From: amanda christie (email suppressed)
Date: Thu Feb 16 2006 - 09:42:02 PST
if editing an original on 16 with a hot splicer, don't forget that the splices will show up in the frames, because you make your cut in the middle of the frame not at the edge.
whenever i have to edit an original in 16 without an a/b roll, i opt for tape splices because if you're careful and smooth enough, the tape lines line up with the frame lines and you don't see it. then i just warn the lab that i've tape spliced my neg.
vancouver, bc, canada
Steven Budden <email suppressed> wrote: Hello all,
A few more questions for you...
Does anyone have a Maier Hancock hot splicer to sell for 16mm?
Also, out of curiosity, how are the B & W reversal filmmakers doing? Still working in reversal, I hope?
And does anyone edit their original? I'm still trying to find my way... just researching some alternative (of course economical) working methods. (Also I just got a bunch of tri x 16mm so I'm trying to determine what I should do with it).
__________________________________________________________________ For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
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For info on FrameWorks, contact Pip Chodorov at <email suppressed>.