From: sara b (email suppressed)
Date: Fri Sep 24 2010 - 19:08:38 PDT
>
> THE 14TH ANNUAL VIEWS FROM THE AVANT GARDE
>
> Thursday September 30th to Sunday October 3rd.
> This year the series offers 18 programs with over a 100 films.
> 33 World Premieres. 30 artists being shown in Views for the first time.
> Many of the artists will be present.
>
> COME AND EXPERIENCE IT ALL
>
>
> see list below and for further details go to
> http://www.filmlinc.com/nyff/2010/views1
>
>
> Thursday September 30
> Pierre Clémenti: Unreleased Reels
>
> Souvenir souvenir (Reel 27) France, 1967-78, 27m
> Positano (Reel 30B01) France, c. 1968, 28m
> La Deuxième femme (Reel J) France, 1967-78, 48m
> Total running time: 103m
>
> Thu Sep 30: 6:30 (Furman Gallery)
> http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-pierre-clementi-unreleased-reels
>
> Friday October 1
> Jean-Marie Straub
>
> O somma luce Jean-Marie Straub, France, 2009, 18m.
> Corneille–Brecht Jean-Marie Straub & Cornelia Geise, France, 2009, 80m.
>
> Total running time: 98m
>
> Fri Oct 1: 12:00
> http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub
>
> Helga Fanderl
>
> 29 films in five movements
>
> Germany/France, 2009; Super 8 to 16mm blow-ups
>
> I.
> Birds at Checkpoint Charlie (Vögel am Checkpoint Charlie)
> East Berlin (Ostberlin)
> Tunnel
> From the Empire State Building (Aus dem Empire State Building)
> Tortelloni
> Wild Waters (Wilde Wasser)
> Polar Bear (Eisbär)
> 18m.
>
> II.
> Porte St. Denis
> Columbus Circle
> Rue Labat Mourning (Rue Labat in Trauer)
> Mirrored Café (Spiegelcafé)
> Hut (Hütte)
> Tropical Garden in Spring Time (Jardin tropical im Frühling)
> 15m.
>
> III.
> Portrait
> Tea Time (Teetrinken)
> Red Curtain (Roter Vorhang)
> 7m.
>
> IV.
> Dancing Water II (Wassertanz II)
> For M. (Für M.)
> Butterflies (Schmetterlinge)
> After the Fire II (Nach dem Feuer II)
> Sculpture and Water (Skulptur und Wasser)
> 15m.
>
> V.
> Mist II (Nebel II)
> Winklerweiher
> Dancing Water I (Wassertanz I)
> Mist I (Nebel I)
> Künettegraben short (Künettegraben kurz)
> Ingolstadt at Night (Ingolstadt nachts)
> Oranges, Moon and Sun (Orangen, Mond und Sonne)
> Cobwebs and Fishes (Spinnweben und Fische)
> 13m.
>
> Total running time: 68m.
>
> Fri Oct 1: 2:00pm
> http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-helga-fanderl
>
> History is Homemade at Night:
> The Crazy, Beautiful World of Jeff Keen
>
> Marvo Movie U.K., 1967, 5m.
> Cineblatz, U.K., 1967, 3m.
> Meatdaze U.K., 1968, 10m.
> White Lite U.K., 1968, 3m.
> Wail U.K., 1961, 5m.
> Rayday Film U.K., 1968-1970/1976, 13m.
> White Dust U.K., 1970-72, 33m.
> 35mm blow-ups & restoration prints from the British Film Institute
> Fri Oct 1: 3:30pm
> http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-jeff-keen
>
>
> Jennifer Montgomery
>
> The Agonal Phase U.S., 2010, 42m.
> Transitional Objects U.S., 2000, 19m.
> Total Running time: 61m
>
> Fri Oct 1: 5:30pm
> http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jennifer-montgomery
>
> Phil Solomon
>
>
> American Falls U.S., 2010, 55m.
> What’s Out Tonight Is Lost U.S., 1983, 8m. New print – preservation by the
> Academy Film Archive
>
>
> Total Running time: 63m
> Friday Oct 1: 7:30pm
> http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-phil-solomon
>
> James Benning
>
> Ruhr Germany/U.S., 2009, 120m.
>
> Fri Oct 1: 9:00pm
> http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-james-benning
>
> Saturday October 2
> Mirror of Shadow and Cinders
> If all that changes slowly is linked to life, then all that is transformed
> rapidly is explained by fire.—Yves Klein
>
> Photofinish Figures (Il finish delle figure) Paolo Gioli, Italy, 2009,
> 9.12m.
> A Thousand Julys Lewis Klahr, USA, 2010, 6.30m.
> Marie Karen Yasinsky, USA, 2010, 6m.
> Dissonant Manon de Boer, Netherlands/Belgium, 2010, 11m.
> Ape of Nature Peggy Ahwesh, USA, 2010, 24m.
> The Soul of Things Dominic Angerame, USA, 2010, 15m.
> Destination Finale Philip Widmann, Germany, 2008, 9m.
> Valleys of Fear Erin Espelie, USA, 2010, 22m.
