This week [August 13 - 21, 2011] in avant garde cinema
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NEW FILM/VIDEO: NON-FEATURE:
============================
"Does Anyone Ever Really Quit?" by Bryan Konefsky
http://www.hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=478.ann
NEW CALLS FOR ENTRIES:
=====================
ARTErra-rural artistic residency (Tondela, Portugal; Deadline: October 31, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1340.ann
Visible Verse Festival (Vancouver; Deadline: September 01, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1341.ann
Valley Film Festival (Los Angeles, California, USA; Deadline: August 15, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1342.ann
Experiments in Cinema v7.9 (Albuquerque, New Mexico USA; Deadline: December 01, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1343.ann
Colour Out of Space (Brighton, East Sussex, UK; Deadline: September 30, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1344.ann
Damming Fluxus (Calgary, AB CANADA; Deadline: September 30, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1345.ann
Black Thorns in the Black Box (Chicago. IL USA; Deadline: October 01, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1346.ann
2.Intervideo Talent Award (Wiesbaden, Germany; Deadline: August 31, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1347.ann
Faux Film Festival (Portland, Oregon; Deadline: December 31, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1348.ann
EXPERIMENTA INDIA (Bangalore, India; Deadline: September 10, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1349.ann
MisALT Screening Series: Glitch v. Scratch (San Francisco, CA, USA; Deadline: September 10, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1350.ann
DEADLINES APPROACHING:
======================
CanToo Film Festival (Martinsburg, WV, USA; Deadline: August 19, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1271.ann
Think Tic (London, England; Deadline: September 09, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1303.ann
ANOTHER EXPERIMENT by WOMEN FILM FESTIVAL (ny; Deadline: August 17, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1305.ann
Cologne International Videoart Festival (Cologne, Germany; Deadline: September 01, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1326.ann
Chicago 8: A Small Gauge Film Festival (Chicago, IL, USA; Deadline: September 15, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1338.ann
Visible Verse Festival (Vancouver; Deadline: September 01, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1341.ann
Valley Film Festival (Los Angeles, California, USA; Deadline: August 15, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1342.ann
2.Intervideo Talent Award (Wiesbaden, Germany; Deadline: August 31, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1347.ann
EXPERIMENTA INDIA (Bangalore, India; Deadline: September 10, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1349.ann
MisALT Screening Series: Glitch v. Scratch (San Francisco, CA, USA; Deadline: September 10, 2011)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1350.ann
Enter your event announcements by going to the Flicker Weekly Listing Form
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Also available online at Flicker:
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THIS WEEK'S PROGRAMS (SUMMARY):
==============================
* Essential Cinema:Eggeling/Cavalcanti Program [August 13, New York]
* Essential Cinema:Maya Deren Program [August 13, New York]
* Leandro Katz Program 2 [August 13, New York]
* No Japs At My Funeral/A Guided Tour of Edith's Apartment [August 13, New York]
* Living Light: An Evening With Linda Perhacs & Friends [August 14, Los Angeles, California]
* Visible Evidence: Afa Documentaries [August 14, New York]
* Paul Swan/Outer and Inner Space [August 14, New York]
* Essential Cinema:Conrad/Jacobs & Fleischner Program [August 14, New York]
* James Nares & Jacob Burckhardt Program [August 15, New York]
* Early Monthly Segments #30 = Robert Banks [August 15, Toronto, Ontario, Canada]
* Essential Cinema: the Parson's Widow [August 18, New York]
* Essential Cinema: Vampyr [August 19, New York]
* Essential Cinema: the Passion of Joan of Arc [August 19, New York]
* Essential Cinema: Day of Wrath [August 20, New York]
* Ken Jacobs 3d [August 21, Los Angeles, California]
* Essential Cinema: Ordet [August 21, New York]
* Recycled visions [August 21, Seattle, Washington]
Events are sorted by CITY within each DATE.
-------------------------
SATURDAY, AUGUST 13, 2011
-------------------------
8/13
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
4:15 pm, 32 2nd Avenue
ESSENTIAL CINEMA:EGGELING/CAVALCANTI PROGRAM
Viking Eggeling SYMPHONIE DIAGONALE 1924, 8 minutes, 35mm, silent.
Alberto Cavalcanti RIEN QUE LES HEURES 1928, 52 minutes, 35mm, silent. A
"city symphony" interweaving documentary, experimental and narrative
elements that provide vivid images of Paris in the mid-1920s. Total
running time: ca. 65 minutes.
