From: rebecca meyers (email suppressed)
Date: Wed Jan 20 2010 - 10:37:51 PST
One of the reasons Leighton Pierce switched to video was because of the
limits of 16mm sound. I may be able to find an interview where he mentions
this, if you're interested. Or you could ask him... And James Benning has
said he is done with 16mm, due to problems with labs and projection, etc. I
think he's discussed this a lot lately in interviews, including a recent
On Wed, Jan 20, 2010 at 1:10 PM, Pip Chodorov <email suppressed>wrote:
> There are also a lot of young artists switching over from video to film,
> particularly in eastern Europe.
> When working by hand with chemicals, film does happen to be cheaper, and
> more personal than electronic technologies.
> You could post your question on the "Forum" section of the Film Labs site
> -Pip Chodorov
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.