Re: film print.

From: Hassan Said (email suppressed)
Date: Fri Jun 27 2008 - 23:53:17 PDT


hi guys thanks for the response
kerry it would be great if you can email me the PDF.

On Fri, Jun 27, 2008 at 10:10 AM, Kerry Laitala <email suppressed> wrote:

> Dear Hassan,
>
> Well, Kodak makes a fine, grain tungsten-based 16mm color negative film
> stock (7212) Link posted below:
>
> http://motion.kodak.com/US/en/motion/Products/Production/Spotlight_on_16/16mm_Film_Products/Color_Negative_Films/7212/tech7212.htm
>
> My starting Exposure/ color balance combinations for this stock are:
> 100vlts., 20 Yellow, 20 magenta, ND.6, F8.
>
> The other option for greater color saturation, but you will have to use a
> Wrattin 80A filter because it is a daylight balanced film stock is the Kodak
> 7201, 50D, 16mm film stock. The consequence of using this stock would be
> that you would have to compensate to 2 stops of light loss. Both stocks have
> relatively fine grain,& good color saturation, and I have had extensive
> experience shooting these stocks on the optical printer.
>
>
> http://motion.kodak.com/US/en/motion/Products/Production/Spotlight_on_16/16mm_Film_Products/Color_Negative_Films/7201/tech7201.htm
>
> Of course, Fuji makes beautiful, 16mm color negative films stocks, but I
> haven't had as much experience with them as it's easier and cheaper to get
> short ends and re-cans of the Kodak stocks which will save you money.
>
> A couple of Fuji stocks that would proabbly yeild good results would be the
> Fuji, 60D 16mm film stock:
> http://www.fujifilm.com/products/motion_picture/lineup/f64d/index.html
>
> Again you would have to use the Wrattin #80A (dark blue), the consequence
> of using this would be that you would have to compensate to 2 stops of light
> loss. But again this is a fine grain stock that would give you great color
> saturation.
>
> The other option would be the Fuji 16mm film stock:
>
> http://www.fujifilm.com/products/motion_picture/lineup/eterna_vivid160/index.html
> The speed is greater, so you would have to use some darker ND filters to
> cut out some light.
>
> There are probably other stocks out there that I don't know about.
>
> Of course, Exposure/color balance tests are very useful before mastering
> the whole thing.
>
> Well, I hope that this helps, I have an optical printer pdf. file that I
> could e-mail to you that I give to my students when I give instruction on
> the he optical printer if it would be useful, but I don't know what your
> sequencer/ o.p set up is, so it might not all be pertinent. Good luck!!
>
> Best,
> Kerry Laitala
>
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> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>

-- 
Hassan M. Said
(845) 597-9468
email suppressed
www.HassanSaid.com
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.