> SHU (Blue Hour Lullaby) Philipp Lachenmann, Germany, 2008, 12m.
> Total running time: 113m.
>
> Sat Oct 2: 12:00
> http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-saturday-october-2/views-from-the-avant-garde-mirror-of-shadow-and-cinders
>
> Station to Station
>
> Crosswalk Jeanne Liotta, USA, 2010, 19m.
> Servants of Mercy Fern Silva, Portugal/USA, 2010, 14m.
> Rite of Spring (Acto de Primavera) Manoel de Oliveira, Portugal, 1963, 99m
> Print courtesy of Cinemateca Portuguesa-Museu do Cinema,
> presented in cooperation with the Museum of Modern Art.
>
> Total running time: 132m
> Sat Oct 2: 2:30
> http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-station-to-station
>
> Visibility Unknown
> Only to those deprived of the powers of compartmentalization, the world
> comes unique, incomparable, beyond confusion, always surpassing. A magnetic
> world where even when nothing of it remains it is again felt in its dense
> absence.—Henri Michaux
>
> The Flight of Tulugaq (O Voo de Tulugaq) André Guerreiro Lopes, Brazil,
> 2010, 8m.
> New Year Sun Jonathan Schwartz, USA, 2010, 3m.
> Trypps #7 (Badlands) Ben Russell, USA, 2010, 9.30m.
> Burning Bush Vincent Grenier, USA, 2010, 9.5m
> Materia Obscura part one Jürgen Reble, Germany, 2010, 11.29m.
> a loft Ken Jacobs, USA, 2010, 16m.
> Mamori Karl Lemieux, Canada, 2010, 7.44m.
> Union Paul Clipson, USA, 2010, 15m.
> Parties visible et invisible d’un ensemble sous tension Emmanuel Lefrant,
> France, 2009, 7m.
> Drifter Timoleon Wilkins, USA, 1996-2010, 26m.
>
> Total running time: 112m.
> Sat Oct 2: 5:30
> http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-visibility-unknown
>
> Since You Were Here …
>
> Dust Studies Michael Gitlin, USA, 2010, 9m.
> Washes Norbert Shieh, USA, 2010, 8.40m.
> Get Out of the Car Thom Andersen, USA, 2010, 34m.
> Recámara Rosario Sotelo, USA, 2010, 3m.
> Cry When it Happens (Llora cuando te pase) Laida Lertxundi, USA, 2010, 14m.
> Night Shift Gretchen Skogerson, USA, 2010, 5m.
> Future So Bright Matt McCormick, USA, 2010, 30m.
> Total running time: 106m.
> Sat Oct 2: 8:15
> http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-saturday-october-2/views-from-the-avant-garde-since-you-were-here
>
> Night Gallery – Turn on the High Beams I
>
> Two projection performances
> Untitled Galaxy Paul Clipson & Jefre Cantu-Ledesma, 2010, 30m.
> FIST I – IMPROPER FRICTIONS Bruce McClure, 2010, approx 30m
>
> Sat Oct 2: 10:30pm in the Furman Gallery
>
> Sunday October 3
>
> Sea Scrolls
>
> He belonged to the far foreign departure of his vessel and was part of it.
>
> Part of the speculum of fire on its prow, its symbol, whatever it was,
>
> Part of the glass-like sides on which it glided over the salt stained
> water,
>
> As he traveled alone like a man lured on by a syllable without any meaning
>
> A syllable of which he felt with appointed sureness,
>
> That it contained the meaning into which he wanted to enter,
>
> A meaning which as he entered would shatter the boat and leave the oarsmen
> quiet…
>
> —Wallace Stevens
>
> Atlantis Pieter Geenen, China/Belgium, 2008, 11.18m.
> Dining Cars Arianne Olthaar, Netherlands, 2009, 15.5m.
> Sea Series #7: Naufrage aux îles de Madeleine John Price, Canada, 2010,
> 3.39m.
> Atlantiques Mati Diop, Senegal/France, 2009, 11m.
> Distance Julie Murray, USA, 2010, 12m.
> Travelogue Vincent Grenier, USA, 2010, 8.8m.
> Shrimp Boat Log David Gatten, USA, 2010, 6m.
> blue mantle Rebecca Meyers, USA, 2010, 34m.
>
> Total running time: 104m.
> Sun Oct 3: 12:00
>
> Landing on the Edge
> Film is much spoken of as a way to teach, and not enough as a way to
> learn. Much of what I have learned- both what I value and what I have not
> yet learned to value- I have learned from film, which is to say, from it’s
> makers. What we try to learn, all our lives, is how to live. The last time I
> saw my grandmother, she said to me: we just barely learn how to live, and
> then we are ready to die. Then she cried a little. I wanted to cry too, but
> I couldn’t. I hadn’t learned how. From Mental Notes – Hollis Frampton
>
> Place for Landing Shambhavi Kaul, USA, 2010, 6m.
> Hearts are Trump Again Dani Leventhal, USA, 2010, 14m.
> Ray’s Birds Deborah Stratman, USA, 2010, 7m.
