Re: FRAMEWORKS Digest - 28 Feb 2009 to 1 Mar 2009 - Special issue (#2009-162)

From: Dennis Miller (email suppressed)
Date: Sun Mar 01 2009 - 11:39:30 PST


You have to contact the owner of the copyright, which is usually the
publisher if it is a commercial recording. You will need a mechanical
license to transfer the music from its original media to your DVD/miniDV,
whatever, and public performance rights for the use.
best,
dm
----- Original Message -----
From: "FRAMEWORKS automatic digest system" <email suppressed>
To: <email suppressed>
Sent: Sunday, March 01, 2009 3:00 AM
Subject: FRAMEWORKS Digest - 28 Feb 2009 to 1 Mar 2009 - Special issue
(#2009-162)

> There are 9 messages totalling 589 lines in this issue.
>
> Topics in this special issue:
>
> 1. Free Movieola Flatbed in Burbank
> 2. Los Angeles Filmforum Q&As on You Tube (3)
> 3. music rights (3)
> 4. Ouat Media
> 5. Los Angeles Filmforum Q&As on You Tub
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
> ----------------------------------------------------------------------
>
> Date: Sat, 28 Feb 2009 15:15:34 -0600
> From: Larry Urbanski <email suppressed>
> Subject: Free Movieola Flatbed in Burbank
>
> Saw this posting on a forum:
> Free 6 plate Moviola flat bed. Good condition. Pick up only from Burbank.
>
> Must be picked up by Thursday March 5th. You will need a truck and I will
> help you load it. Feel free to give me a call. 310-401-4518. Shane
> Glander
>
>
>
> ****************************************************
>
> Visit Urbanski Film's Websites for film, equipment, supplies:
> http://www.urbanskifilm.com
> http://www.presstapes.com
> Visit Moviecraft home Video's online catalog at:
> http://www.moviecraft.com
> Larry Urbanski
> 708-460-9082
>
>
> ****************************************************
>
>
>
>
>
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
> ------------------------------
>
> Date: Sat, 28 Feb 2009 13:21:41 -0800
> From: Adam Hyman <email suppressed>
> Subject: Los Angeles Filmforum Q&As on You Tube
>
> Hi,
>
> Interested in hearing some Q&As with filmmakers that you can't attend?
> Los Angeles Filmforum has started to post our Q&As, videotaped in a rather
> raw but effective-enough manner by volunteers, to You Tube for your
> viewing
> pleasure in 10-minute increments. More to come as we digitize and get
> permissions, but currently available are Q&As with James Benning and
> Walter
> Ungerer.
> In the future, you can always click on You Tube and search for
> LAFilmforum,
> but here is an initial link:
> http://www.youtube.com/results?search_type=&search_query=LAFilmforum
>
> Best regards,
>
> Adam Hyman
> Los Angeles Filmforum
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
> ------------------------------
>
> Date: Sat, 28 Feb 2009 16:08:54 -0600
> From: Scott Stark <email suppressed>
> Subject: music rights
>
> Hi, can anyone point me to a resource or advice about how to obtain music
> rights for an existing recording, for use in a film? Thanks.
>
> Scott
> www.scottstark.com
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
> ------------------------------
>
> Date: Sat, 28 Feb 2009 17:35:54 -0500
> From: Ellen Trost <email suppressed>
> Subject: Re: music rights
>
> Brooke Wentz is an expert on the subject, right in San Francisco.
>
> http://www.rightsworkshop.com
>
>
> On Feb 28, 2009, at 5:08 PM, Scott Stark wrote:
>
>> Hi, can anyone point me to a resource or advice about how to obtain
>> music rights for an existing recording, for use in a film? Thanks.
>>
>> Scott
>> www.scottstark.com
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
> ------------------------------
>
> Date: Sat, 28 Feb 2009 16:40:12 -0800
> From: Adam Hyman <email suppressed>
> Subject: Re: music rights
>
>> This message is in MIME format. Since your mail reader does not
>> understand
> this format, some or all of this message may not be legible.
