From: Nicky Hamlyn (email suppressed)
Date: Tue Dec 15 2009 - 23:13:59 PST
A small light box and a camera with extension tubes also works well.
The light box will have colour-correct light for tungsten film.
Nicky Hamlyn.
On 16 Dec 2009, at 04:24, robbie wrote:
> Caryn, i use a slide duplicator device to reproduce my film stills.
> it's simple machine with a diffused background to illuminate the
> still and a bellows with a lens on one side and 35mm camera on
> other. the lens i use is a Nikkor 50mm (also used for enlargers)
> good for close-ups.
> the film is either tungsten balanced slide film, ie. Kodak 64T or i
> use negative, which provides greater exposure latitude. the color
> neg. still film is either daylight or tungsten., i can correct
> easier in post stage.
> printing is either the Illfordchrome process, lab C-print or i'll
> settle for high rez scan for digital print out.
>
>
> --- On Tue, 12/15/09, Caryn Cline <email suppressed> wrote:
>
> From: Caryn Cline <email suppressed>
> Subject: 16mm single frame stills?
> To: email suppressed
> Date: Tuesday, December 15, 2009, 7:34 AM
>
> Dear Frameworkers,
>
> ss="MsoNormal">
>
> I am interested in creating stills from some of my 16mm film frames
> to be reproduced as prints. How should I go about doing this, in
> order to get high quality prints? (The negatives have already been
> digitized.) Does anyone in New York have the analog set up to do
> this, going from a workprint (which I also have) to 35mm?
>
>
> Many thanks,
>
>
> Caryn
>
>
> --
> Caryn Cline
> New York City and Seattle
>
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.