re: Kodalith--Miroddi in NYC, yes! they know the old-school ways, helpful
and inexpensive.
re: 35mm. So many workflows. It took me almost a year to figure out how to
do this in away that made sense to my circumstances and project. Everything
was shot in super 8 then transferred to digital (Cinelicoius). I considered
blowing up directly from s8 to 35 since it was technically possible *at
school* (couldnt afford it otherwise), but I didnt have capability to edit
in 35mm nor was I sure of how to handle soundtrack in this manner. We have a
Dig-to-film printer at school that my grad student miraculously discovered
could take a 35mm gate (with a little persuasion) so once we actaully found
the 35mm gate erp, I bought some short ends and did tests, aok. It was set
up for 16mm though so I had to do a few workarounds regarding framing, due
to the osundtrack being inside teh sprockets right? Had to go back into FCP
and re-frame and re-export. Anyway yeah. Shot s8, cut digital, reshot the
whole finished cut including titles onto 35 from the uncompressed quicktime,
sent digital soundtrack to NT Audio for optical, everything landed at
Colorlab where marriage took place. I realize this may be idiosyncratic, so
what else is new?
:-) J
On Fri, Apr 8, 2011 at 11:00 AM, <frameworks-request_at_jonasmekasfilms.com>wrote:
> Send FrameWorks mailing list submissions to
> frameworks_at_jonasmekasfilms.com
>
> To subscribe or unsubscribe via the World Wide Web, visit
> http://mailman-mail5.webfaction.com/listinfo/frameworks
> or, via email, send a message with subject or body 'help' to
> frameworks-request_at_jonasmekasfilms.com
>
> You can reach the person managing the list at
> frameworks-owner_at_jonasmekasfilms.com
>
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of FrameWorks digest..."
>
>
> Today's Topics:
>
> 1. Re: editing basics for 16mm (Bernard Roddy)
> 2. Re: editing basics for 16mm (sarah browne)
> 3. Re: super-8 gear in toulouse? (ev petrol)
> 4. super-8 splicing tape? (ev petrol)
> 5. Re: super-8 splicing tape? (Pip Chodorov)
> 6. Re: super-8 splicing tape? (ev petrol)
> 7. kodaliths in new york, toronto, or montreal? (Amanda Christie)
> 8. Super 8 to 35mm (and 16, too) (JB M)
> 9. Re: kodaliths in new york, toronto, or montreal? (40 Frames)
> 10. Re: Super 8 to 35mm (and 16, too) (Jason Halprin)
> 11. Re: kodaliths in new york, toronto, or montreal? (Amanda Christie)
> 12. Re: kodaliths in new york, toronto, or montreal? (Ed Inman)
> 13. Re: kodaliths in new york, toronto, or montreal? (Kathy Rugh)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Thu, 7 Apr 2011 14:46:28 -0700 (PDT)
> From: Bernard Roddy <roddybp_at_yahoo.com>
> Subject: Re: [Frameworks] editing basics for 16mm
> To: Experimental Film Discussion List <frameworks_at_jonasmekasfilms.com>
> Message-ID: <777813.69098.qm_at_web113914.mail.gq1.yahoo.com>
> Content-Type: text/plain; charset="us-ascii"
>
>
>
> Have a lab scan your workprint, bring that into final cut, edit your sound
> track
> to match that, add a two-pop wherever, and export audio to a CD. Have the
> neg.
> conformed to your print and send it with the CD to the lab for marrying
> optical
> track with image.
>
> BErnie
>
>
>
>
> ________________________________
> From: sarah browne <sarahjbrowne_at_yahoo.ie>
> To: Jason Halprin <jihalprin_at_yahoo.com>; Experimental Film Discussion List
> <frameworks_at_jonasmekasfilms.com>
> Sent: Thu, April 7, 2011 11:02:52 AM
> Subject: Re: [Frameworks] editing basics for 16mm
>
> Thanks for all that Jason. I'll be speaking to the negcutter
> tomorrow so
> will go over these things first thing before starting the edit.
