From: Laida Lertxundi (email suppressed)
Date: Mon Jul 24 2006 - 03:03:53 PDT
I am looking for the contact info of the following people and I kindly request your help:
Sergei Loznitsa, (does not respond at email suppressed address)
From: Jeff Kreines <(address suppressed)>
Reply-To: Experimental Film Discussion List <(address suppressed)>
To: (address suppressed)
Subject: Re: camcorders
Date: Mon, 24 Jul 2006 03:50:37 -0500
>On Jul 24, 2006, at 3:01 AM, David Tetzlaff wrote:
>>Realize, though, that getting good sound is less a matter of
>>mic technology and more about skill in the field - avoiding ambient
>>and getting the mic close to the subject...
>I've always felt it's the RIGHT mic in the RIGHT place.
>The reason I am suggesting the Sony is that I think it's crazy to
>shoot SD video if you can shoot HDV for the same price. Even if you
> release your film in SD, the added resolution will help. And the
>Sony is the best of the bargains, at the moment -- the AU1 is a
>better choice but it costs more than the suggested budget, as does
>the right mic (Schoeps).
>Choice of mic depends on what you are recording. Sounds like there
>was a lot of music, which means stereo, and double system makes
>sense (obviously you have the MD or DAT (I'd go with MD) recorder
>and also the camera audio to work with in editing.
>For info on FrameWorks, contact Pip Chodorov at <(address suppressed)>.
__________________________________________________________________ For info on FrameWorks, contact Pip Chodorov at <(address suppressed)>.