Re: [Frameworks] shooting hi-con 16mm question

From: Freya (email suppressed)
Date: Mon Nov 29 2010 - 01:51:53 PST


If you are developing it yourself, you could maybe push it a stop to make it a bit faster?

love

Freya

--- On Mon, 11/29/10, DOMINIC ANGERAME <email suppressed> wrote:

> From: DOMINIC ANGERAME <email suppressed>
> Subject: Re: [Frameworks] shooting hi-con 16mm question
> To: "Experimental Film Discussion List" <email suppressed>
> Date: Monday, November 29, 2010, 12:04 AM
> If
> the asa is about 12 or less, it is almost impossible to
> shoot more than two hours after the sun is at its peak and
> three hours before. Almost impossible to shoot on rainy
> overcast days. You can try, however, it will probably look
> awful.
>
> Dominic
>
> From:
> k. a.r. <email suppressed>
> To:
> email suppressed
> Sent: Sun,
> November 14, 2010 11:37:10 AM
> Subject: Re:
> [Frameworks] shooting hi-con 16mm question
>
>
>
>
>
>
> San Francisco has been consistently sunny and bright enough
> for high con....
> come shoot here.
>
>
>
>
>
> Kristie Reinders, B.F.A.
>
> Director of Cinematography, Electric Visions
>
> Curator and Head Projectionist, Electric Mural Project
>
> The Mission, San Francisco, CA
>
>
>
> 'A first class technician should work best under
> pressure.'
>
> - - - Issac Asimov
>
>
>
> Date: Sun, 14 Nov 2010
> 10:59:33 -0800
> From: email suppressed
> To: email suppressed
> Subject: [Frameworks] shooting hi-con 16mm question
>
> Hey all, just had a question about shooting hi-con/print
> stock 16mm. Has anyone ever tried shooting it in overcast
> weather? The weather is pretty wintery here in California
> right now, and it's been hard to find a weekend
> that's both sunny and convenient for my one actor. Any
> help would be appreciated. Thanks!
>
>
> -charles
>
>
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