>
> I haven't seen the (SD) telecine yet but I asked for it to be
> transferred
> to DVCAM with timecodes, so hopefully this will be sufficient? (I'm
> not
> familiar with the "window-burn" term)
>
> No soundtrack, which does simplify things a little!
>
> Thanks again for flagging those points,
>
> Best,
>
> Sarah
>
> On 07/04/2011 16:56, Jason Halprin wrote:
> Sarah,
> >
> >
> >There are many things to consider here, and I urge you to get
> in
> >touch with the negative cutter you plan to use on this
> project. He
> >or she will be able to answer your questions as they arise.
> >
> >
> >
> >Firstly, you will need to make sure to leave at least one
> frame for
> >splicing at the head of every shot in your sequence. Also, if
> you
> >are using the same shot more than once in your FCP timeline,
> there
> >only exists one physical version of this shot in your
> negative. In
> >order to use it twice in your print, a second copy will need
> to be
> >made in negative. Ask the lab you will be using about this,
> they
> >should be able to give a full explanation of the variables
> involved.
> >
> >
> >Likewise, did you get a window-burn of your edge code numbers
> with
> >your telecine? Was your telecine done SD (29.97 fps for NTSC,
> 25 fps
> >for PAL)? Without the edge code numbers from the negative
> linked to
> >each video frame (such as with a window burn), there will
> likely be
> >an added degree of difficulty in matching the negative to your
> video
> >edit.
> >
> >
> >Also, do you have a soundtrack? If so, you will likely
> encounter
> >synch issues, depending on how it was generated. The
> significance of
> >these issues will vary widely depending on the nature of the
> >soundtrack and how it is transfered to 16mm optical.
> >
> >
> >-Jason Halprin
> >
> >
> >
> >
> ________________________________
> From: sarah browne <sarahjbrowne_at_yahoo.ie>
> >To: frameworks_at_jonasmekasfilms.com
> >Sent: Thursday, April 7, 2011 8:33 AM
> >Subject: [Frameworks] editing basics for 16mm
> >
> >
> >Hello all,
> >
> >Newbie here. I have a telecined 16mm film to edit (on
> DVCAM
> >using FCP) before printing back to 16mm. I understand the
> EDL
> >process in principle but I'm just wondering if there are
> >particular practical things I need to watch out for when
> >printing back to film?
> >
> >I understand that I have to leave a frame for splicing if
> I use
> >the same shot twice for example, but I'm really not more
> >informed than that.
> >
> >Any advice or references appreciated.
> >
> >Sarah
> >
> >_______________________________________________
> >FrameWorks mailing list
> >FrameWorks_at_jonasmekasfilms.com
> >http://mailman-mail5.webfaction.com/listinfo/frameworks
> >
> >
> >
> > _______________________________________________ FrameWorks mailing list
> >FrameWorks_at_jonasmekasfilms.com
> >http://mailman-mail5.webfaction.com/listinfo/frameworks
> >
>
>
>
> -------------- next part --------------
> An HTML attachment was scrubbed...
> URL:
> http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20110407/76c40059/attachment-0001.html
>
> ------------------------------
>
> Message: 2
> Date: Fri, 08 Apr 2011 09:18:35 +0100
> From: sarah browne <sarahjbrowne_at_yahoo.ie>
> Subject: Re: [Frameworks] editing basics for 16mm
> To: Experimental Film Discussion List <frameworks_at_jonasmekasfilms.com>
> Message-ID: <4D9EC4DB.6090807_at_yahoo.ie>
> Content-Type: text/plain; charset="iso-8859-1"
>
> Thanks Bernard!
>
> On 07/04/2011 22:46, Bernard Roddy wrote:
> >
> >
> > Have a lab scan your workprint, bring that into final cut, edit your
> > sound track to match that, add a two-pop wherever, and export audio to
> > a CD. Have the neg. conformed to your print and send it with the CD
> > to the lab for marrying optical track with image.
