[Frameworks] This week [September 4 - 12, 2010] in avant garde cinema

From: Weekly Listing (email suppressed)
Date: Sat Sep 04 2010 - 06:32:48 PDT


This week [September 4 - 12, 2010] in avant garde cinema

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Enter your announcements (calls for entries, new work, screenings,
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NEW FILM/VIDEO: NON-FEATURE:
============================
"Way Far Gone" by Brandon Nease
 http://www.hi-beam.net/cgi-bin/ann.pl?type=newworkf&readfile=119.ann

MISCELLANEOUS:
==============
cast/crew
 http://www.hi-beam.net/cgi-bin/ann.pl?type=misc&readfile=115.ann
New Film/Video: feature:

NEW CALLS FOR ENTRIES:
=====================
Screening @ High Concept Laboratories (Chicago, IL, USA; Deadline: October 23, 2010)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1206.ann
Images Festival (Toronto, Ontario, Canada; Deadline: October 29, 2010)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1207.ann
International Film Festival Rotterdam (Rotterdam, Netherlands; Deadline: October 01, 2010)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1208.ann
The Accolade Competition (La Jolla, CA, USA; Deadline: November 19, 2010)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1209.ann

DEADLINES APPROACHING:
======================
Experimental Media Festival (Washignton; Deadline: September 13, 2010)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1165.ann
13th San Francisco Independent Film Festival (San Francisco, CA; Deadline: October 09, 2010)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1173.ann
FLEX Fest (Gainesville, FL, USA; Deadline: October 01, 2010)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1186.ann
EYE AM: ANOTHER EXPERIMENT by WOMEN (NY NY USA; Deadline: September 06, 2010)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1188.ann
Arteles Residency Program (Hameenkyro; Deadline: September 17, 2010)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1194.ann
Flicker Spokane Film Festival (Spokane, WA USA; Deadline: September 18, 2010)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1204.ann
International Film Festival Rotterdam (Rotterdam, Netherlands; Deadline: October 01, 2010)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1208.ann

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Also available online at Flicker: http://www.hi-beam.net

THIS WEEK'S PROGRAMS (SUMMARY):
==============================
 * Andrew Lampert: Contracted Cinema [September 4, Long Island City, NY]
 * Essential Cinema: Stan Brakhage [September 4, New York]
 * Essential Cinema: Stan Brakhage [September 4, New York]
 * Essential Cinema: Stan Brakhage [September 5, New York]
 * Essential Cinema: Stan Brakhage [September 5, New York]
 * Accordi @ Disaccordi Open Air Cinema Festival [September 7, Naples / Napoli NA - Italy]
 * Ludwig [September 9, New York, New York]
 * Karl May [September 10, New York, New York]
 * The Invisible Forest: A Paratheatrical Work [September 10, San Francisco, California]
 * Wavelengths [September 10, Toronto, Ontario, Canada]
 * Andrew Lampert: the Old World and This One, Too [September 11, Long Island City, NY]
 * Elusive Landscape [September 11, Miami Beach, FL]
 * Hitler: A Film From Germany [September 11, New York, New York]
 * Sfmoma Presents <I>Mean Streets: Chip Lord, Lourdes Portillo, Konrad
    Steiner, and Graham Connah</I> [September 11, San Francisco, California]
 * Sfmoma Presents Gregory Pickup's <I>Pickup's Tricks</I> [September 11, San Francisco, California]
 * Sfmoma Presents Ernie Gehr's <I>Cotton Candy</I> [September 11, San Francisco, California]
 * Stop & Go Rides Again [September 11, San Francisco, California]
 * X-Tra Vol. 13 No. 1 Launch and Charles Ludlam Screening [September 12, Los Angeles, California]
 * Hitler: A Film From Germany [September 12, New York, New York]
 * Astronome, A Night At the Opera By Henry Hills [September 12, New York, New York]
 * Astronome, A Night At the Opera By Henry Hills [September 12, New York]

Events are sorted by CITY within each DATE.