8/13
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
6:00 pm, 32 2nd Avenue
ESSENTIAL CINEMA:MAYA DEREN PROGRAM
MESHES OF THE AFTERNOON 1943, 14 minutes, 16mm, b&w. Co-directed by
Alexander Hammid. Music by Teiji Ito from 1959. AT LAND 1944, 15
minutes, 16mm, b&w, silent. Photographed by Hella Heyman and Alexander
Hammid. A STUDY IN CHOREOGRAPHY FOR CAMERA 1945, 3 minutes, 16mm, b&w,
silent. By Maya Deren and Talley Beatty. RITUAL IN TRANSFIGURED TIME
1946, 15 minutes, 16mm, b&w, silent. Choreographic collaboration with
Frank Westbrook. Photographed by Hella Heyman. With Rita Christiani and
Frank Westbrook. Total running time: ca. 55 minutes.
8/13
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue
LEANDRO KATZ PROGRAM 2
Katz returns with a program of short films and videos. SPLITS is an
adaptation of Borges's short story "Emma Zunz" set in New York. The
(unsubtitled) Spanish language documentary EXHUMACIÓN, on the forensic
team charged with the exhumation of Guevara's remains, is paired with a
repeat screening of EL DÍA QUE ME QUIERAS. SPLITS (1978, 25 minutes,
16mm-to-video) THE DAY YOU'LL LOVE ME / EL DÍA QUE ME QUIERAS (1997, 30
minutes, 16mm-to-video) EXHUMACIÓN (2007, 38 minutes, video. In Spanish
without subtitles; an English transcript will be available.) Total
running time: ca. 95 minutes.
8/13
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
8:30 pm, 32 2nd Avenue
NO JAPS AT MY FUNERAL/A GUIDED TOUR OF EDITH'S APARTMENT
James Nares NO JAPS AT MY FUNERAL 1980, 60 minutes, video. "[A]
deconstructive propaganda piece that demolishes the British version of
events in Northern Ireland. It is an eloquent statement about brutality
and victims, told mainly by Jackie, an IRA man whose personal account is
intercut with images from British television. NO JAPS has the same
formal properties as a typical TV documentary, but is aimed to show the
bias of what is known on TV as 'truth'." –Gary Indiana, EAST VILLAGE EYE
& Jacob Burckhardt A GUIDED TOUR OF EDITH'S APARTMENT 2010, 47 minutes,
video. In his affecting new film, Jacob Burckhardt documents his mother,
the artist Edith Schloss, as, one after the other, and in a non-stop
torrent of commentary, she describes the many objects in her apartment,
including her own paintings and assemblages. Thanks to her long and
fascinating life, and her friendship with some of the 20th century's
most important artists, many of the pieces in her home are of great
cultural interest. But more importantly, they all embody some sort of
emotional or psychological significance for her, making Burckhardt's
deceptively straightforward, home-movie-like film something like his
mother's indirect autobiography, a portrait of a woman through her own
work and the belongings she's gathered over the decades.
-----------------------
SUNDAY, AUGUST 14, 2011
-----------------------
8/14
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:30pm, Cinefamily, 611 N Fairfax Avenue
LIVING LIGHT: AN EVENING WITH LINDA PERHACS & FRIENDS
A special live set from the songstress of Parallelograms! Join us as we
celebrate visual and sonic explorers, with a rare live set from Linda
Perhacs and her band, as well as a selection of boundary-pushing cinema
from the masters of the synesthetic form, new video works commissioned
for the show, and live dance accompaniment from world-renowned
dancer/choreographer Ryan Heffington!
