From: Jorge Lorenzo Flores Garza (email suppressed)
Date: Tue Jan 25 2011 - 07:04:13 PST
I agree with Roger, although I haven't seen Irma Vep. But it's true for most avant-garde techniques seen on traditional narratives nowadays. From Minority Report to Seven to the Lost TV series, almost everytime there is something that represents the mind's thoughts and personal visions it is of disturbing events or has reference to disturbing mental reactions. I am impressed at how much of the Brakhage aesthetic is used in commercial media and it always has this sense of disturbance and derrangement. I suppose it has to do with what Lev Manovich refers to the mainstream absorbing avant-garde techniques to create "new realities". Whereas we don't see flares necessarily in real life (like in a Brakhage film), this techniques are brought into the mainstream and used to represent experiences. And since a flare is just not what the mainstream uses on a daily basis to represent reality, it is then given a disturbing connotation.
Jorge L.
> From: email suppressed
> To: email suppressed
> Date: Tue, 25 Jan 2011 09:48:43 -0500
> Subject: Re: [Frameworks] Drama films and the Avant-Garde
>
> The final scene of Irma Vep has lots of etching and other direct animation techniques. (It's interesting/problematic, because the avant-garde section is figured as the product of a deranged genius in the context of a narrative film that's otherwise formally much more conservative.)
>
> ...
> Roger
>
> On Jan 25, 2011, at 5:17 AM, alrees wrote:
>
> > Dear Frameworkers,
> >
> > Can anyone suggest any drama/fiction/narrative films, from the last ten
> > years or so, that include 'avant-garde' sequences, references, tricks and
> > tropes? I'm looking for examples from both mainstream and arthouse
> > contemporary cinema movies that have avant-garde devices of any kind -
> > flicker, camerawork, blur, rapid cuts, flare-out, anything like that. All
> > suggestions will be gratefully received!
> >
> > Al Rees
> >
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> >
> >
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