From: Nicky Hamlyn (email suppressed)
Date: Sun Jan 04 2009 - 10:07:30 PST
The technology you desire already exists. It was prototyped by Martin
Sawyer, a film sound engineer in London: http://
www.filmsoundfacilities.co.uk
The very narrow space between the edge of the Super 16mm frame and
the celluloid edge is occupied by a synce pulse track that controls a
hard drive/player.
Nicky Hamlyn.
On 4 Jan 2009, at 17:41, marco poloni wrote:
> Hello all,
>
>
> Also, I'm interested in syncing sound. As there's no space for an
> optical track on S-16, I figured out the film should have a cue (eg
> a transparent frame) read by an optical diode that would send a
> signal to a device, eg Max MSP driving an MP3 reader, or some
> custom-made electronics driving a solid-state reader (eg “ProDVX
> F100 Digital Solid State Video Player” which is extensively used in
> art venues, museums, etc.).
>
> Thanks!
> Marco
>
> ------------------------------------------------
> Marco Poloni, Korsörer Strasse 1, D-10437 Berlin
> gsm +41.78.6322028, skype marcopoloni
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.