> In the Absence of Light, Darkness Prevails Fern Silva, Brazil/USA, 2010,
> 13m.
> Slave Ship T. Marie, USA, 2010, 4m.
> Someone Should Be Happy Here April Simmons, USA, 2010, 5m.
> THE HUNCH THAT CAUSED THE WINNING STREAK AND FOUGHT THE DOLDRUMS MIGHTILY
> Stephanie Barber, USA, 2010, 2m.
> razor’s edge Stephanie Barber and Xav LePlae, USA, 2010, 44m.
>
> Total running time: 97m
> Sun Oct 3: 2:30
> http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-sunday-october-3/views-from-the-avant-garde-landing-on-the-edge
>
> Séance
> Presentiments are strange things! And so are sympathies; and so are signs,
> and the three combined make one mystery to which humanity has not yet found
> the key.
> —Charlotte Bronte, Jane Eyre
>
> bust chance Stephanie Barber, USA, 2010, 7m.
> Love Rose Bobby Abate, USA, 2010, 13.7m.
> Kindless Villain Janie Geiser, USA, 2010, 5m.
> So Sure of Nowhere Buying Times to Come David Gatten, USA, 2010, 9m.
> April Snow Lewis Klahr, USA, 2010, 10m.
> Facts Told at Retail (after Henry James) Erin Espelie, USA, 2010, 7m.
> Ghost Algebra Janie Geiser, USA, 2009, 7.5m.
> Tokyo-Ebisu Tomonari Nishikawa, Japan, 2010, 5m.
> Possessed Fred Worden, USA, 2010, 8m.
> These Hammers Don’t Hurt Us Michael Robinson, USA, 2010, 13m.
>
> Total running time: 84.5m
> Sun Oct 3: 4:30
> http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-sunday-october-3/views-from-the-avant-garde-sea-scrolls
>
> Song Cycle
>
> Our hands full or not
> the same abundance
> our eyes open or shut
> the same light
> —Yves Bonnefoy
>
> What was that noise? A badly framed question. One ought to say, “Where do
> the silences come from?”
> —Raul Ruiz
>
> Pastourelle Nathaniel Dorsky, USA, 2010, 16.5m.
> Ouverture Christopher Becks, Canada/France, 2010, 5m.
> The Suppliant Robert Beavers, USA/Switzerland, 2010, 5m.
> Hanging upside down in the branches Ute Aurand, Germany, 2009, 15m.
> Film for Invisible Ink, case no. 323: ONCE UPON A TIME IN THE WEST David
> Gatten, USA, 2010, 20m.
> In a Year with 13 Deaths Jonathan Schwartz, USA, 2008, 3m.
> One Eve Heller, USA/Austria, 2010, 4m.
> Shibuya-Tokyo Tomonari Nishikawa, Japan, 2010, 10m.
> Beneath Your Skin of Deep Hollow Malena Szlam, Chile/Canada,2010, 3m.
> Gesturings Peter Herwitz, USA, 2010, 5m.
> Day Dream Jim Jennings, USA, 2010, 7m.
>
> Total running time: 93.5m
> Sun Oct 3: 6:30
>
> Fatal Attractions: An Introduction to Black and White Magic
>
> The battlefield is covered with flowers, the garden with blood and thorns.
> Stars fall and leave craters where fish will swim, crickets sound near the
> lip. A dark cloud hangs in the sky like Judas, forsaken, fulfilled. The moon
> is still our moon but the sun is not the sun. Animals gather from jungles
> and farms to reenact the history of the world and bury it in the dirt. Your
> story skips, the spell broken, as a timeline that unravels, a film that
> tears. It leaves a ring of pollen, not to be inhaled. We miss the green
> flash when our attention drifts, closing our eyes to savor the lateness of
> its arrival. We miss everything and double over laughing. We walk back home.
> —Theresa Grey, The Gospels of Apology
>
>
> These Blaezing Starrs Deborah Stratman, USA, 2010, 14.4m.
>
> Tranquility Siegfried A. Fruhauf, Austria, 2010, 6.30m.
>
> To Another J.B. Mabe, USA, 2010, 48sec.
> Sugar Slim Says Lewis Klahr, USA, 2010, 7m.
> Sorry Luther Price, USA, 2010, 14m.
> Shutter Alexi Manis, Canada, 2009, 7m.
> The Floor of the World Janie Geiser, USA, 2010, 9m.
> Toads Milena Gierke, Germany, 1997/2008, 6m.
> Pigs Pawel Wojtasik, U.S., 2010, 7.45m.
> Shadow Cuts Martin Arnold, Austria, 2010, 4m.
> Coming Attractions Peter Tscherkassky, Austria, 2010, 23.40m.
>
> Total running time: 106.5m
> Sun Oct 3: 8:30
>
> Night Gallery – Turn on the High Beams II
>
> two projection performances
> Crescent Paul Clipson, Jefre Cantu-Ledesma & Jonas Asher (Grasslung), 2010,
> 30m.
> FIST II – INTO A SOTSPOT Bruce McClure, 2010, approx 30m.
>
> Sun Oct 3: 10:30pm in the Furman Gallery
>
>
>
>
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