>
> --B_3318684014_13767722
> Content-type: text/plain;
> charset="ISO-8859-1"
> Content-transfer-encoding: quoted-printable
>
> You need two licenses:
> 1. Sync - with the publisher of the song (identify the publisher by doing
> a
> search on BMI or ASCAP, then contact them with that contact information.
> http://www.bmi.com/
> http://www.ascap.com/index.html
>
> BMI had a page on doing licensing as well. You should come up with an
> idea
> of what rights you want before contacting the publisher.
> http://www.bmi.com/licensing/entry/533606
>
> 2. Master - for use of the actual recording, usually held by the recording
> company
>
> You DO NOT need a BMI or ASCAP license =AD those are for restaurants,
> radio,
> etc.
> Just start with a title search on BMI & ASCAP. Ideally the CD from which
> you took the somg will indicate with which service the publishing is
> listed=
> .
> Should also list the publisher. And the label that made the CD will
> probably be the owner of the Master rights, unless otherwise indicated.
>
> I=B9m sure there are various other web pages that lay it out as well.
>
> Best,
>
> Adam
>
>
> On 2/28/09 2:35 PM, "Ellen Trost" <email suppressed> wrote:
>
>> Brooke Wentz is an expert on the subject, right in San Francisco.
>>=20
>> http://www.rightsworkshop.com
>>=20
>>=20
>> On Feb 28, 2009, at 5:08 PM, Scott Stark wrote:
>>=20
>>> Hi, can anyone point me to a resource or advice about how to obtain
>>> music rights for an existing recording, for use in a film? Thanks.
>>>=20
>>> Scott
>>> www.scottstark.com
>>>=20
>>>=20
>>> __________________________________________________________________
>>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>=20
>>=20
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
> --B_3318684014_13767722
> Content-type: text/html;
> charset="ISO-8859-1"
> Content-transfer-encoding: quoted-printable
>
> <HTML>
> <HEAD>
> <TITLE>Re: music rights</TITLE>
> </HEAD>
> <BODY>
> <FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN
> STYLE=3D'font-size:12.0px'>You n=
> eed two licenses:<BR>
> 1. Sync - with the publisher of the song (identify the publisher by doing
> a=
> search on BMI or ASCAP, then contact them with that contact information.
> &n=
> bsp;<BR>
> <a href=3D"http://www.bmi.com/">http://www.bmi.com/> <BR>
> <a
> href=3D"
http://www.ascap.com/index.html">http://www.ascap.com/index.html=
> a><BR>
> <BR>
> BMI had a page on doing licensing as well. &nbsp;You should come up with
> an=
> idea of what rights you want before contacting the publisher.<BR>
> <a
> href=3D"
http://www.bmi.com/licensing/entry/533606">http://www.bmi.com/lice=
> nsing/entry/533606</a><BR>
> <BR>
> 2. Master - for use of the actual recording, usually held by the recording
> =
> company<BR>
> <BR>
> You DO NOT need a BMI or ASCAP license &#8211; those are for restaurants,
> r=
> adio, etc.<BR>
> Just start with a title search on BMI &amp; ASCAP. &nbsp;Ideally the CD
> fro=
> m which you took the somg will indicate with which service the publishing
> is=
> listed. &nbsp;Should also list the publisher. &nbsp;And the label that
> made=
> the CD will probably be the owner of the Master rights, unless otherwise
> in=
> dicated.<BR>
> <BR>
> I&#8217;m sure there are various other web pages that lay it out as
> well.<B=
> R>
> <BR>
> Best,<BR>
> <BR>
> Adam<BR>
> <BR>
> <BR>
> On 2/28/09 2:35 PM, &quot;Ellen Trost&quot; &lt;email suppressed&gt;
> wr=
> ote:<BR>
> <BR>
> <FONT COLOR=3D"#0000FF">&gt; Brooke Wentz is an expert on the subject,
> right =
> in San Francisco.<BR>
> &gt; <BR>
> &gt; <a
> href=3D"http://www.rightsworkshop.com">http://www.rightsworkshop.com<=
> /a><BR>
> &gt; <BR>
> &gt; <BR>
> &gt; On Feb 28, 2009, at 5:08 PM, Scott Stark wrote:<BR>
> &gt; <BR>
> </FONT><FONT COLOR=3D"#008000">&gt;&gt; Hi, can anyone point me to a
> resource=
> or advice about how to obtain &nbsp;<BR>
> &gt;&gt; music rights for an existing recording, for use in a film?
