.
"Painting, collage, found footage, music and research slug it out
frame-by-frame; edited entirely in camera, her clamoring films plunge
towards unreality with the conviction of Méliès…. The films resemble
24-frames-per-second tornados, atomizing rifts opened by cigarette
advertising, pornography, television, cosmetic surgery, and, in MYTH
LABS and TRIUMPH OF THE WILD, the language and landscape of political
fantasy." –CINEMA SCOPE FIRST FILM IN X-TRO (1994, 5.5 minutes, 16mm)
FEATURE PRESENTATION (1994, 6 minutes, 16mm) EVIL OF DRACULA (1997, 2
minutes, 16mm) THERE'S A PERVERT IN OUR POOL! (1998, 2.5 minutes, 16mm)
SKELEHELLAVISION (2000-02, 8 minutes, 16mm) COSMETIC EMERGENCY (2005, 8
minutes, 35mm) DESTINY MANIFESTO (2006, 8 minutes, 16mm-to-video) DON'T
KILL THE WEATHERMAN! (2007, 5 minutes, 16mm-to-video) TRIUMPH OF THE
WILD (2008, 10 minutes, 16mm-to-video) MYTH LABS (2008, 7.5 minutes,
16mm-to-video) ONE AND ONE IS LIFE (2009, 4 minutes, 16mm-to-video) JOIN
THE FREEDOM FORCE (2009, 4 minutes, 16mm-to-video) DOLLS VS. DICTATORS
(2010, 11 minutes, 35mm) Commissioned by the Museum of the Moving Image,
NY, to inaugurate its new Video Screening Amphitheater, DOLLS VS.
DICTATORS is based on Colburn's photographs of the Museum's unparalleled
collection of dolls, toys, and other licensed merchandise. Total running
time: ca. 95 minutes.
--------------------
SUNDAY, JUNE 5, 2011
--------------------
6/5
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:30pm, the Echo Park Film Center, 1200 N Alvarado St.
SHARING SOME SHARITS: CLASSIC FILMS BY PAUL SHARITS
Paul Sharits was one of the most important figures of the American
avant-garde in the 1960s, 70s and 80s. Trained as a painter, he worked
in a variety of arts, and left us with numerous superb films. Here's a
chance to see a few of his classic "structuralist" films and more, in
living 16mm! Films to be screened include Ray Gun Virus (1966),
T,O,U,C,H,I,N,G (1968), N:O:T:H:I:N:G (1968), Axiomatic Granularity
(1973), and Piece Mandala/End War (1966).
6/5
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
6:00 pm, 32 2nd Avenue
HAPAX LEGOMENA, PART 1
HOLLIS FRAMPTON'S HAPAX LEGOMENA "Hapax legomena are, literally, 'things
said once'. The scholarly jargon refers to those words that occur only a
single time in the entire oeuvre of an author, or in a whole
literature." –H.F. Hollis Frampton – photographer, theoretician,
philosopher and, above all, filmmaker – is one of the towering figures
of American avant-garde cinema, and his seven-part HAPAX LEGOMENA is
arguably his greatest completed achievement. While its various parts can
each stand alone, together they form a complex and quasi-symphonic whole
– an enigmatic structuralist 'autobiography', a series of investigations
into the possibilities of filmmaking, and a playful and dazzling
encyclopedia of the cinema that is perhaps the closest thing avant-garde
film has to Bach's "Well-Tempered Clavier". Puzzling, conceptually
daring, and at times disarmingly comic, HAPAX LEGOMENA is one of the
pinnacles of experimental film. HAPAX LEGOMENA was recently preserved
through a major cooperative effort funded by the National Film
Preservation Foundation, and undertaken by MoMA, Anthology Film
Archives, the New York University Moving Image Archiving and
Preservation Program, and Bill Brand, professor in the NYU program and
project conservator. PROGRAM 1: (nostalgia) (HAPAX LEGOMENA I) 1973, 36
minutes, 16mm, b&w. POETIC JUSTICE (HAPAX LEGOMENA II) 1972, 31 minutes,
16mm, b&w, silent. CRITICAL MASS (HAPAX LEGOMENA III) 1971, 26 minutes,
16mm, b&w. Total running time: ca. 95 minutes.
6/5
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
8:00 pm, 32 2nd Avenue
HAPAX LEGOMENA, PART 2
HOLLIS FRAMPTON'S HAPAX LEGOMENA "Hapax legomena are, literally, 'things
said once'. The scholarly jargon refers to those words that occur only a
single time in the entire oeuvre of an author, or in a whole
literature." –H.F. Hollis Frampton – photographer, theoretician,
philosopher and, above all, filmmaker – is one of the towering figures
of American avant-garde cinema, and his seven-part HAPAX LEGOMENA is
arguably his greatest completed achievement. While its various parts can
each stand alone, together they form a complex and quasi-symphonic whole
– an enigmatic structuralist 'autobiography', a series of investigations
into the possibilities of filmmaking, and a playful and dazzling
encyclopedia of the cinema that is perhaps the closest thing avant-garde
film has to Bach's "Well-Tempered Clavier". Puzzling, conceptually
daring, and at times disarmingly comic, HAPAX LEGOMENA is one of the
pinnacles of experimental film. HAPAX LEGOMENA was recently preserved
through a major cooperative effort funded by the National Film
Preservation Foundation, and undertaken by MoMA, Anthology Film
Archives, the New York University Moving Image Archiving and
Preservation Program, and Bill Brand, professor in the NYU program and
project conservator. PROGRAM 2: TRAVELING MATTE (HAPAX LEGOMENA IV)
1971, 34 minutes, 16mm, b&w, silent. ORDINARY MATTER (HAPAX LEGOMENA V)
1972, 36 minutes, 16mm, b&w, sound on CD. REMOTE CONTROL (HAPAX LEGOMENA
VI) 1972, 29 minutes, 16mm, b&w, silent. SPECIAL EFFECTS (HAPAX LEGOMENA
VII) 1972, 11 minutes, 16mm, b&w. Total running time: ca. 115 minutes.
Enter your event announcements by going to the Flicker Weekly Listing Form
at
http://www.hi-beam.net/cgi-bin/thisweek.pl
The weekly listing is also available online at Flicker:
http://www.hi-beam.net
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