---------------------------
SATURDAY, SEPTEMBER 4, 2010
---------------------------

9/4
Long Island City, NY: Greater New York Cinema
3pm, 22-25 Jackson Ave at the intersection of 46th Ave

 ANDREW LAMPERT: CONTRACTED CINEMA
  What is it they say? Autumn means turning a new leaf, a time to move on.
  Gazing back and looking forward, it strikes me that right now is a fine
  occasion to retire some of my more recent pieces. But before shelving
  these little films, it'd be a shame not to give you one last opportunity
  to miss them. Today's show features two recent-ish Super 8 pieces for
  solo projector "contracted cinema" performance. These intimate movies
  must be performed live in order to be seen. My projector, my films, me
  and you. That's all we really need. JACKA SPADES (2009, 34 minutes,
  Super 8) Steve Dalachinsky, with the aid of Yuko Otomo and
  cinematographer Andrew Lampert, is offered the chance to direct his
  dream film. This is not that, but rather the result of what they shot
  that day presented in real time as they filmed it. In the end, this is
  always what the film was supposed to be; what Steve wanted is another
  story heard on the soundtrack of the images gathered within. "I think I
  always wanted to be the actor, not the director." – Steve Dalachinsky
  from the soundtrack. AM I FROM BROOKLYN? (2010, 24 minutes, Super 8). A
  tour-guided journey through a few Brooklyn neighborhoods known and
  unknown to the filmmaker. First performed at The Poetry Project on April
  23, 2010. PLUS…other surprise films! AND…Steve Dalachinsky and Yuko
  Otomo will each read a couple poems! BUT WAIT… a mindboggling short film
  from the SEE series by Eugene Castle! DON'T FORGET...there will be door
  prizes!

9/4
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
5:00 pm, 32 2nd Avenue

 ESSENTIAL CINEMA: STAN BRAKHAGE
  THE PITTSBURGH TRILOGY EYES 1970, 36 minutes, 16mm, silent. "After
  wishing for years to be given-the-opportunity of filming some of the
  more 'mystical' occupations of our Times – some of the more obscure
  Public Figures which the average imagination turns into 'bogeymen'...
  viz.: Policemen, Doctors, Soldiers, Politicians, etc.: – I was at last
  permitted to ride in a Pittsburgh police car, camera in hand, the final
  several days of September 1970." –S.B. DEUS EX 1971, 34 minutes, 16mm,
  silent. "I have been many times very ill in hospitals; and I drew on all
  that experience while making DEUS EX in West Penn. Hospital of
  Pittsburgh; but I was especially inspired by the memory of one incident
  in an emergency room of San Francisco's Mission District: while waiting
  for medical help, I had held myself together by reading an April-May
  1965 issue of 'Poetry Magazine': and the following lines from Charles
  Olson's 'Cole's Island' had especially centered the experience,
  'touchstone' of DEUS EX, for me: Charles begins the poem with the
  statement 'I met Death –' And then: 'He didn't bother me, or say
  anything. Which is / not surprising, a person might not, in the
  circumstances; / or at most a nod or something. Or they would. But they
  wouldn't, / or you wouldn't think to either, / it was Death. And / He
  certainly was, the moment I saw him.'" –S.B. THE ACT OF SEEING WITH
  ONE'S OWN EYES 1971, 32 minutes, 16mm, silent. "…Brakhage, entering,
  with his camera, one of the forbidden, terrific locations of our
  culture, the autopsy room. It is a place wherein, inversely, life is
  cherished, for it exists to affirm that no one of us may die without our
  knowing exactly why. All of us, in the person of the coroner, must see
  that, for ourselves, with our own eyes. It is a room full of appalling
  particular intimacies, the last ditch of individuation. Here our vague
  nightmare of mortality acquires the names and faces of others." –Hollis
  Frampton Total running time: ca. 105 minutes.

