From: fred truniger (email suppressed)
Date: Mon Jul 24 2006 - 08:28:06 PDT
you might be able to contact sergei loznitsa through his german
distributor: deckert distribution
Peterssteinweg 13 • 04107 Leipzig • Germany
Phone: +49 (0)341 215 66 38
Fax: +49 (0)341 215 66 39
e-mail: email suppressed
Am 24.07.2006 um 12:03 schrieb Laida Lertxundi:
> Dear Filmmakers
> I am looking for the contact info of the following people and I
> kindly request your help:
> Sergei Loznitsa, (does not respond at email suppressed address)
> Eve Heller
> Michelle Smith
> From: Jeff Kreines <email suppressed>
> Reply-To: Experimental Film Discussion List
> <email suppressed>
> To: email suppressed
> Subject: Re: camcorders
> Date: Mon, 24 Jul 2006 03:50:37 -0500
> >On Jul 24, 2006, at 3:01 AM, David Tetzlaff wrote:
> >>Realize, though, that getting good sound is less a matter of
> >>variations in
> >>mic technology and more about skill in the field - avoiding ambient
> >> noises
> >>and getting the mic close to the subject...
> >I've always felt it's the RIGHT mic in the RIGHT place.
> >The reason I am suggesting the Sony is that I think it's crazy to
> >shoot SD video if you can shoot HDV for the same price. Even if you
> > release your film in SD, the added resolution will help. And the
> >Sony is the best of the bargains, at the moment -- the AU1 is a
> >better choice but it costs more than the suggested budget, as does
> >the right mic (Schoeps).
> >Choice of mic depends on what you are recording. Sounds like there
> >was a lot of music, which means stereo, and double system makes
> >sense (obviously you have the MD or DAT (I'd go with MD) recorder
> >and also the camera audio to work with in editing.
> >For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.