> Thanks.=
> <BR>
> &gt;&gt; <BR>
> &gt;&gt; Scott<BR>
> &gt;&gt; www.scottstark.com<BR>
> &gt;&gt; <BR>
> &gt;&gt; <BR>
> &gt;&gt;
> __________________________________________________________________=
> <BR>
> &gt;&gt; For info on FrameWorks, contact Pip Chodorov at
> &lt;email suppressed=
> m&gt;.<BR>
> </FONT><FONT COLOR=3D"#0000FF">&gt; <BR>
> &gt; <BR>
> &gt;
> __________________________________________________________________<BR>
> &gt; For info on FrameWorks, contact Pip Chodorov at
> &lt;email suppressed&gt=
> ;.<BR>
> </FONT></SPAN></FONT>
> </BODY>
> </HTML>
>
> <p>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at &lt;email suppressed&gt;.
> <p>
>
> --B_3318684014_13767722--
>
> ------------------------------
>
> Date: Sat, 28 Feb 2009 19:38:39 -0500
> From: Bruce Checefsky <email suppressed>
> Subject: Ouat Media
>
> Has anyone worked with Ouat Media, the short film distributor from
> Toronto?
> ____________________________________________
> Bruce Checefsky | Director of Reinberger Galleries
> Voice: 216-421-7407 | email suppressed
> The Cleveland Institute of Art | 11141 East Boulevard, Cleveland, OH 44106
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
> ------------------------------
>
> Date: Sat, 28 Feb 2009 17:12:31 -0800
> From: Mark Toscano <email suppressed>
> Subject: Re: Los Angeles Filmforum Q&As on You Tube
>
> This is excellent, and I highly recommend folks check these out, and keep
> tabs on Adam's postings of them.
>
> I'm curious, how many other venues/organizations out there are routinely
> taping and trying to upload their artist appearances like this?
>
> mt
>
>
> --- On Sat, 2/28/09, Adam Hyman <email suppressed> wrote:
>
>> From: Adam Hyman <email suppressed>
>> Subject: [FRAMEWORKS] Los Angeles Filmforum Q&As on You Tube
>> To: email suppressed
>> Date: Saturday, February 28, 2009, 1:21 PM
>> Hi,
>>
>> Interested in hearing some Q&As with filmmakers that
>> you can't attend?
>> Los Angeles Filmforum has started to post our Q&As,
>> videotaped in a rather
>> raw but effective-enough manner by volunteers, to You Tube
>> for your viewing
>> pleasure in 10-minute increments. More to come as we
>> digitize and get
>> permissions, but currently available are Q&As with
>> James Benning and Walter
>> Ungerer.
>> In the future, you can always click on You Tube and search
>> for LAFilmforum,
>> but here is an initial link:
>> http://www.youtube.com/results?search_type=&search_query=LAFilmforum
>>
>> Best regards,
>>
>> Adam Hyman
>> Los Angeles Filmforum
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at
>> <email suppressed>.
>
>
>
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
> ------------------------------
>
> Date: Sun, 1 Mar 2009 00:38:45 -0500
> From: James Cole <email suppressed>
> Subject: Re: Los Angeles Filmforum Q&As on You Tub
>
> --000e0cd248fa907fdd0464081d5b
> Content-Type: text/plain; charset=ISO-8859-1
> Content-Transfer-Encoding: 7bit
>
> The Harvard Film Archive seems to have started making audio recordings
> (which means tedious passing around of audience mics), but I don't know
> what
> they plan on doing with them.
>
> On Sat, Feb 28, 2009 at 8:12 PM, Mark Toscano <email suppressed> wrote:
>
>> This is excellent, and I highly recommend folks check these out, and keep
>> tabs on Adam's postings of them.
>>
>> I'm curious, how many other venues/organizations out there are routinely
>> taping and trying to upload their artist appearances like this?
