From: db (email suppressed)
Date: Wed Jun 28 2006 - 20:05:54 PDT
I was recently informed of what sounds like an intriguing essay on
this very topic. I'll post the info when I get it again.
On Jun 28, 2006, at 6:39 PM, Michael Betancourt wrote:
> Now we're getting someplace! So there's no good or bad. :) I like that
> So when screening committees make decisions at experimental
> festivals (several have recently been discussed) what criteria
> determine who gets shown, not shown, who wins money, who doesn't?
> Even if we don't call these criteria good/bad, what should we be
> calling them?
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.