9/4
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue

 ESSENTIAL CINEMA: STAN BRAKHAGE
  SONGS 1-14 1964-65, ca. 53 minutes, 16mm, silent. "SONG 1: Portrait of a
  lady. SONGS 2 & 3: Fire and a mind's movement in remembering. SONG 4:
  Three girls playing with a ball. Hand painted. SONG 5: A childbirth
  song. SONG 6: The painted veil via moth-death. SONG 7: San Francisco.
  SONG 8: Sea creatures. SONG 9: Wedding source and substance. SONG 10:
  Sitting around. SONG 11: Fires, windows, an insect, a lyre of rain
  scratches. SONG 12: Verticals and shadows caught in glass traps. SONG
  13: A travel song of scenes and horizontals. SONG 14: Molds, paints and
  crystals." –S.B.

-------------------------
SUNDAY, SEPTEMBER 5, 2010
-------------------------

9/5
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
5:30 pm, 32 2nd Avenue

 ESSENTIAL CINEMA: STAN BRAKHAGE
  See description for September 2nd, 7PM.

9/5
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue

 ESSENTIAL CINEMA: STAN BRAKHAGE
  THE TEXT OF LIGHT 1974, 67 minutes, 16mm Brakhage's tour-de-force
  exploration of refracted light in an ashtray. "All that is, is light."
  –Dun Scotus Erigena

--------------------------
TUESDAY, SEPTEMBER 7, 2010
--------------------------

9/7
Naples / Napoli NA - Italy: Movies Event
http://www.accordiedisaccordi.com
21:10, Viale del Poggio di Capodimonte / Parco del POGGIO (Colli Aminei) *HILL Park*

 ACCORDI @ DISACCORDI OPEN AIR CINEMA FESTIVAL
  This outdoor film festival counts this year its eleventh, will take
  place from June 30th until September 7th 2010, and with the attendance
  of over 40,000 viewers will screen features, documentaries, shorts,
  pocket movies and music videos. The outdoor movie projections start at
  9.10 pm and last until full night; open air screenings rise in the Arena
  "Parco del Poggio" (Hill Park), the fabulous and picturesque site near
  Capodimonte Area in Naples / Napoli NA Italy. It's a special delight in
  order to enjoy cinema beneath the stars on warm summer nights in an
  amphitheatre equipped with one of the widest projection screens in Italy
  which rises having an artificial lake all around. These events really
  make people revive the movies each night of the Festival! The admittance
  price is very cheap: Euro 3.50 per day. In order to see the program go
  to the official website: http://www.accordiedisaccordi.com

---------------------------
THURSDAY, SEPTEMBER 9, 2010
---------------------------

9/9
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue

 LUDWIG
  LUDWIG: REQUIEM FOR A VIRGIN KING by Hans-Jürgen Syberberg In German
  with English subtitles, 1972, 140 minutes, 16mm Film Notes LUDWIG:
  REQUIEM FOR A VIRGIN KING / LUDWIG – REQUIEM FÜR EINEN JUNGFRÄULICHEN
  KÖNIG With Harry Baer, Peter Kern, Ingrid Caven, and Peter Moland.
  Twenty-eight chapters from the life of Ludwig II of Bavaria (1845-1866)
  add up to what Syberberg calls "a summary of the Germany of the 19th
  century as experienced by the Germany of 1972." Syberberg presents
  Ludwig as a sort of tortured witness of future times, with culture
  changing into barbarism, the Bismarckian state into totalitarianism,
  Wagner into the trivial music of the thirties. "The story of the last
  Bavarian King with his euphoria, his anxieties, his dreams told in a
  style of an oratorio or a medieval passion. Present and past are
  combined in a film of Wagnerian scenes, music of the thirties, Bavarian
  legends, 'Oktoberfest' waxworks, magic lantern, still life, surrealism,
  elements of silent films, guillotine, quotations from Goethe, Brecht,
  Valentin, and Shakespeare." –Hans-Jürgen Syberberg

--------------------------
FRIDAY, SEPTEMBER 10, 2010
--------------------------

9/10
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue

 KARL MAY
  KARL MAY by Hans-Jürgen Syberberg In German with English subtitles,
  1974, 187 minutes, 35mm Film Notes With Helmut Käutner. "The film
  describes the inner world of the last great German mystic at the
  beginning of the end of the fairy tale…in a kind of monologue in a
  monstrous intimate play", Syberberg wrote of his film about the life of
  Germany's most popular author. Karl May, a prolific and beloved writer,
  wrote rousing adventure tales set in America's Wild West, which
  mythologized a rustic lifestyle that appealed to German sensibilities
  and may have inspired the Nazi Party. Syberberg's meditation on May
  fuses theater, music, and cinema to offer a perspective on the writer as
  a man who mythologized himself as an extension of his art.

