From: Bill Seery (email suppressed)
Date: Sat Jan 22 2011 - 09:42:39 PST
Apartment sublet, semi-furnished, possible long term
open floor through railroad apartment
2 Bedroom/Jr. 4
close to East Williamsburgh/Bushwick/Queens border
$1200/Month
includes heat
please email off list for more info
Bill Seery
email suppressed
212.627.8070
On Jan 22, 2011, at 11:15 AM, email suppressed
wrote:
> Send FrameWorks mailing list submissions to
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> Today's Topics:
>
> 1. Re: researching (jeanne LIOTTA)
> 2. Re: Rotterdam in Full (Jesse Lerner)
> 3. Re: Super 8 developing (E-6) (email suppressed)
> 4. Re: researching (John Matturri)
> 5. iotaCenter: submissions guide (Paul Shepherd)
> 6. The Soul of Things (DOMINIC ANGERAME)
> 7. Plus X film for sale (DOMINIC ANGERAME)
> 8. Re: Submitting to Edinburgh International Film Festival -
> updated information (Tenzin Phuntsog)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Fri, 21 Jan 2011 13:44:47 -0700
> From: jeanne LIOTTA <email suppressed>
> Subject: Re: [Frameworks] researching
> To: Experimental Film Discussion List <email suppressed>
> Message-ID:
> <AANLkTi=_f5Up3OX4rn=R+email suppressed>
> Content-Type: text/plain; charset="windows-1252"
>
> Once again thanks for all suggestions Frameworkers--you are my
> other brain.
>
> John Matturi's fascinating mention of mirror neurons reminded me of
> this
> article in Leonardo written by Thom Zummer on same, soon after this
> theory
> was first being discussed, link here for interested parties
>
> http://www.leonardo.info/LEA/DispersiveAnatomies/DA_zummer.pdf
>
> JmL
>
>
> On Thu, Jan 20, 2011 at 10:38 AM, jeanne LIOTTA
> <email suppressed> wrote:
>
>> Yes actaully he started with an image of Invisible Cinema! Very
>> interesting
>> suggestions JOhn, thank you!!
>> And Jason!
>>
>>
>> On Thu, Jan 20, 2011 at 6:33 AM, John Matturri
>> <email suppressed>wrote:
>>
>>> Can't think of any specifically cinematic text, but I suspect
>>> that there
>>> may be something that could be done here with mirror-neuron based
>>> simulation
>>> approaches to empathy. The (speculative) idea would be that the
>>> audience
>>> gets mutually in tune with each other through common responses to
>>> what's on
>>> screen. And whatever else may be going on that is the basis of
>>> the sense
>>> that one has of a surrounding audience. (Kubelka's original
>>> Invisible Cinema
>>> Anthology Film Archive theater would have been a great place to do
>>> comparative research on this.) Vittorio Galesse's writings would
>>> be a good
>>> place to start looking.
>>>
>>> j
>>>
>>>
>>> On 1/20/11 1:35 AM, jeanne LIOTTA wrote:
>>>
>>> Thank you for asking Maik--yes I am speaking specifically of *the
>>> affective experience of communal spectatorship in the cinema*--
>>> not so much
>>> sensuality /the gaze /touch etc. and teh texts thereof, which we
>>> are aware
>>> of.
>>>
>>> The Sobchack and Deleuze on the table now! but several other texts
>>> mentioned here seem useful, thanks to all.
>>>
>>> J.
>>>
>>> On Wed, Jan 19, 2011 at 8:27 PM, Maik Kleinschmidt <
>>> email suppressed> wrote:
>>>
>>>> Physiological as in a sensual, bodily or affective experience of
>>>> cinema?
>>>> From my own research I would recommend looking at the following (in
>>>> addition to what's been suggested in earlier posts):
>>>>
>>>> Cinema and Sensation: French film and the art of transgression -
>>>> Martine Beugnet
>>>>
>>>> On cinematic mimesis in Agnes Varda's The Gleaners and I:
>>>> 'The Poetics of a Potato: Documentary that Gets Under the
>>>> Skin?, Metro
>>>> 137, 126-131 - Anne Rutherford
>>>>
>>>> Le Corps concret: Of Bodily and Filmic Material Excess in.