>>
>> mt
>>
>>
>> --- On Sat, 2/28/09, Adam Hyman <email suppressed> wrote:
>>
>> > From: Adam Hyman <email suppressed>
>> > Subject: [FRAMEWORKS] Los Angeles Filmforum Q&As on You Tube
>> > To: email suppressed
>> > Date: Saturday, February 28, 2009, 1:21 PM
>> > Hi,
>> >
>> > Interested in hearing some Q&As with filmmakers that
>> > you can't attend?
>> > Los Angeles Filmforum has started to post our Q&As,
>> > videotaped in a rather
>> > raw but effective-enough manner by volunteers, to You Tube
>> > for your viewing
>> > pleasure in 10-minute increments. More to come as we
>> > digitize and get
>> > permissions, but currently available are Q&As with
>> > James Benning and Walter
>> > Ungerer.
>> > In the future, you can always click on You Tube and search
>> > for LAFilmforum,
>> > but here is an initial link:
>> > http://www.youtube.com/results?search_type=&search_query=LAFilmforum
>> >
>> > Best regards,
>> >
>> > Adam Hyman
>> > Los Angeles Filmforum
>> >
>> >
>> > __________________________________________________________________
>> > For info on FrameWorks, contact Pip Chodorov at
>> > <email suppressed>.
>>
>>
>>
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
> --000e0cd248fa907fdd0464081d5b
> Content-Type: text/html; charset=ISO-8859-1
> Content-Transfer-Encoding: quoted-printable
>
> The Harvard Film Archive seems to have started making audio recordings
> (whi=
> ch means tedious passing around of audience mics), but I don&#39;t know
> wha=
> t they plan on doing with them.<br><br><div class=3D"gmail_quote">On Sat,
> F=
> eb 28, 2009 at 8:12 PM, Mark Toscano <span dir=3D"ltr">&lt;<a
> href=3D"mailt=
> o:email suppressed</a>&gt;</span> wrote:<br>
> <blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204,
> =
> 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">This is
> excellent=
> , and I highly recommend folks check these out, and keep tabs on
> Adam&#39;s=
> postings of them.<br>
>
> <br>
> I&#39;m curious, how many other venues/organizations out there are
> routinel=
> y taping and trying to upload their artist appearances like this?<br>
> <br>
> mt<br>
> <br>
> <br>
> --- On Sat, 2/28/09, Adam Hyman &lt;<a
> href=3D"mailto:email suppressed=
> T">email suppressed</a>&gt; wrote:<br>
> <br>
> &gt; From: Adam Hyman &lt;<a
> href=3D"mailto:email suppressed">amleon1=
> email suppressed</a>&gt;<br>
> &gt; Subject: [FRAMEWORKS] Los Angeles Filmforum Q&amp;As on You Tube<br>
> &gt; To: <a
> href=3D"mailto:email suppressed">(address suppressed)=
> .AOL.COM</a><br>
> &gt; Date: Saturday, February 28, 2009, 1:21 PM<br>
> &gt; Hi,<br>
> &gt;<br>
> &gt; Interested in hearing some Q&amp;As with filmmakers that<br>
> &gt; you can&#39;t attend?<br>
> &gt; Los Angeles Filmforum has started to post our Q&amp;As,<br>
> &gt; videotaped in a rather<br>
> &gt; raw but effective-enough manner by volunteers, to You Tube<br>
> &gt; for your viewing<br>
> &gt; pleasure in 10-minute increments. =A0More to come as we<br>
> &gt; digitize and get<br>
> &gt; permissions, but currently available are Q&amp;As with<br>
> &gt; James Benning and Walter<br>
> &gt; Ungerer.<br>
> &gt; In the future, you can always click on You Tube and search<br>
> &gt; for LAFilmforum,<br>
> &gt; but here is an initial link:<br>
> &gt; <a
> href=3D"http://www.youtube.com/results?search_type=3D&amp;search_qu=
> ery=3DLAFilmforum"
> target=3D"_blank">http://www.youtube.com/results?search_=
> type=3D&amp;search_query=3DLAFilmforum</a><br>
> &gt;<br>
> &gt; Best regards,<br>
> &gt;<br>
> &gt; Adam Hyman<br>
> &gt; Los Angeles Filmforum<br>
> &gt;<br>
> &gt;<br>
> &gt;
> __________________________________________________________________<br>
> &gt; For info on FrameWorks, contact Pip Chodorov at<br>
> &gt; &lt;<a href=3D"mailto:email suppressed</a>&gt;.<br>
> <br>
> <br>
> <br>
> <br>
> <br>
> __________________________________________________________________<br>
> For info on FrameWorks, contact Pip Chodorov at &lt;<a
> href=3D"mailto:PipCh=
> email suppressed</a>&gt;.<br>
> </blockquote></div><br>
> <p>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at &lt;email suppressed&gt;.