9/10
San Francisco, California: Artists Television Access
http://www.atasite.org/
8pm $6, 992 Valencia at 21st

 THE INVISIBLE FOREST: A PARATHEATRICAL WORK
  THE INVISIBLE FOREST (2008; 111 min) a film by Antero Alli (in person) A
  theater director, Alex (played by the director of the film, Antero
  Alli), brings a troupe of nine actors to a remote forest to engage in
  paratheatrical work. For those of you unfamiliar with this term, it
  refers to a range of practices, inspired by Polish theater pioneer Jerzy
  Grotowski, in which the techniques of theater are used, not to create
  works of art to be performed for an audience, but solely for the
  personal and spiritual development of the participants. Since, in real
  life, Alli is engaged in paratheatrical research, it becomes obvious
  that the film's fictional story is constructed out of documentary
  elements. The work they are doing is an attempt to realize French poet
  and playwright Antonin Artaud's vision of an explosive, transformative
  form of theater which he called the "Theater of Cruelty."

9/10
Toronto, Ontario, Canada: Wavelengths, Toronto International Film Festival
http://tiff.net/thefestival/filmsandschedules/programmes/wavelengths
9pm, 317 Dundas St West

 WAVELENGTHS
  WAVELENGTHS ticket packages, the best deal at tiff, on sale now!
  Wavelengths celebrates its tenth year of presenting the best in
  international avant-garde film and video at the Toronto International
  Film Festival with its largest selection yet. This year's line-up
  includes six curated programmes featuring 36 innovative films and
  videos. For complete programme details go to
  http://tiff.net/thefestival/filmsandschedules/programmes/wavelengths .
  Named after Michael Snow's seminal film Wavelength, Wavelengths is an
  important destination for cinephiles, artists, curators and all
  audiences interested in the celebration, exploration and experimentation
  of film and video. Running from September 10 through 13 at the AGO's
  Jackman Hall, the 2010 line-up includes works by masters such as James
  Benning, Nathaniel Dorsky, Paolo Gioli, Ken Jacobs and Peter
  Tscherkassky, as well as outstanding emerging artists like T. Marie,
  Tomonari Nishikawa, Oliver Husain, Eriko Sonoda, Kevin Jerome Everson
  and Rebecca Meyers. The Wavelengths Package is on sale now and includes
  one ticket to each of the six screenings for $55 and $47 for
  students/seniors (not including taxes and fees). Visit
  tiff.net/thefestival for more details, or to buy online
  https://tytix.tiff.net/scripts/max/10.17.40.32-2000/maxweb.exe. Contact,
  Kate MacKay, email suppressed Press contact David Balzer, 416 578 2640,
  email suppressed

----------------------------
SATURDAY, SEPTEMBER 11, 2010
----------------------------

9/11
Long Island City, NY: Greater New York Cinema
3pm, 22-25 Jackson Ave at the intersection of 46th Ave