>>>> Philippe
>>>> Grandrieux's Cinema<http://espace.library.uq.edu.au/eserv/UQ:
>>>> 120064/HAINGE.pdf> -
>>>> Greg Hainge
>>>>
>>>> Aside from Vivian Sobchack's work, Steven Shaviro's Cinematic
>>>> Body is
>>>> often referenced in this context, although he himself now seems to
>>>> regard <http://www.shaviro.com/Othertexts/Cinematic.pdf> it as
>>>> 'speculative'.
>>>>
>>>> This is on visual art, but I found that many things addressed
>>>> in here
>>>> apply to moving image just as well:
>>>> Francis Bacon: The Logic of Sensation - G. Deleuze (found it
>>>> much more
>>>> approachable than his texts on the cinema, not least because it is
>>>> comparatively compact)
>>>>
>>>> Lacan's theory of the Real might also be worth looking at in this
>>>> regard, depending on the scope of the research.
>>>>
>>>>
>>>> Maik
>>>>
>>>>
>>>> On 19 Jan 2011, at 22:33, jeanne LIOTTA wrote:
>>>>
>>>> Hello FW'ers
>>>>
>>>> I am advising a student who is doing research on the
>>>> relationship on the
>>>> cinematic experience to the physiological--any advice on texts
>>>> to offer ?
>>>>
>>>>
>>>>
>>>> --
>>>> www.jeanneliotta.net
>>>>
>>>> _______________________________________________
>>>> FrameWorks mailing list
>>>> email suppressed
>>>> http://mailman-mail5.webfaction.com/listinfo/frameworks
>>>>
>>>>
>>>>
>>>> _______________________________________________
>>>> FrameWorks mailing list
>>>> email suppressed
>>>> http://mailman-mail5.webfaction.com/listinfo/frameworks
>>>>
>>>>
>>>
>>>
>>> --
>>> www.jeanneliotta.net
>>>
>>>
>>> _______________________________________________
>>> FrameWorks mailing (address suppressed)://
>>> mailman-mail5.webfaction.com/listinfo/frameworks
>>>
>>>
>>>
>>> _______________________________________________
>>> FrameWorks mailing list
>>> email suppressed
>>> http://mailman-mail5.webfaction.com/listinfo/frameworks
>>>
>>>
>>
>>
>> --
>> www.jeanneliotta.net
>>
>>
>
>
> --
> www.jeanneliotta.net
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> ------------------------------
>
> Message: 2
> Date: Fri, 21 Jan 2011 12:45:25 -0800
> From: Jesse Lerner <email suppressed>
> Subject: Re: [Frameworks] Rotterdam in Full
> To: Experimental Film Discussion List <email suppressed>
> Message-ID:
> <AANLkTinj3hd2HLrLsDOEC9iEn9iyxJg9KSaQ+email suppressed>
> Content-Type: text/plain; charset="iso-8859-1"
>
> I have a screening at the Rotterdam Festival as well:
> "Atomic Sublime"
> 27/1 at 18:00 Lantaren Venster 2
> 28/1 at 18:00 Lantaren Venster 2
>
> All Frameworkers welcome!
>
> Jesse Lerner
>
> On Thu, Jan 20, 2011 at 8:30 AM, Pip Chodorov <(address suppressed)-
> voir.com>wrote:
>
>> I also have two films showing in Rotterdam:
>>
>> Screening dates for "Free Radicals:A History of Experimental Film"
>> 27/01 at 17:45 fenster 3
>> 28/01 at 13:45 fenster 3
>> 28/30 at 18:00 fenster 3
>>
>> Screening dates for "Charlemagne 3: Pastrami Recordings"
>> 28/01 at 22:30 fenster 1
>> 29/01 at 18:00 fenster 4
>>
>> -Pip Chodorov
>> _______________________________________________
>> FrameWorks mailing list
>> email suppressed
>> http://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>
>
>
> --
> Jesse Lerner
> 593 Glendale Blvd.
> Los Angeles, CA 90026 USA
> tel./fax: (213) 413-1333
> www.americanegypt.net
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> ------------------------------
>
> Message: 3
> Date: Fri, 21 Jan 2011 21:21:26 +0000
> From: "email suppressed>
> Subject: Re: [Frameworks] Super 8 developing (E-6)
> To: Experimental Film Discussion List <email suppressed>
> Message-ID: <email suppressed>
> Content-Type: text/plain; charset="us-ascii"
>
> Yes.