> >
> > BErnie
> >
> > ------------------------------------------------------------------------
> > *From:* sarah browne <sarahjbrowne_at_yahoo.ie>
> > *To:* Jason Halprin <jihalprin_at_yahoo.com>; Experimental Film
> > Discussion List <frameworks_at_jonasmekasfilms.com>
> > *Sent:* Thu, April 7, 2011 11:02:52 AM
> > *Subject:* Re: [Frameworks] editing basics for 16mm
> >
> > Thanks for all that Jason. I'll be speaking to the negcutter tomorrow
> > so will go over these things first thing before starting the edit.
> >
> > I haven't seen the (SD) telecine yet but I asked for it to be
> > transferred to DVCAM with timecodes, so hopefully this will be
> > sufficient? (I'm not familiar with the "window-burn" term)
> >
> > No soundtrack, which does simplify things a little!
> >
> > Thanks again for flagging those points,
> >
> > Best,
> >
> > Sarah
> >
> > On 07/04/2011 16:56, Jason Halprin wrote:
> >> Sarah,
> >>
> >> There are many things to consider here, and I urge you to get in
> >> touch with the negative cutter you plan to use on this project. He or
> >> she will be able to answer your questions as they arise.
> >>
> >> Firstly, you will need to make sure to leave at least one frame for
> >> splicing at the head of every shot in your sequence. Also, if you are
> >> using the same shot more than once in your FCP timeline, there only
> >> exists one physical version of this shot in your negative. In order
> >> to use it twice in your print, a second copy will need to be made in
> >> negative. Ask the lab you will be using about this, they should be
> >> able to give a full explanation of the variables involved.
> >>
> >> Likewise, did you get a window-burn of your edge code numbers with
> >> your telecine? Was your telecine done SD (29.97 fps for NTSC, 25 fps
> >> for PAL)? Without the edge code numbers from the negative linked to
> >> each video frame (such as with a window burn), there will likely be
> >> an added degree of difficulty in matching the negative to your video
> >> edit.
> >>
> >> Also, do you have a soundtrack? If so, you will likely encounter
> >> synch issues, depending on how it was generated. The significance of
> >> these issues will vary widely depending on the nature of the
> >> soundtrack and how it is transfered to 16mm optical.
> >>
> >> -Jason Halprin
> >>
> >> ------------------------------------------------------------------------
> >> *From:* sarah browne <sarahjbrowne_at_yahoo.ie>
> >> *To:* frameworks_at_jonasmekasfilms.com
> >> *Sent:* Thursday, April 7, 2011 8:33 AM
> >> *Subject:* [Frameworks] editing basics for 16mm
> >>
> >> Hello all,
> >>
> >> Newbie here. I have a telecined 16mm film to edit (on DVCAM using
> >> FCP) before printing back to 16mm. I understand the EDL process in
> >> principle but I'm just wondering if there are particular practical
> >> things I need to watch out for when printing back to film?
> >> I understand that I have to leave a frame for splicing if I use the
> >> same shot twice for example, but I'm really not more informed than that.
> >>
> >> Any advice or references appreciated.
> >>
> >> Sarah
> >>
> >> _______________________________________________
> >> FrameWorks mailing list
> >> FrameWorks_at_jonasmekasfilms.com <mailto:FrameWorks_at_jonasmekasfilms.com>
> >> http://mailman-mail5.webfaction.com/listinfo/frameworks
> >>
> >>
> >>
> >> _______________________________________________
> >> FrameWorks mailing list
> >> FrameWorks_at_jonasmekasfilms.com
> >> http://mailman-mail5.webfaction.com/listinfo/frameworks
> >
> >
> > _______________________________________________
> > FrameWorks mailing list
> > FrameWorks_at_jonasmekasfilms.com
> > http://mailman-mail5.webfaction.com/listinfo/frameworks
> -------------- next part --------------
> An HTML attachment was scrubbed...
> URL:
> http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20110408/07bd9a2c/attachment-0001.html
>
> ------------------------------
>
> Message: 3
> Date: Fri, 8 Apr 2011 05:53:37 -0700 (PDT)
> From: ev petrol <epetrol2_at_yahoo.com>
> Subject: Re: [Frameworks] super-8 gear in toulouse?
> To: Experimental Film Discussion List <frameworks_at_jonasmekasfilms.com>
> Message-ID: <491920.77468.qm_at_web34302.mail.mud.yahoo.com>
> Content-Type: text/plain; charset="us-ascii"
>
> thanks!
