From: Jack Sargeant (email suppressed)
Date: Sun Jan 22 2006 - 01:13:51 PST
> "Really, Scary Mary, who gives a sh*t about your film? You act like
> you're trying to find a cure for cancer or stop the war in Irak. Boo
> frickin hoo, you can't get access to some photos for your movie.
> Didn't it ever occur to you that dokumentaries show at festivals
> without all the rights in place ALL THE TIME?
> We at the Spiritual Jazz Kollectiv can't always get the footage we
> want for our kollectiv movies, and you don't see us firing off a 'call
> to aktion' over it.
> Honestly, with such a hysterical attitude, its any wonder anybody is
> working with you at all. Are you making a film about Jack Smith or
> have you come to believe you are him?
> If you are so goshdarned obsessed to kapture every bit of Jack Smith
> in your movie, go dig up his corpse and parade it around Rotterdam,
> screaming and foaming at the mouth about what a victim you are. Or
> maybe the Move-On people should take up your kase?
> The Spiritual Jazz Kollectiv"
I don't care for getting involved in debates over ownership of Smith's
work (something that has been discussed here at length already), but I
have to say that I DO give a shit about Mary's film - indeed about any
filmmaker's film. I don't think the email was about rights but about
access to quality images, as Mary wrote:
"Their unprecedented contributions would have me featuring (in my high
definition finish) NONE of the Jack Smith photo-images I've chosen to
feature. And LOW RESOLUTION transparency scans and scans of scratched
CONTACT SHEETS of the images I have been allowed to see.."
I can't really see why you engage in childish insults either, if you
don't like Mary or her film then that's your choice, but why act like
assholes towards her personally?
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.