>
>
>
>
> On 21 Jan 2011, at 09:59, Kevin Timmins wrote:
>
>> Hi, firstly I want to thank everyone for all the advice from
>> previous posts! Couldn't have developed my Super 8 films without
>> you :)
>>
>> I have six more films for processing now... three ektachrome 64t's
>> and three ektachrome 100d's. I'm developing two films at a time in
>> my Lomo tank so my question is can I load a 64t and a 100d film into
>> the same tank at the same time for developing? Are all the steps for
>> developing 100d film exactly the same as for 64t (I've only ever
>> worked with 64t in the past you see).
>>
>> Any advice, greatly appreciated!
>>
>> Best
>> Kevin
>> _______________________________________________
>> FrameWorks mailing list
>> email suppressed
>> http://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
> email suppressed
>
>
>
>
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>
> ------------------------------
>
> Message: 4
> Date: Fri, 21 Jan 2011 16:37:15 -0500
> From: John Matturri <email suppressed>
> Subject: Re: [Frameworks] researching
> To: Experimental Film Discussion List <email suppressed>
> Message-ID: <email suppressed>
> Content-Type: text/plain; charset="windows-1252"
>
> Thanks for the cite.
>
> Not sure how much your student wants to go into the underpinnings or
> stay with readings directly about film, but when teaching about
> emotional reactions to film (usually done through a long point-by-
> point
> argument against Noel Carroll's very intellectualist/propositionalist
> theory of horror) I've really found it useful to use some of the
> revivals of more physiological-based philosophical theories of
> emotion,
> especially Jesse Prinz' book Gut Reactions. I know Prinz is a movie
> fan
> but don't know if he has especially written about film and
> emotions. Not
> sure how this would be extended to collective responses or whether
> Prinz
> has at all tried to make connections to mirror neurons, which I've
> hand-waved in the direction of in those courses.
>
> j
>
>
>
> On 1/21/11 3:44 PM, jeanne LIOTTA wrote:
>> Once again thanks for all suggestions Frameworkers--you are my other
>> brain.
>>
>> John Matturi's fascinating mention of mirror neurons reminded me of
>> this article in Leonardo written by Thom Zummer on same, soon after
>> this theory was first being discussed, link here for interested
>> parties
>>
>> http://www.leonardo.info/LEA/DispersiveAnatomies/DA_zummer.pdf
>>
>> JmL
>>
>>
>> On Thu, Jan 20, 2011 at 10:38 AM, jeanne LIOTTA <email suppressed
>> <mailto:email suppressed>> wrote:
>>
>> Yes actaully he started with an image of Invisible Cinema! Very
>> interesting suggestions JOhn, thank you!!
>> And Jason!
>>
>>
>> On Thu, Jan 20, 2011 at 6:33 AM, John Matturri
>> <email suppressed>> wrote:
>>
>> Can't think of any specifically cinematic text, but I suspect
>> that there may be something that could be done here with
>> mirror-neuron based simulation approaches to empathy. The
>> (speculative) idea would be that the audience gets
>> mutually in
>> tune with each other through common responses to what's on
>> screen. And whatever else may be going on that is the
>> basis of
>> the sense that one has of a surrounding audience. (Kubelka's
>> original Invisible Cinema Anthology Film Archive theater
>> would
>> have been a great place to do comparative research on this.)
>> Vittorio Galesse's writings would be a good place to start
>> looking.
>>
>> j
>>
>>
>> On 1/20/11 1:35 AM, jeanne LIOTTA wrote:
>>> Thank you for asking Maik--yes I am speaking specifically of
>>> *the affective experience of communal spectatorship in the
>>> cinema*--not so much sensuality /the gaze /touch etc. and
>>> teh texts thereof, which we are aware of.
>>>
>>> The Sobchack and Deleuze on the table now! but several other
>>> texts mentioned here seem useful, thanks to all.
>>>
>>> J.
>>>
>>> On Wed, Jan 19, 2011 at 8:27 PM, Maik Kleinschmidt
>>> <email suppressed
>>> <mailto:email suppressed>> wrote:
>>>
>>> Physiological as in a sensual, bodily or affective
>>> experience of cinema?