> have an email for her by any chance? found their website but it's a bit
> enigmatic in the contact dept
> if your in arles lemme know btw, our friend ahmed nabil, from the
> biblioteca alexandrina, is there at the moment, you should meet him if
> you're in the hood
> cheers moira
>
> www.moiratierney.net
>
> www.soluscollective.org
>
> --- On Thu, 4/7/11, Pip Chodorov <frameworks_at_re-voir.com> wrote:
>
> From: Pip Chodorov <frameworks_at_re-voir.com>
> Subject: Re: [Frameworks] super-8 gear in toulouse?
> To: "Experimental Film Discussion List" <frameworks_at_jonasmekasfilms.com>
> Date: Thursday, April 7, 2011, 2:36 AM
>
> Try Simone Dompeyre at the Traverse Festival.
>
>
> At 12:44 -0700 6/04/11, ev petrol wrote:
> >hello all
> >any tips on where to find a good super-8 projector & viewer in toulouse?
> >cheers moira
> _______________________________________________
> FrameWorks mailing list
> FrameWorks_at_jonasmekasfilms.com
> http://mailman-mail5.webfaction.com/listinfo/frameworks
> -------------- next part --------------
> An HTML attachment was scrubbed...
> URL:
> http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20110408/462cff8c/attachment-0001.html
>
> ------------------------------
>
> Message: 4
> Date: Fri, 8 Apr 2011 06:00:48 -0700 (PDT)
> From: ev petrol <epetrol2_at_yahoo.com>
> Subject: [Frameworks] super-8 splicing tape?
> To: Experimental Film Discussion List <frameworks_at_jonasmekasfilms.com>
> Message-ID: <17689.68858.qm_at_web34307.mail.mud.yahoo.com>
> Content-Type: text/plain; charset="us-ascii"
>
> hello all
> any suggestions for the best place to get super-8 splice tape (for a CIR
> guillotine splicer) in europe? (i'm in marseille, but guessing online is my
> best bet ...?)
> cheers moira
>
> www.moiratierney.net
>
> www.soluscollective.org
>
> -------------- next part --------------
> An HTML attachment was scrubbed...
> URL:
> http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20110408/48797279/attachment-0001.html
>
> ------------------------------
>
> Message: 5
> Date: Fri, 8 Apr 2011 15:06:40 +0200
> From: Pip Chodorov <frameworks_at_re-voir.com>
> Subject: Re: [Frameworks] super-8 splicing tape?
> To: Experimental Film Discussion List <frameworks_at_jonasmekasfilms.com>
> Message-ID: <p0624086ec9c4b8c23c71_at_[10.0.1.9]>
> Content-Type: text/plain; charset="us-ascii" ; format="flowed"
>
> PEC in London (but we have a bunch in Paris if you're in a bind).
> -Pip
>
>
>
> At 6:00 -0700 8/04/11, ev petrol wrote:
> >hello all
> >any suggestions for the best place to get super-8 splice tape (for a
> >CIR guillotine splicer) in europe? (i'm in marseille, but guessing
> >online is my best bet ...?)
> >cheers moira
>
>
> ------------------------------
>
> Message: 6
> Date: Fri, 8 Apr 2011 06:10:58 -0700 (PDT)
> From: ev petrol <epetrol2_at_yahoo.com>
> Subject: Re: [Frameworks] super-8 splicing tape?
> To: Experimental Film Discussion List <frameworks_at_jonasmekasfilms.com>
> Message-ID: <320623.83725.qm_at_web34302.mail.mud.yahoo.com>
> Content-Type: text/plain; charset="us-ascii"
>
> cool! have a roll with me, but was thinking i should get 2 more as backup -
> if i can get them from you that'd be cool, if it suits you?
>
>
> www.moiratierney.net
>
> www.soluscollective.org
>
> --- On Fri, 4/8/11, Pip Chodorov <frameworks_at_re-voir.com> wrote:
>
> From: Pip Chodorov <frameworks_at_re-voir.com>
> Subject: Re: [Frameworks] super-8 splicing tape?