 ANDREW LAMPERT: THE OLD WORLD AND THIS ONE, TOO
  Today's show features a few groupings of all new works now seeing the
  light of the screen. Herein is space and time, approached from numerous
  angles, encompassing friends, colleagues, ancestors and unknowns. The
  present doesn't pause, it moves faster with each blink. Are These Dance
  Films?: BUFFON MOVEMENT ACADEMY (2010, 3.5 minutes, Super 8, music by
  Louis T. Hardin) IRINA IN A GROOVE (2010, 6 minutes, Super 8) Caroline &
  Madeline, Together: CAROLINE GOLUM AS 2010, 9 minutes, video Caroline
  Golum auditions to play my great great great great great Aunt in late
  1700s. Siberia. MADELINE QUINN IS 2010, 9 minutes, video Madeline Quinn
  gets the role of a lifetime, Gunilla, a wicked Swedish warrior with
  demented desires and a plan for domination. ETKA & RIFKA: TEENAGERS OF
  THE OLD WORLD 2010, 12 minutes, 16mm on video Caroline and Madeline star
  in this all-inclusive attempt to make a student film. MADELINE
  VICTORIOUS 2010, 5.5 minutes, video Madeline elaborates upon the
  circumstances surrounding her arrival in NYC, and much more. Portraits:
  DECONGESTING LEILA 2010, 4 minutes, Super 8 Starring Leila Hekmat. For
  adults only. PETERMICHELLEANGELAALAN 2010, 3.5 minutes, Super 8 Precious
  moments set to music, made sappier. Destiny: DOUBLE TROUBLE 2010, approx
  12 minutes, X2 Super 8 DOUBLE TROUBLE is the aptly named duo of Andrew
  Lampert and Fern Silva. Today features the stereo-vision premiere of a
  brand new double projection piece. Not much else to say. PLUS… another
  incredible short film from the SEE series by Eugene Castle! AND… yet
  more surprises! BUT WAIT…even better door prizes!

9/11
Miami Beach, FL: Diaspora Vibe Cultural Arts Incubator, Inc.
http://elusivelandscape.blogspot.com
8PM - 10PM, Miami Beach Botanical Garden, 2000 Convention Center Drive

 ELUSIVE LANDSCAPE
  Elusive Landscape will be presented at five outdoor locations across
  Miami from June to October 2010. This work consists of multiple
  hand-crafted 16mm films depicting the forms and colors of natural
  landscapes projected directly into the landscapes themselves. These
  events will be free and open to the public. Artist Dinorah de Jesús
  Rodriguez brings to this project over 30 years' experience in
  hand-crafted 16mm filmmaking, as well as a history of moving image
  installation, including several works which have included projections in
  the outdoors. Unique soundscapes for each site will be provided by
  composer and sound designer Ricardo Lastre. Following the five outdoor
  installations, there will be an exhibition at Diaspora Vibe Gallery
  showing the films projected onto screens as well as the filmstrips
  themselves, encased in light boxes, and a video documenting the entire
  process of creating and exhibiting this work.

9/11
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
2:00 pm, 32 2nd Avenue

 HITLER: A FILM FROM GERMANY
  HITLER: A FILM FROM GERMANY by Hans-Jürgen Syberberg In English, German,
  French, and Russian with English subtitles, 1977, 429 minutes, 35mm Film
  Notes HITLER – EIN FILM AUS DEUTSCHLAND With Heinz Schubert, Harry Baer,
  Hellmuth Lange, Andre Heller, Peter Kern, and Amalie Syberberg. "[O]ne
  of the great works of art of the 20th century and one of the greatest
  films ever made." –Susan Sontag, NEW YORK REVIEW OF BOOKS The final, and
  certainly most ambitious, film in Syberberg's trilogy is an epic
  nightmare rumination on Adolf Hitler, the cultural mechanisms underlying
  his mythic rise, and the effect he continues to wield over Germany. In a
  series of twenty-two tableaux set on a soundstage, Syberberg makes use
  of puppets, props, a thundering Wagnerian soundtrack, and rear-screen
  projection to evoke the origins of the Third Reich, Nazi Germany, and
  the disturbing aftermath.

9/11
San Francisco, California: San Francisco Museum of Modern Art
http://www.sfmoma.org
3 p.m., 4 Star Theatre, 2200 Clement Street

 SFMOMA PRESENTS MEAN STREETS: CHIP LORD, LOURDES PORTILLO, KONRAD
 STEINER, AND GRAHAM CONNAH
  In this shorts program, we feature works whose protagonists race and
  toggle through San Francisco's real and imagined streets. Lord's Movie
  Map runs iconic car chases in Bullitt and Vertigo against each other.
  Portillo's My McQueen tracks the influence that Bullitt star Steve
  McQueen exerts on San Francisco's multiple identities, while Lord's
  Awakening from the Twentieth Century wonders if the virtual is edging
  out the actual spaces captured in these films. An excerpt of Steiner and
  Connah's collaboration, Overdoing the Movies, features a mashup of chase
  scenes excerpted from The Conversation, What's Up Doc, and seven other
  films set in San Francisco, accompanied by a live performance of
  Connah's original score. Presented in conjunction with Cinema City Out
  There.

