Have you seen Julien Quentel's recent film, Sidus Sideris, using
filters to separate while shooting (the same action, just about,
three times over), then projecting using three more or less
synchronised projectors ? It is interesting work. Contact me off-list
if you want his email.
david
Le 2 avr. 11 à 17:32, Ed Inman a écrit :
> Basically any color is darkened by a filter of the color opposite
> it on the color wheel (i.e. its complementary color), thus the red
> filter separates cyan; the green filter separates magenta; and the
> blue filter separates yellow.
> Ed
>
>
> -----Original Message-----
>> From: Daniela Zahlner <daniela.zahlner_at_gmx.at>
>> Sent: Apr 2, 2011 9:25 AM
>> To: frameworks_at_jonasmekasfilms.com
>> Subject: [Frameworks] color separation
>>
>> hello,
>> does anyone know how to exactly make a color separation?
>> i want to have a similar effect as in this film:
>>
>> http://www.lightcone.org/en/film-4886-3part-harmony-composition-in-
>> rgb-1.html
>>
>>
>> as far as i understood you shoot b/w film three times, each time
>> with another filter (or two?).
>> i found these numbers:
>> Wratten color separation filters
>> Filter no. 47 blue
>> 58 green
>> 25A red
>>
>> and then just print to color print stock?
>> and what if i shoot reversal?
>>
>>
>> does anyone have experience? any lead would be helpful!
>>
>> daniela
>> --
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David Kidman
http://www.davidkidman.com
david.kidman_at_gmail.com
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Received on Sat Apr 02 2011 - 09:01:18 CDT