> To: "Experimental Film Discussion List" <frameworks_at_jonasmekasfilms.com>
> Date: Friday, April 8, 2011, 9:06 AM
>
> PEC in London (but we have a bunch in Paris if you're in a bind).
> -Pip
>
>
>
> At 6:00 -0700 8/04/11, ev petrol wrote:
> >hello all
> >any suggestions for the best place to get super-8 splice tape (for a
> >CIR guillotine splicer) in europe? (i'm in marseille, but guessing
> >online is my best bet ...?)
> >cheers moira
> _______________________________________________
> FrameWorks mailing list
> FrameWorks_at_jonasmekasfilms.com
> http://mailman-mail5.webfaction.com/listinfo/frameworks
> -------------- next part --------------
> An HTML attachment was scrubbed...
> URL:
> http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20110408/65557f88/attachment-0001.html
>
> ------------------------------
>
> Message: 7
> Date: Fri, 8 Apr 2011 11:15:05 -0300
> From: Amanda Christie <amanda_at_amandadawnchristie.ca>
> Subject: [Frameworks] kodaliths in new york, toronto, or montreal?
> To: Experimental Film Discussion List <frameworks_at_jonasmekasfilms.com>
> Message-ID:
> <EAB7BB88-9CAF-41C0-A8CE-69F78B78E369_at_amandadawnchristie.ca>
> Content-Type: text/plain; charset=US-ASCII; format=flowed; delsp=yes
>
> Hello Frameworkers,
>
> I'm still on the hunt for actual kodaliths... I'm sure someone must
> still print them in New York, Montreal, or Toronto. Does anyone have
> any leads?
>
> If not... can anyone recommend substitutes? The black transparencies
> made for silkscreen printing? I used transparencies made at a copy
> shop last time and it was no good... My film (the one with the car
> crash and wild animals in the cold cold winter) is done... but the
> credits are fucked and I need to reshoot... I really want to reshoot
> properly this time... just because re-neg-cutting and reprinting a 10
> minute 35mm film with sound is pricey... so I don't want to take any
> unnecessary risks or experiments this time.
>
> Thanks so much!
>
>
> Amanda Dawn Christie
> --------------------------------
> 506-871-2062
> www.amandadawnchristie.ca
> amanda_at_amandadawnchristie.ca
> _______________________________
>
>
>
> ------------------------------
>
> Message: 8
> Date: Fri, 8 Apr 2011 09:18:34 -0500
> From: JB M <jb.mabe_at_gmail.com>
> Subject: [Frameworks] Super 8 to 35mm (and 16, too)
> To: Experimental Film Discussion List <frameworks_at_jonasmekasfilms.com>
> Message-ID: <BANLkTik6v5com2Qkc9=-bYxHwue9X7R+Ng_at_mail.gmail.com>
> Content-Type: text/plain; charset=ISO-8859-1
>
> I feel like I've been seeing a bunch of Super 8 blowed up (real good)
> to 35mm recently at festivals... how are most folks doing this? using
> Andec? or are some scanning it and blowing up from the digital copy?
>
> Related question... anyone know how Helga Fanderl does her S8>16mm?
> Her work looks the best of all.
>
> Thanks!
> Josh Mabe
>
>
> ------------------------------
>
> Message: 9
> Date: Fri, 8 Apr 2011 08:03:16 -0700
> From: 40 Frames <info_at_40frames.org>
> Subject: Re: [Frameworks] kodaliths in new york, toronto, or montreal?
> To: Experimental Film Discussion List <frameworks_at_jonasmekasfilms.com>
> Message-ID: <BANLkTinbYm7F5dqu69JZpFwfp2HFdz9xxQ_at_mail.gmail.com>
> Content-Type: text/plain; charset="iso-8859-1"
>
> We had our titles made by Rock Ross, who uses Dolphin Graphics in SF to
> print the lithos. You might
> try contacting them to see what they use.
>
> My understanding is Kodaliths are gone?