9/11
San Francisco, California: San Francisco Museum of Modern Art
http://www.sfmoma.org
6 p.m., Roxie Theatre, 3117 16th Street

 SFMOMA PRESENTS GREGORY PICKUP'S PICKUP'S TRICKS
  Profiling Hibiscus, the splendidly sequined founder of the legendary
  Cockettes, filmmaker Pickup saw his Grove Street loft transformed into
  "a glitter factory" for a very San Franciscan series of revels. The film
  captures Pickup's home remade as a cabaret for Hibiscus's free theater
  group, the Angels of Light, and even Allen Ginsberg arrives to perform
  Blake poems in drag.

9/11
San Francisco, California: San Francisco Museum of Modern Art
http://www.sfmoma.org
Noon, Balboa Theatre, 3630 Balboa Street

 SFMOMA PRESENTS ERNIE GEHR'S COTTON CANDY
  Critic J. Hoberman has described Gehr's celebrated body of avant-garde
  film work as "a tale of three cities": Berlin, his parents' home; New
  York, where he became known for his structuralist films in the late
  1960s; and San Francisco, where he lived and taught from the late 1980s
  to the mid-2000s. Cotton Candy visits San Francisco's beloved Musee
  Mecanique before its move from the Cliff House to Fisherman's Wharf;
  relishing the proto-cinematic devices there, Gehr recaptures the dream
  of cinema before it found its big screen. Gehr introduces the film and
  joins us for a post-screening discussion. Presented in conjunction with
  Cinema City Out There.

9/11
San Francisco, California: Intersection for the Arts
http://www.stopandgoshow.com
4pm, 7pm, 9pm, 446 Valencia Street

 STOP & GO RIDES AGAIN
  Screening stop-motion work by visual artists and filmmakers. Animations
  by Reed Anderson & Daniel Davidson, Kathy Aoki, Alessandra Ausenda,
  Lizzie Black & Anna Maria Murphy, Paz de la Calzada & Michael Rauner,
  Deborah Davidovits, Almut Determeyer, Owen Gatley & Luke Jinks, Sarah
  Klein, Evelien Lohbeck, Miwa Matreyek, Tucker Nichols, David O'Kane, Ara
  Peterson, Mel Prest, Jen Stark, Melinda Stone & Sam Sharkey, Sjors
  Vervoort, Andy Vogt, Scott Wolniak.

--------------------------
SUNDAY, SEPTEMBER 12, 2010
--------------------------

9/12
Los Angeles, California: X-TRA Art Quarterly
x-traonline.org
6pm-9pm, 2692 S La Cienega

 X-TRA VOL. 13 NO. 1 LAUNCH AND CHARLES LUDLAM SCREENING
  Bradford Nordeen, who reviewed the 'Lost films of Charles Ludlam' for
  the volume, will screen Ludlam's Museum of Wax and will exhibit an
  "ambient" screening - the west coast premiere - of the recently
  re-discovered Gooseflesh. Zoe Crosher contributed the Artist Project to
  the issue, and has a billboard project with LAXART, part of LAXART
  Public Initiatives, on view on the same block as Mandrake. She will
  present some of her source material from both projects, in collaboration
  with curator Jenée Misraje.

9/12
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
2:00 pm, 32 2nd Avenue

 HITLER: A FILM FROM GERMANY
  HITLER: A FILM FROM GERMANY by Hans-Jürgen Syberberg In English, German,
  French, and Russian with English subtitles, 1977, 429 minutes, 35mm Film
  Notes HITLER – EIN FILM AUS DEUTSCHLAND With Heinz Schubert, Harry Baer,
  Hellmuth Lange, Andre Heller, Peter Kern, and Amalie Syberberg. "[O]ne
  of the great works of art of the 20th century and one of the greatest
  films ever made." –Susan Sontag, NEW YORK REVIEW OF BOOKS The final, and
  certainly most ambitious, film in Syberberg's trilogy is an epic
  nightmare rumination on Adolf Hitler, the cultural mechanisms underlying
  his mythic rise, and the effect he continues to wield over Germany. In a
  series of twenty-two tableaux set on a soundstage, Syberberg makes use
  of puppets, props, a thundering Wagnerian soundtrack, and rear-screen
  projection to evoke the origins of the Third Reich, Nazi Germany, and
  the disturbing aftermath.

