Re: [Frameworks] Recommendations for 16mm optical sound

From: Bernard Roddy (email suppressed)
Date: Mon Oct 11 2010 - 08:31:36 PDT

Seriously? A lot? Where are these films screened? I don't mean the
restoration work. I mean the new work.


From: Mark Toscano <email suppressed>
To: Experimental Film Discussion List <email suppressed>
Sent: Mon, October 11, 2010 3:43:04 AM
Subject: Re: [Frameworks] Recommendations for 16mm optical sound

I've used DJ Audio (not DJ Sound) for tons of restoration track negatives and my
own work, and they're great. I know a lot of L.A. independent filmmakers like
NT Audio as well, including a few who are particularly meticulous and exacting.

Mark Toscano

--- On Sun, 10/10/10, 40 Frames <email suppressed> wrote:

>From: 40 Frames <email suppressed>
>Subject: Re: [Frameworks] Recommendations for 16mm optical sound
>To: "Experimental Film Discussion List" <email suppressed>
>Date: Sunday, October 10, 2010, 7:33 PM
>On Sun, Oct 10, 2010 at 7:57 AM, Chris Brabant <email suppressed> wrote:
>Chris Millarat Noise & Light in Seattle does an amazing job creating 16mm
>optical tracks. It's hard to find any info but I believe (hope) he's still
>making them. No problems with sending him a digital file or CD, that's usually
>the route I go.
>>Contact is: email suppressed
>>-cj brabant

Chris Millar (Noise & Light) is no longer shooting optical tracks. 40 Frames has
the old Noise & Light equipment. We are preparing to
to offer this service in 2011.

In the meantime, try Gibbs Chapman (Non Productions) in San Francisco, or DJ
Sound or NT Audio in LA.



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