>
>
> Alain
>
>
>
> On Fri, Apr 8, 2011 at 7:15 AM, Amanda Christie <
> amanda_at_amandadawnchristie.ca> wrote:
>
> > Hello Frameworkers,
> >
> > I'm still on the hunt for actual kodaliths... I'm sure someone must
> > still print them in New York, Montreal, or Toronto. Does anyone have
> > any leads?
> >
> > If not... can anyone recommend substitutes? The black transparencies
> > made for silkscreen printing? I used transparencies made at a copy
> > shop last time and it was no good... My film (the one with the car
> > crash and wild animals in the cold cold winter) is done... but the
> > credits are fucked and I need to reshoot... I really want to reshoot
> > properly this time... just because re-neg-cutting and reprinting a 10
> > minute 35mm film with sound is pricey... so I don't want to take any
> > unnecessary risks or experiments this time.
> >
> > Thanks so much!
> >
> >
> > Amanda Dawn Christie
> > --------------------------------
> > 506-871-2062
> > www.amandadawnchristie.ca
> > amanda_at_amandadawnchristie.ca
> > _______________________________
> >
> > _______________________________________________
> > FrameWorks mailing list
> > FrameWorks_at_jonasmekasfilms.com
> > http://mailman-mail5.webfaction.com/listinfo/frameworks
> >
>
>
>
> --
> 40 FRAMES
> Alain LeTourneau
> Pam Minty
>
> 40 FRAMES
> 5232 N Williams Ave
> Portland, Oregon 97217
> USA
>
> +1 503 231 6548
> www.40frames.org
> www.16mmdirectory.org
> www.emptyquarterfilm.org
> -------------- next part --------------
> An HTML attachment was scrubbed...
> URL:
> http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20110408/54a59b02/attachment-0001.html
>
> ------------------------------
>
> Message: 10
> Date: Fri, 8 Apr 2011 08:03:51 -0700 (PDT)
> From: Jason Halprin <jihalprin_at_yahoo.com>
> Subject: Re: [Frameworks] Super 8 to 35mm (and 16, too)
> To: Experimental Film Discussion List <frameworks_at_jonasmekasfilms.com>
> Message-ID: <529723.78588.qm_at_web161507.mail.bf1.yahoo.com>
> Content-Type: text/plain; charset="us-ascii"
>
> I just found Studio Gamma in Belgium, who does liquid-gate blow-ups from
> Super 8mm to both 16mm & 35mm. Anyone used them? They look like they know
> what they're doing, but I thought I'd get confirmation.
>
> -Jason Halprin
> -------------- next part --------------
> An HTML attachment was scrubbed...
> URL:
> http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20110408/6a1591fe/attachment-0001.html
>
> ------------------------------
>
> Message: 11
> Date: Fri, 8 Apr 2011 12:11:12 -0300
> From: Amanda Christie <amanda_at_amandadawnchristie.ca>
> Subject: Re: [Frameworks] kodaliths in new york, toronto, or montreal?
> To: Experimental Film Discussion List <frameworks_at_jonasmekasfilms.com>
> Message-ID:
> <FC668B2A-7049-4A72-B85A-9B108E39C4CF_at_amandadawnchristie.ca>
> Content-Type: text/plain; charset="us-ascii"
>
> Apparently Kodak doesn't make them so there are no more "kodaliths"
> per se... but Fuji still makes large high contrast sheet film... often
> used for silkscreen printing.
>
> I found a place in Toronto... has anyone used these guys and have
> feedback?
>
> Duff Graphics in Toronto: 905-760-1999
> an 11x17 costs $25
>
> you send them a vector file, they print it out on paper, then
> they shoot with a camera using high con Fuji film
> and they process the film photographically in chemistry
> they can print lith film up to 61" x 144"
>
>
> http://duffgraphics.ca/
> http://duffgraphics.ca/services.asp
>
>
>
>
>
> On 8-Apr-11, at 12:03 PM, 40 Frames wrote:
>
> >
> > We had our titles made by Rock Ross, who uses Dolphin Graphics in SF
> > to print the lithos. You might
> > try contacting them to see what they use.
> >
> > My understanding is Kodaliths are gone?