9/12
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue

 ASTRONOME, A NIGHT AT THE OPERA BY HENRY HILLS
  by Henry Hills 2010, 63 minutes, video Film Notes SPECIAL PREMIERE
  SCREENING! Henry Hills returns to Anthology for the premiere of his
  latest video, a feature-length documentation of the wonderfully unruly
  ASTRONOME, A NIGHT AT THE OPERA, a collaborative production by
  playwright/director Richard Foreman and composer John Zorn. Staged at
  the Ontological-Hysteric Theater in Spring 2009, ASTRONOME was, to say
  the least, a fast, furious flurry of syncopated movement, metaphysical
  mayhem, and voluminous hardcore music. Shooting with two cameras over
  the course of six performances, Hills has concocted an amazingly
  assembled, precisely framed, and altogether amusing video that most
  definitely stands as a work of its own. In Hills's ASTRONOME the set,
  the props, the actors, and the music all meld into a singular,
  fantastically fluid ensemble production. For those not lucky enough to
  have seen the show live, you thankfully now have a lot to catch up
  with…. Starring: Karl Allen, Benjamin Forster, Fulya Peker, Eric Magnus,
  Morgan Von Prelle Pecelli, James Peterson, and Deborah Wallace.
  Featuring music by John Zorn with Joey Baron, drums; Trevor Dunn, bass;
  Mike Patton, voice. Soundtrack available on Tzadik Records. With: FAILED
  STATES (2008, 10 minutes, 16mm) "[It] is a study of spinning elements,
  rotation as gesture both mechanized and organic…but above and beyond
  this, [it] is remarkable because, among its other virtues, it combines
  multiple layers of avant-garde film history and memory. The link to the
  fairground, naturally, asks us to think of cinema as an 'attraction', a
  non-narrative mode that provokes the senses." –Michael Sicinski Total
  running time: ca. 75 minutes.

9/12
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue

 ASTRONOME, A NIGHT AT THE OPERA BY HENRY HILLS
  SPECIAL PREMIERE SCREENING! Henry Hills returns to Anthology for the
  premiere of his latest video, a feature-length documentation of the
  wonderfully unruly ASTRONOME, A NIGHT AT THE OPERA, a collaborative
  production by playwright/director Richard Foreman and composer John
  Zorn. Staged at the Ontological-Hysteric Theater in Spring 2009,
  ASTRONOME was, to say the least, a fast, furious flurry of syncopated
  movement, metaphysical mayhem, and voluminous hardcore music. Shooting
  with two cameras over the course of six performances, Hills has
  concocted an amazingly assembled, precisely framed, and altogether
  amusing video that most definitely stands as a work of its own. In
  Hills's ASTRONOME the set, the props, the actors, and the music all meld
  into a singular, fantastically fluid ensemble production. For those not
  lucky enough to have seen the show live, you thankfully now have a lot
  to catch up with…. Starring: Karl Allen, Benjamin Forster, Fulya Peker,
  Eric Magnus, Morgan Von Prelle Pecelli, James Peterson, and Deborah
  Wallace. Featuring music by John Zorn with Joey Baron, drums; Trevor
  Dunn, bass; Mike Patton, voice. Soundtrack available on Tzadik Records.
  With: FAILED STATES (2008, 10 minutes, 16mm) "[It] is a study of
  spinning elements, rotation as gesture both mechanized and organic…but
  above and beyond this, [it] is remarkable because, among its other
  virtues, it combines multiple layers of avant-garde film history and
  memory. The link to the fairground, naturally, asks us to think of
  cinema as an 'attraction', a non-narrative mode that provokes the
  senses." –Michael Sicinski Total running time: ca. 75 minutes.

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