From: Cari Machet (email suppressed)
Date: Wed Jun 28 2006 - 21:33:20 PDT
wanted to add
that although 'everyone' loves flaming creatures
i don't "love" it but
i think it works as an artwork though
and i feel this way about many experimental works
(christmas on earth...)
and to b more mainstream
i really hated watching reservoir dogs
(walked in and out of the theatre +
my boyfriend had to talk me into staying)
+ hated dog day afternoon and midnight cowboy
but i think they work as art work
and should have been/needed to be made
On 6/28/06, db <email suppressed> wrote:
> Value judgments.
> I was recently informed of what sounds like an intriguing essay on
> this very topic. I'll post the info when I get it again.
> On Jun 28, 2006, at 6:39 PM, Michael Betancourt wrote:
> > Now we're getting someplace! So there's no good or bad. :) I like that
> > So when screening committees make decisions at experimental
> > festivals (several have recently been discussed) what criteria
> > determine who gets shown, not shown, who wins money, who doesn't?
> > Even if we don't call these criteria good/bad, what should we be
> > calling them?
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.