8/14
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
4:00 pm, 32 2nd Avenue
VISIBLE EVIDENCE: AFA DOCUMENTARIES
A selection of several short non-fiction masterpieces from Anthology's
collection, including the classic TOBY AND THE TALL CORN, by documentary
legend Ricky Leacock (who passed away this spring); the exceedingly rare
film EYES ON RUSSIA, by the photographer Margaret Bourke-White; RITUALS
AND DEMONSTRATIONS, a fascinating record of Jewish religious rituals in
1970s Brooklyn by the gifted Jerry Jofen; and FILM MAGAZINE OF THE ARTS,
a sponsored film by Anthology's own co-founder Jonas Mekas. Margaret
Bourke-White EYES ON RUSSIA: FROM THE CAUCASUS TO MOSCOW 1934, 9
minutes, 16mm, b&w. Ricky Leacock TOBY AND THE TALL CORN 1953, 30
minutes, 35mm-to-video. "Made for OMNIBUS, TOBY is a heartwarming and
entertaining portrait of one of the last traveling variety shows in the
U.S. Leacock captures the heat of the summer night on the faces of the
appreciative audiences, the thrill of the live performances, and the
challenge of the set-up. … Its candid style caught the eye of filmmaker
Robert Drew [with whom Leacock would make] PRIMARY, a film that launched
the American vérité movement." –Shannon Abel, HOTDOCS Jonas Mekas FILM
MAGAZINE OF THE ARTS 1963, 20 minutes, 16mm. "In Spring, 1963 SHOW
MAGAZINE called me and asked that I make a film on arts in New York. I
told them, why did they want me to make it – didn't they know I was a
bit unusual? … 'We want something unusual', they said. So I went out and
made a newsreel on arts. SHOW people looked at the rough cut of the film
and became very angry. 'But there is nothing about SHOW MAGAZINE and
DuPont fabrics in the movie', they said. 'What has that to do with the
arts in New York!' I said. The battle was short. The film was destroyed.
Really, I have no idea what they did with it. This workprint of the
first FILM MAGAZINE OF THE ARTS is the only print in existence, as far
as I know." –J.M. Jerry Jofen RITUALS AND DEMONSTRATIONS 1977, 42
minutes, 16mm. A record of authentic religious rituals – circumcision,
upsherung (the cutting of the boy's hair at age three), Bar mitzvah,
betrothal, children learning Aleph-Beth and Chumash, young men studying
Talmud, celebrations of festivals, and a farbrengen, a gathering of the
Lubavitcher Rebbe addressing thousands of his disciples on Chassidic and
Kabbalistic interpretations of the particular occasion. "[The film's]
most effective scenes celebrate the collective energy of Chassidic life.
There are some wonderfully observed street scenes of Purim in
Williamsburg…and a particularly lovely wedding ceremony; a sequence of
an elderly Torah scribe carries so great a sense of tradition and awe as
to render explanation superfluous…. Jofen's film testifies to the
inexhaustible richness of his subject matter." –J. Hoberman, VILLAGE
VOICE Total running time: ca. 105 minutes.
8/14
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
5:45 pm, 32 2nd Avenue
PAUL SWAN/OUTER AND INNER SPACE
See notes for Aug. 7, 8:15 pm.
8/14
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:00 pm, 32 2nd Avenue
ESSENTIAL CINEMA:CONRAD/JACOBS & FLEISCHNER PROGRAM
Tony Conrad THE FLICKER 1966, 30 minutes, 16mm, sound. Mathematical and
rhythmical orchestration of white and black frames. & Ken Jacobs & Bob
Fleischner BLONDE COBRA 1959-63, 35 minutes, 16-to-35mm blow-up.
Featuring Jack Smith. Preserved by Anthology, with the generous support
of the Film Foundation, the National Film Preservation Foundation, Simon
Lund and Cineric, Inc. "BLONDE COBRA is an erratic narrative – no, not
really a narrative, it's only stretched out in time for convenience of
delivery. It's a look in on an exploding life, on a man of imagination
suffering pre-fashionable Lower East Side deprivation and consumed with
American 1950s, 40s, 30s disgust. Silly, self-pitying, guilt-strictured
and yet triumphing – on one level – over the situation with style…
enticing us into an absurd moral posture the better to dismiss us with a
regal 'screw off.'" –K.J. Total running time: ca. 70 minutes.