>>> From my own research I would recommend looking at the
>>> following (in addition to what's been suggested in
>>> earlier posts):
>>>
>>> Cinema and Sensation: French film and the art of
>>> transgression - Martine Beugnet
>>>
>>> On cinematic mimesis in Agnes Varda's The Gleaners
>>> and I:
>>> 'The Poetics of a Potato: Documentary that Gets Under
>>> the
>>> Skin?, Metro 137, 126-131 - Anne Rutherford
>>>
>>> Le Corps concret: Of Bodily and Filmic Material Excess
>>> in. Philippe Grandrieux's Cinema
>>> <http://espace.library.uq.edu.au/eserv/UQ:120064/
>>> HAINGE.pdf> -
>>> Greg Hainge
>>>
>>> Aside from Vivian Sobchack's work, Steven Shaviro's
>>> Cinematic Body is often referenced in this context,
>>> although he himself now seems to regard
>>> <http://www.shaviro.com/Othertexts/Cinematic.pdf> it as
>>> 'speculative'.
>>>
>>> This is on visual art, but I found that many things
>>> addressed in here apply to moving image just as well:
>>> Francis Bacon: The Logic of Sensation - G. Deleuze
>>> (found
>>> it much more approachable than his texts on the cinema,
>>> not least because it is comparatively compact)
>>>
>>> Lacan's theory of the Real might also be worth
>>> looking at
>>> in this regard, depending on the scope of the research.
>>>
>>>
>>> Maik
>>>
>>>
>>> On 19 Jan 2011, at 22:33, jeanne LIOTTA wrote:
>>>
>>>> Hello FW'ers
>>>>
>>>> I am advising a student who is doing research on the
>>>> relationship on the cinematic experience to the
>>>> physiological--any advice on texts to offer ?
>>>>
>>>>
>>>>
>>>> --
>>>> www.jeanneliotta.net <http://www.jeanneliotta.net/>
>>>>
>>>> _______________________________________________
>>>> FrameWorks mailing list
>>>> email suppressed
>>>> <mailto:email suppressed>
>>>> http://mailman-mail5.webfaction.com/listinfo/frameworks
>>>
>>>
>>> _______________________________________________
>>> FrameWorks mailing list
>>> email suppressed
>>> <mailto:email suppressed>
>>> http://mailman-mail5.webfaction.com/listinfo/frameworks
>>>
>>>
>>>
>>>
>>> --
>>> www.jeanneliotta.net <http://www.jeanneliotta.net>
>>>
>>>
>>> _______________________________________________
>>> FrameWorks mailing list
>>> email suppressed
>>> <mailto:email suppressed>
>>> http://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>>
>> _______________________________________________
>> FrameWorks mailing list
>> email suppressed
>> <mailto:email suppressed>
>> http://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>>
>>
>>
>> --
>> www.jeanneliotta.net <http://www.jeanneliotta.net>
>>
>>
>>
>>
>> --
>> www.jeanneliotta.net <http://www.jeanneliotta.net>
>>
>>
>> _______________________________________________
>> FrameWorks mailing list
>> email suppressed
>> http://mailman-mail5.webfaction.com/listinfo/frameworks
>
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> ------------------------------
>
> Message: 5
> Date: Fri, 21 Jan 2011 12:30:46 -0800
> From: Paul Shepherd <email suppressed>
> Subject: [Frameworks] iotaCenter: submissions guide
> To: Experimental Film Discussion List <email suppressed>
> Message-ID:
> <AANLkTikYq0Ug_vuCfoz60dHyx_D+email suppressed>
> Content-Type: text/plain; charset=ISO-8859-1
>
> To all who have been asking (sorry for all the recent problems with
> our site being down):
>
> ---------- Forwarded message ----------
> From: Derek Haugen <email suppressed>
> Date: Fri, 21 Jan 2011 11:23:43 -0800
> Subject: Re: submissions guide
> To: Paul Shepherd <email suppressed>
>
> 1. Your name, address and email address.
>
> 2. The URL of your website if you have one.
>
> 3. If sending a compilation of works, the title of the compilation
>
> 4. Then, for each work on the DVD, include:
> ...Title of work:
>
> ...Release date:
>
> ...Running time:
>
> ...Credits for both image and sound:
>
> 5. A one paragraph description of the DVD:
>
> 6. Attach a jpeg file: either the image of the DVD cover or
> a still from one of the works
>
> 7. Also, what is your intention for the work?
>
> That is, in addition to being added to the study center collection,
> would you also like to see it:
> ...included in one of iota's public screenings?
> ...screened at an iota salon?
> ...offered for sale in iota's store?
> ...If you are interested in having a clip of one of your films
> considered for our featured Clip of the Week (for more information see
> our iotaWeekly archives), please click here and fill out the online
> permission form.