> <p>
>
> --000e0cd248fa907fdd0464081d5b--
>
> ------------------------------
>
> Date: Sun, 1 Mar 2009 00:00:35 -0800
> From: Steve Polta <email suppressed>
> Subject: Re: Los Angeles Filmforum Q&As on You Tube
>
> San Francisco Cinematheque makes audio recordings of presentations. This
> was done piecemeal and occasionally for a while and has been done fairly
> consistently for maybe the last year. (During the '70s and '80s this seems
> to have been done a lot as we have many recordings from these years.) We
> do not videotape and do not pass the mic around. The decision not do do
> these things is based on the feeling (based on experience) that such
> practices are distracting and feel intrusive or disruptive for those in
> literal attendance at events. The resulting recordings are certainly
> audible, and contain quality information, but are hardly "studio quality."
> Our plan is to actually create transcriptions of this material, which will
> be available online at some future point (hence my "call for transcribers"
> posted to this list in January.)
>
> Despite my comments against videotaping, I commend LA Film Forum for
> creating and sharing these video documents.
>
> Anyone interested in being involved (as a volunteer) in Cinematheque's
> transcription project is encouraged to contact me at
> (address suppressed) Researchers or folks otherwise curious about
> these recordings may inquire at the same address.
>
> â?"â?"â?"steve polta
> â?"â?"â?"archivist, san francisco cinematheque
>
> --- On Sat, 2/28/09, Mark Toscano <email suppressed> wrote:
>
>> From: Mark Toscano <email suppressed>
>> Subject: Re: Los Angeles Filmforum Q&As on You Tube
>> To: email suppressed
>> Date: Saturday, February 28, 2009, 5:12 PM
>> This is excellent, and I highly recommend folks check these
>> out, and keep tabs on Adam's postings of them.
>>
>> I'm curious, how many other venues/organizations out
>> there are routinely taping and trying to upload their artist
>> appearances like this?
>>
>> mt
>>
>>
>> --- On Sat, 2/28/09, Adam Hyman
>> <email suppressed> wrote:
>>
>> > From: Adam Hyman <email suppressed>
>> > Subject: [FRAMEWORKS] Los Angeles Filmforum Q&As
>> on You Tube
>> > To: email suppressed
>> > Date: Saturday, February 28, 2009, 1:21 PM
>> > Hi,
>> >
>> > Interested in hearing some Q&As with filmmakers
>> that
>> > you can't attend?
>> > Los Angeles Filmforum has started to post our
>> Q&As,
>> > videotaped in a rather
>> > raw but effective-enough manner by volunteers, to You
>> Tube
>> > for your viewing
>> > pleasure in 10-minute increments. More to come as we
>> > digitize and get
>> > permissions, but currently available are Q&As with
>> > James Benning and Walter
>> > Ungerer.
>> > In the future, you can always click on You Tube and
>> search
>> > for LAFilmforum,
>> > but here is an initial link:
>> >
>> http://www.youtube.com/results?search_type=&search_query=LAFilmforum
>> >
>> > Best regards,
>> >
>> > Adam Hyman
>> > Los Angeles Filmforum
>> >
>> >
>> >
>> __________________________________________________________________
>> > For info on FrameWorks, contact Pip Chodorov at
>> > <email suppressed>.
>>
>>
>>
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at
>> <email suppressed>.
>
>
>
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
> ------------------------------
>
> End of FRAMEWORKS Digest - 28 Feb 2009 to 1 Mar 2009 - Special issue
> (#2009-162)
> ********************************************************************************
>