> >
> >
> > Alain
> >
> >
> >
> > On Fri, Apr 8, 2011 at 7:15 AM, Amanda Christie <
> amanda_at_amandadawnchristie.ca
> > > wrote:
> > Hello Frameworkers,
> >
> > I'm still on the hunt for actual kodaliths... I'm sure someone must
> > still print them in New York, Montreal, or Toronto. Does anyone have
> > any leads?
> >
> > If not... can anyone recommend substitutes? The black transparencies
> > made for silkscreen printing? I used transparencies made at a copy
> > shop last time and it was no good... My film (the one with the car
> > crash and wild animals in the cold cold winter) is done... but the
> > credits are fucked and I need to reshoot... I really want to reshoot
> > properly this time... just because re-neg-cutting and reprinting a 10
> > minute 35mm film with sound is pricey... so I don't want to take any
> > unnecessary risks or experiments this time.
> >
> > Thanks so much!
> >
> >
> > Amanda Dawn Christie
> > --------------------------------
> > 506-871-2062
> > www.amandadawnchristie.ca
> > amanda_at_amandadawnchristie.ca
> > _______________________________
> >
> > _______________________________________________
> > FrameWorks mailing list
> > FrameWorks_at_jonasmekasfilms.com
> > http://mailman-mail5.webfaction.com/listinfo/frameworks
> >
> >
> >
> > --
> > 40 FRAMES
> > Alain LeTourneau
> > Pam Minty
> >
> > 40 FRAMES
> > 5232 N Williams Ave
> > Portland, Oregon 97217
> > USA
> >
> > +1 503 231 6548
> > www.40frames.org
> > www.16mmdirectory.org
> > www.emptyquarterfilm.org
> >
> > _______________________________________________
> > FrameWorks mailing list
> > FrameWorks_at_jonasmekasfilms.com
> > http://mailman-mail5.webfaction.com/listinfo/frameworks
>
> -------------- next part --------------
> An HTML attachment was scrubbed...
> URL:
> http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20110408/2ca0d8ef/attachment-0001.html
>
> ------------------------------
>
> Message: 12
> Date: Fri, 8 Apr 2011 10:24:57 -0500 (GMT-05:00)
> From: Ed Inman <edinman_at_earthlink.net>
> Subject: Re: [Frameworks] kodaliths in new york, toronto, or montreal?
> To: Experimental Film Discussion List <frameworks_at_jonasmekasfilms.com>
> Message-ID:
> <
> 2114531.1302276297979.JavaMail.root_at_elwamui-darkeyed.atl.sa.earthlink.net>
>
> Content-Type: text/plain; charset="us-ascii"
>
> An HTML attachment was scrubbed...
> URL:
> http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20110408/0f728932/attachment-0001.html
>
> ------------------------------
>
> Message: 13
> Date: Fri, 8 Apr 2011 12:24:46 -0400
> From: Kathy Rugh <kathyrugh_at_gmail.com>
> Subject: Re: [Frameworks] kodaliths in new york, toronto, or montreal?
> To: Experimental Film Discussion List <frameworks_at_jonasmekasfilms.com>
> Message-ID: <BANLkTikVHA-qOPJhajzM-4PnmLc0n2dM3A_at_mail.gmail.com>
> Content-Type: text/plain; charset="iso-8859-1"
>
> In NYC I've used Miroddi Imaging. You can reach them at 212-244-3177. I
> had
> help from Tomas there last year.
>
> Good luck,
> Kathy
>
>
>
> --
> kathleenrugh.com
> -------------- next part --------------
> An HTML attachment was scrubbed...
> URL:
> http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20110408/775c7739/attachment-0001.html
>
> ------------------------------
>
> _______________________________________________
> FrameWorks mailing list
> FrameWorks_at_jonasmekasfilms.com
> http://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
> End of FrameWorks Digest, Vol 11, Issue 9
> *****************************************
>
--
www.jeanneliotta.net
_______________________________________________
FrameWorks mailing list
FrameWorks_at_jonasmekasfilms.com
http://mailman-mail5.webfaction.com/listinfo/frameworks
Received on Sat Apr 09 2011 - 07:25:17 CDT