>
> Print out the above email (except for the attached jpeg) and send it
> with a copy of your DVD to iota's mailing address:
>
> The iotaCenter
> 10401-106 Venice Blvd. #330
> Los Angeles, CA 90034
>
> On Jan 20, 2011, at 1:06 PM, Paul Shepherd wrote:
>
>> Hey Derek,
>> With our site down I'm getting lots of emails about our submission
>> guidelines. Jeremy says he can't just pull the text off the files
>> the site is based off of and I can't find the guide any other place.
>> Do you happen to know where these might be?
>> Let me know asap.
>> thanks,
>> Paul
>>
>> --
>> Paul Shepherd
>> iotaCenter, Manager of Public Programming
>>
>
>
>
>
> --
> style and vision - huckleberrylain.net
>
>
> ------------------------------
>
> Message: 6
> Date: Fri, 21 Jan 2011 15:59:58 -0800 (PST)
> From: DOMINIC ANGERAME <email suppressed>
> Subject: [Frameworks] The Soul of Things
> To: Experimental Film Discussion List <email suppressed>
> Message-ID: <email suppressed>
> Content-Type: text/plain; charset="us-ascii"
>
>
>
>
>
>
> ________________________________
> I will be showing my latest film "The Soul of Things: at the San
> Francisco
> Exploratorium on February 5, 2011. The film will be accompanied
> with live music
> by Kevin Barnard. Please refer to the following link.
>
> Thank you.
>
> Dominic Angerame
>
>
> http://press.exploratorium.edu/cinema-arts-the-soul-of-things-and-
> light-play-with-live-music/
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> ------------------------------
>
> Message: 7
> Date: Fri, 21 Jan 2011 16:02:12 -0800 (PST)
> From: DOMINIC ANGERAME <email suppressed>
> Subject: [Frameworks] Plus X film for sale
> To: Experimental Film Discussion List <email suppressed>
> Message-ID: <email suppressed>
> Content-Type: text/plain; charset="us-ascii"
>
>
>
>
>
>
> ________________________________
> I have purchased the last rolls of plus x reversal film last summer
> and no
> longer plan to use the material. I have fresh rolls directly from
> Kodak and they
> are single perf. They are for sale for $30 a roll, plus postage.
> Please contact
> me off the list. (address suppressed)
>
> Thanks
>
> Dominic Angerame
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> ------------------------------
>
> Message: 8
> Date: Sat, 22 Jan 2011 11:15:09 -0500
> From: Tenzin Phuntsog <email suppressed>
> Subject: Re: [Frameworks] Submitting to Edinburgh International Film
> Festival - updated information
> To: Experimental Film Discussion List <email suppressed>
> Message-ID:
> <email suppressed>
> Content-Type: text/plain; charset="iso-8859-1"
>
> Dear Kim Knowles,
>
> I wanted to follow up about submitting FOUR RIVERS for the
> experimental
> section of Edinburgh Film Festival.
> On frameworks you mentioned that we could send you the application
> submission directly and waive the fee submission.
>
> Attached is my application for submission.
> Link to my work for consideration:
> http://tenzinphuntsog.com/work/four-rivers/
>
> Please let me know where to send the screener DVD.
>
> Best and thank you!
> Tenzin
>
>
>
> On Wed, Jan 12, 2011 at 5:07 PM, Kim Knowles
> <email suppressed>wrote:
>
>> Dear Frameworkers,
>>
>> I've simplified the process for submitting to the Black Box
>> section of
>> Edinburgh International Film Festival, since those of you trying
>> to submit
>> online were having problems with the fee waiver section. If you'd
>> like to
>> submit, just drop me a quick email and I'll forward a pdf version
>> of the
>> forms with the fee waiver section already completed. Hope that
>> makes things
>> easier.
>>
>> Kim Knowles
>> Experimental Film Programmer, EIFF
>>
>>
>>
>> _______________________________________________
>> FrameWorks mailing list
>> email suppressed
>> http://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>>
>
>
> --
> Tenzin Phuntsog
>
> --
> www.tenzinphuntsog.com
> www.plateauxltd.com
> www.tibetfilmarchive.org
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> ------------------------------
>
> _______________________________________________
> FrameWorks mailing list
> email suppressed
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>
>
> End of FrameWorks Digest, Vol 8, Issue 28
> *****************************************
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