From: Myron Ort (email suppressed)
Date: Tue Mar 30 2010 - 13:28:36 PDT
I do not understand why 24 is a better way to go than 29.97. I do not
pretend to understand very much of any of this. But, every expert I
talk to seems to have a different answer. All I want to do is be able
to make a dvd with my handpainted films showing at approximately
silent speed which seems like is would be exactly half of the 29.97.
And I understand that when you telecine transfer at 29.97 you are
getting every frame. I could either do a rate change in fcp to "15
frames per second" or figure out how to have fcp do every frame
twice. I have to then convey this to the friend who helps me with
the fcp work.
MO
On Mar 30, 2010, at 12:54 PM, Dave Andrae wrote:
> My advice would be to get your film transferred in 24p, and then
> once you have the transferred footage, play it at half speed.
> Technically if it's playing at exactly 50% there should be no
> ghosting, but if there is you can easily make an image sequence of
> your footage and then import it all back into FCP and make the
> duration of each individual tiff two frames in length instead of
> one on your timeline. (Just remember to adjust the duration in your
> preferences before importing.)
>
> Regards,
>
> Dave
>
>
>
> On Tue, Mar 30, 2010 at 3:26 PM, Myron Ort <email suppressed> wrote:
> I have hand painted footage. I was thinking of having the telecine
> transfer at 29.97 and then in FCP ramp it down to half that speed.
> Anyone done this using Final Cut? Any pointers on how to best
> achieve this? I wanted to preserve each frame without weird
> artifacts, and to have the final dvd result run smooth.
>
> Myron Ort
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
>
> --
> http://www.dave-andrae.com
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.