-----------------------
MONDAY, AUGUST 15, 2011
-----------------------
8/15
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:00 pm, 32 2nd Avenue
JAMES NARES & JACOB BURCKHARDT PROGRAM
James Nares NO JAPS AT MY FUNERAL 1980, 60 minutes, video. "[A]
deconstructive propaganda piece that demolishes the British version of
events in Northern Ireland. It is an eloquent statement about brutality
and victims, told mainly by Jackie, an IRA man whose personal account is
intercut with images from British television. NO JAPS has the same
formal properties as a typical TV documentary, but is aimed to show the
bias of what is known on TV as 'truth'." –Gary Indiana, EAST VILLAGE EYE
& Jacob Burckhardt A GUIDED TOUR OF EDITH'S APARTMENT 2010, 47 minutes,
video. In his affecting new film, Jacob Burckhardt documents his mother,
the artist Edith Schloss, as, one after the other, and in a non-stop
torrent of commentary, she describes the many objects in her apartment,
including her own paintings and assemblages. Thanks to her long and
fascinating life, and her friendship with some of the 20th century's
most important artists, many of the pieces in her home are of great
cultural interest. But more importantly, they all embody some sort of
emotional or psychological significance for her, making Burckhardt's
deceptively straightforward, home-movie-like film something like his
mother's indirect autobiography, a portrait of a woman through her own
work and the belongings she's gathered over the decades.
8/15
Toronto, Ontario, Canada: Early Monthly Segments
http://earlymonthlysegments.org/
8:00 PM, Gladstone Hotel, 1214 Queen Street West
EARLY MONTHLY SEGMENTS #30 = ROBERT BANKS
You Can't Get a Piece of Mind: a Rockudrama Early Monthly Segments is
proud to present Robert Banks's You Can't Get a Piece of Mind: a
Rockudrama. This 1995 documentary chronicles the musical life of
Cleveland musician and eccentric Dan "Supie T" Theman, a Vietnam
Veteran-cum-punk rock singer. Shot mostly on expired 16mm reversal film,
along with 35mm still photography and super 8mm film, with the sound
recorded on salvaged ¼ inch tape, the film was an analogue underground
effort to sort fact from fiction regarding the storied "Supie T". On the
film's release Banks was criticized for making an exploitative and
disturbing portrait of a troubled subject, but he was sincere in his
appreciation for his subject. "I loved his music. His music is cool.
Supie just wanted people to hear his jams and have fun, and I tried to
capture that on film." Entranced by the beauty of celluloid from a young
age Robert Banks has been making formally inventive independent films
for twenty years. His award-winning works have screened at film
festivals around the world. A graduate of the Cleveland School of the
Arts, Banks has taught film courses at Cuyahoga Community College, the
Cleveland Institute of Art, and Cleveland State University. He has also
worked as a free-lance cinematographer on numerous commercials and music
videos, and regularly hosts salon style screenings at his Cleveland
studio.
http://en.wikipedia.org/wi​ki/Robert_Banks_(filmmaker​)
Programme: You Can't Get a Piece of Mind: a Rockudrama, Robert Banks,
1995, 16mm, USA, 58 minutes _at_ the Art Bar, Gladstone Hotel 1214 Queen St
West Monday, August 15, 2011 8:00 PM screening, $5 suggested donation
Early Monthly Segments is a monthly film series named after an early
film by Robert Beavers, and is inspired by the immediacy, vibrancy and
experimentation found in that film. Programmed by Scott Berry, Chris
Kennedy, and Kate MacKay this series features historical and
contemporary avant-garde 16mm films in a salon-like setting at the
Gladstone Art Bar in Toronto, Canada. In this relaxed context with
refreshing beverages and food available, we hope to encourage a
convivial atmosphere for engaged viewing and post-screening dialogue. We
do not receive public funding for our programs and pay artists from
admissions. www.earlymonthlysegments.o​rg
earlymonthlysegments_at_gmail​.com
-------------------------
THURSDAY, AUGUST 18, 2011
-------------------------
8/18
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue
ESSENTIAL CINEMA: THE PARSON'S WIDOW
by Carl Th. Dreyer No English intertitles (English synopsis available),
1921, 78 minutes, 35mm, b&w, silent (PRASTANKAN) A lyrical, early Dreyer
comedy. A young parson wins a plum parish in 17th century Norway, but is
obliged to marry the widow of his deceased predecessor and pretend his
attractive young fiancée is his sister. The master's touch is evident in
the close-ups of the pastor's would-be rivals and parishioners and a
slow pan presaging the 360-degree views of VAMPYR.
-----------------------
FRIDAY, AUGUST 19, 2011
-----------------------
8/19
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:00 pm, 32 2nd Avenue
ESSENTIAL CINEMA: VAMPYR
VAMPYR by Carl Th. Dreyer In Danish with no subtitles (English synopsis
available), 1931-32, 70 minutes, 35mm, b&w "Imagine that we are sitting
in a very ordinary room. Suddenly we are told that there is a corpse
behind the door. Instantly, the room we are sitting in has taken on
another look. The light, the atmosphere have changed, though they are
physically the same. This is because we have changed and the objects are
as we conceive them. This is the effect I wanted to produce in VAMPYR."
