Re: [Frameworks] shooting hi-con 16mm question

From: Philippe Leonard (email suppressed)
Date: Sun Nov 28 2010 - 16:09:56 PST


I usually rate it at 8 ASA and shoot scenes with a high contrast
ratio; overcast days will obviously look really bad as there's not a
big ratio. You might want to throw in an additional light to build
contrast if you really have to shoot on a grey day.

Best,

Phil

On Sun, Nov 28, 2010 at 7:04 PM, DOMINIC ANGERAME
<email suppressed> wrote:
> If the asa is about 12 or less, it is almost impossible to shoot more than
> two hours after the sun is at its peak and three hours before. Almost
> impossible to shoot on rainy overcast days. You can try, however, it will
> probably look awful.
>
> Dominic
>
> ________________________________
> From: k. a.r. <email suppressed>
> To: email suppressed
> Sent: Sun, November 14, 2010 11:37:10 AM
> Subject: Re: [Frameworks] shooting hi-con 16mm question
>
> San Francisco has been consistently sunny and bright enough for high con....
> come shoot here.
>
>
>
>
>
> Kristie Reinders, B.F.A.
> Director of Cinematography, Electric Visions
> Curator and Head Projectionist, Electric Mural Project
> The Mission, San Francisco, CA
>
> 'A first class technician should work best under pressure.'
> - - - Issac Asimov
>
>
>
> ________________________________
> Date: Sun, 14 Nov 2010 10:59:33 -0800
> From: email suppressed
> To: email suppressed
> Subject: [Frameworks] shooting hi-con 16mm question
>
> Hey all, just had a question about shooting hi-con/print stock 16mm. Has
> anyone ever tried shooting it in overcast weather? The weather is pretty
> wintery here in California right now, and it's been hard to find a weekend
> that's both sunny and convenient for my one actor. Any help would be
> appreciated. Thanks!
>
> -charles
>
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