From: David Kidman (email suppressed)
Date: Sat Sep 04 2010 - 05:01:49 PDT
Hi Jennifer,
You should look at Alexander Hahn, who used a rain machine and a pond
as a viewing filter for the (cathode tube) screens of On The Nature of
Things.
Bon courage.
David
Sent from my iPod
On 4 sept. 2010, at 11:19, jennifer cadger <email suppressed> wrote:
> Dear Frameworks,
>
> I am currently a student at University of Central Lancashire (Uclan)
> where I am doing a BA (Hons) Fine Art. Last term my studio work led
> me into the realm of Expanded Cinema and for my finial submission I
> did an expanded cinema installation involving 3 experimental films
> and 3 overhead projectors each of which had moving images. On one of
> the projectors I had a clear plastic tub which had in it a washing
> machine glass bowl in which I had water, a water pump and the clear
> waterproof casing from a 35mm camera that created a moving image.
> Which was great, as an experiment, however totally unsuitable for
> public exhibition!
>
>
>
> I am posting to frameworks for help with researching my dissertation.
>
>
>
> I have chosen the working title of;
>
> “Exploration of water as a physical active component within Expanded
> Cinema”
>
>
>
> I have been inspired by;
>
> Chris Meigh-Andrews lecture series at Uclan
>
> John Wood and Paul Harrison; Harry Houdini (there's no escape that I
> can see) 1994
>
> Bradley Eros published article “There will be projections in all dim
> ensions” where he describes a projection from the New York Undergrou
> nd film festival 2000. Where an 8mm projector and a glass of whiskey
> was used to create “cinema but not film?” (What can I say I’m
> Scottish!)
>
> Zoe Redmans; She, Her, I. Which I saw recently at Street Level
> Photoworks in Glasgow
>
> Further research had uncovered;
>
> Robert Whitman; Two holes of water two (1966)
>
> Current Artists; Lenka Novakova and Michael Brown
>
> I was also intrigued by the recent listing for;
>
> Sites for seeing: Out of the Cineplex and into the Marshlands
> curated by Gerda Cammaer with whom I have already corresponded.
>
>
>
> I am aware that there is a lot of artist who have worked with film/
> video etc where water has been an integral part of the projected
> image/installation i.e.; Chris Meigh-Andrews; Eau d'Artifice.
>
>
>
> However I am looking for examples of artists work where the water is
> physically present (preferably moving) in the gallery space or like
> “Sites for seeing: Out of the Cineplex and into the Marshlands”
> where the projection has been taken out of the gallery space and int
> o a watery environment.
>
>
>
> This is my first post and I have been watching frameworks since my
> trip to “no.w.here” earlier on this year, so I am sure that I
> will (hopefully) spark some discussion!
>
> “Let the deluge begin!” (Sorry couldn’t help myself!)
>
>
>
> Hence, I would appreciate your help in this research and would ask
> that if you have detailed information like Journal article, artist,
> date, book title and page number or artist’s web site etc. That woul
> d be great! As searching JSTOR or Google for Expanded Cinema and wat
> er doesn’t get you very far! Also if you are aware of any up and com
> ing exhibitions in the UK that would be relevant that would be great
> too!
>
>
>
> I would also ask Permission from the administrator of frameworks to
> cite any discussions that occur in relation to this post.
>
>
>
> Thank you
>
> Jennifer Cadger
>
>
>
>
>
>
>
>
>
>
>
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