–Carl Dreyer
8/19
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
8:45 pm, 32 2nd Avenue
ESSENTIAL CINEMA: THE PASSION OF JOAN OF ARC
by Carl Th. Dreyer No English intertitles (English synopsis available),
1927-28, 98 minutes, 35mm, b&w, silent (LA PASSION DE JEANNE D'ARC) A
work that exemplifies Dreyer's philosophy: simplicity is the most
complex idea of all. Although renowned for its spare acts, lack of
embellishment, and use of simple shots, Dreyer's masterpiece reveals the
natural complexity of an un-retouched face (often existing alone,
filling up the frame) and a landscape of history as individual as the
lines on that face. Made in 1927-28, it continues to haunt the cinema,
looking more and more avant-garde as the years go by.
-------------------------
SATURDAY, AUGUST 20, 2011
-------------------------
8/20
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
4:30 pm, 32 2nd Avenue
ESSENTIAL CINEMA: DAY OF WRATH
by Carl Th. Dreyer In Danish with no subtitles (English synopsis
available), 1943, 100 minutes, 35mm, b&w (VREDENS DAG) "Carl Dreyer's
art begins to unfold at the point where most other directors give up.
Witchcraft and martyrdom are his themes – but his witches don't ride
broomsticks, they ride the erotic fears of their persecutors. It is a
world that suggests a dreadful fusion of Hawthorne and Kafka." –Pauline
Kael
-----------------------
SUNDAY, AUGUST 21, 2011
-----------------------
8/21
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
2:00pm, the Downtown Independent Theater, 251 S. Main St
KEN JACOBS 3D
Los Angeles Filmforum and LA 3D Club Present Ken Jacobs in person!
Excerpts from Jacobs's 3D work will be shown and projected in both
anaglyph or 3D without spectacles. Selections will include excerpts from
New York Ghetto Fishmarket 1903 (1975), Celestial Subway Lines/Salvaging
Noise (2005), Anaglyph Tom (2008) and more recent experimental work with
Elbow Dance, Space Flaws and From Berkeley to San Francisco (2010).
Rooftop reception following the event
8/21
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
4:00 pm, 32 2nd Avenue
ESSENTIAL CINEMA: ORDET
THE WORD / ORDET by Carl Th. Dreyer In Danish with no subtitles (English
synopsis available), 1955, 132 minutes, 35mm, b&w An existential
morality essay by the master of the long take, in which a man who
believes he is Jesus Christ soon begins to convince those around him.
Based on the play by Kaj Munk, ORDET is a meditation on faith and
fanaticism.
8/21
Seattle, Washington: Northwest Film Forum
http://www.nwfilmforum.org
4:30 PM, 1515 12th Ave.
RECYCLED VISIONS
Recycled Visions, a collection of short experimental films by Salise
Hughes will screen at Northwest Film Forum on August 21st at 4:30 PM.
Seattle filmmaker Salise Hughes is known for her special process of
digitally erasing and layering images from found footage. Her films have
been included in Seattle International Film Festival, International Film
Festival Rotterdam, L'Alernativa- Barcelona, as well as the galleries of
Walker Art Center in Minneapolis. Her film Tidal Wave won the Peter
Wilde Award for Most Technically Innovative Film at the 2006 Ann Arbor
Film Festival, and Nothing to Fear but Nothing Itself won the Grand Prix
of the Press at the 2010 Festival des Cinémas Différents et
Expérimentaux de Paris. Recycled Visions is a collection of films made
between 2005- 2011. A shorter version of the program screened at NWFF in
October 2009. In 2010 she was awarded a CityArtist Project Grant from
Seattle Office of Arts & Cultural Affairs to extend the program. Earlier
versions of the program were funded by grants from 4Culture, Seattle
Office of Arts & Cultural Affairs and Artist Trust. Screening is free or
by donation- donation split between filmmaker and NWFF.
Enter your event announcements by going to the Flicker Weekly Listing Form
at
http://www.hi-beam.net/cgi-bin/thisweek.pl
The weekly listing is also available online at Flicker:
http://www.hi-beam.net
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