From: Weekly Listing (email suppressed)
Date: Sat Jul 31 2010 - 11:48:23 PDT
This week [July 31 - August 8, 2010] in avant garde cinema
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MISCELLANEOUS:
==============
Experimental filmmaker harrassed by federal authorities
http://www.hi-beam.net/cgi-bin/ann.pl?type=misc&readfile=114.ann
SERVICES:
=========
Dark Matter Sound
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NEW CALLS FOR ENTRIES:
=====================
The 33rd Big Muddy Film Festival (Carbondale, IL, USA; Deadline: December 12, 2010)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1193.ann
Arteles Residency Program (Hameenkyro; Deadline: September 17, 2010)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1194.ann
MONO NO AWARE IV (Brooklyn, NY. USA; Deadline: November 05, 2010)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1195.ann
Strange Beauty Film Festival (Durham, NC, USA; Deadline: December 15, 2010)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1196.ann
Boulder International Film Festival (Boulder, CO USA; Deadline: August 01, 2010)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1197.ann
POOL - INTERNATIONALE TanzFilmPlattform BERLIN (Berlin, Germany; Deadline: August 11, 2010)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1198.ann
Fire Walk With Me (Leeds, West Yorkshire, England; Deadline: August 12, 2010)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1199.ann
KLEX Kuala Lumpur Experimental Film and Video Festival (Kuala Lumpur, Malaysia; Deadline: August 22, 2010)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1200.ann
DEADLINES APPROACHING:
======================
6th Renderyard Short Film Festival (London; Deadline: July 31, 2010)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1133.ann
Lucca Film Festival 2010 (Lucca, Tuscany - Italy; Deadline: July 31, 2010)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1163.ann
zwergWERK - Oldenburg Short Film Days (Oldenburg, Germany; Deadline: August 15, 2010)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1164.ann
4rd IN OUT Festival 2010 (Gdansk; Deadline: September 01, 2010)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1176.ann
Boulder International Film Festival (Boulder. CO USA; Deadline: September 01, 2010)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1184.ann
Images Festival (Toronto, Ontario, CANADA; Deadline: August 01, 2010)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1185.ann
Journal of Short Film (Columbus, Ohio, USA; Deadline: July 31, 2010)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1187.ann
The Accolade Competition (La Jolla, CA, USA; Deadline: August 27, 2010)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1190.ann
GLI.TC/H (Chicago, IL. USA; Deadline: August 20, 2010)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1192.ann
Boulder International Film Festival (Boulder, CO USA; Deadline: August 01, 2010)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1197.ann
POOL - INTERNATIONALE TanzFilmPlattform BERLIN (Berlin, Germany; Deadline: August 11, 2010)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1198.ann
Fire Walk With Me (Leeds, West Yorkshire, England; Deadline: August 12, 2010)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1199.ann
KLEX Kuala Lumpur Experimental Film and Video Festival (Kuala Lumpur, Malaysia; Deadline: August 22, 2010)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1200.ann
Enter your event announcements by going to the Flicker Weekly Listing Form
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Also available online at Flicker: http://www.hi-beam.net
THIS WEEK'S PROGRAMS (SUMMARY):
==============================
* Red Hook Cine Soiree!! [July 31, Brooklyn, New York]
* Stephanie Barber Program 1 [July 31, New York]
* Stephanie Barber Program 2 [July 31, New York]
* The Los Angeles Premiere of A Bientot J’Espere (Be Seeing You) A Film By
Chris Marker and Mario Marret and An Injury To One, By Travis
Wilkerson [August 1, Los Angeles, California]
* Essential Cinema: Quick Billy [August 1, New York]
* Essential Cinema: Baillie/Crockwell Program [August 1, New York]
* Essential Cinema: A Sixth of the World [August 4, New York]
* Dog Star Man [August 4, Seattle, Washington]
* Essential Cinema: Forward, Soviet! [August 5, New York]
* Essential Cinema: Enthusiasm [August 6, New York]
* Optic Nerve Xii [August 6, North Miami]
* Warhol/Hopper – Films By andy Warhol Featuring Dennis Hopper [August 8, Los Angeles, California]
Events are sorted by CITY within each DATE.
-----------------------
SATURDAY, JULY 31, 2010
-----------------------
7/31
Brooklyn, New York: BWAC
http://www.facebook.com/#!/event.php?eid=116349161745781&ref=ts
3PM, 499 Van Brunt Street
RED HOOK CINE SOIREE!!
featuring plangent nostalgia and tropical revelry!!! Guest Programmer
Joel Schlemowitz presents... A salon of experimental and underground
films from cine-artists Marie Losier, Jennifer Reeves, Nathaniel Lambert
Cummings, Bradley Eros, Jim Jennings, Jeremy D. Slater, Sheri Wills. A
summer afternoon and short works of avant-garde cinema? Our agenda is to
program our soiree attuned to the enchantment of the season of
Mid-Summer Nights' Dreams, to indulge ourselves in the hazy and lazy
segment of the calendar, to enlighten ourselves lightly and sprightly,
to work Puckish mischief on the screen, to take respite from the
oppressive sun in the magic lantern parlor by the sea. Expect red wine
and soft cheese, and 78s of 1920s Hawaiian guitar played on the
Victrola! Directions: http://www.bwac.org/directions (...right across
from Fairway)
7/31
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
6:30 pm, 32 2nd Avenue
STEPHANIE BARBER PROGRAM 1
Anthology welcomes Baltimore-based multi-media artist Stephanie Barber,
who has been quietly amassing a remarkable body of work over the last 15
years, producing a steady stream of films and videos that are
meticulously crafted and disarmingly modest. Barber uses cinema to
explore the borders between text and image, photography and poetry,
memory and loss. Each film creates its own whimsical world, teetering on
the edge of sadness yet never maudlin. Barber's intellectually playful
works engage both brains and funny bones. "Stephanie Barber…has one of
the most original visions to emerge recently from the diverse
experimental film scene. Deceptively simple at first, her work is unique
in the way it alters and even suspends time." –CHICAGO READER "[Barber's
films] can feel like highly formal exercises in film language made by a
profoundly restless mind, playing image and sound off each other and
forcing you to locate implied meanings on your own. Others are both
silly and oddly engaging, involving puppets mundanely discussing
pressing metaphysical concerns. And others calmly and almost
imperceptibly sweep you up in the genuine breadth of their emotional
wake." –Bret McCabe, THE BALTIMORE CITY PAPER A SIDES flower, the boy,
the librarian (1996, 6 minutes, 16mm) they invented machines (1997, 8
minutes, 16mm) shipfilm (1998, 3 minutes, 16mm) letters, notes (2000,
4.5 minutes, 16mm) catalog (2005, 11 minutes, 16mm) total power dead,
dead, dead (2005, 3 minutes, 16mm) dwarfs the sea (2007, 7 minutes,
video) the visit and the play (2008, 8 minutes, video) the inversion,
transcription, evening track and attractor (2008, 13 minutes, video) to
the horse dream of arms (2010, 5 minutes, video) Total running time: ca.
75 minutes.
7/31
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
8:30 pm, 32 2nd Avenue
STEPHANIE BARBER PROGRAM 2
Anthology welcomes Baltimore-based multi-media artist Stephanie Barber,
who has been quietly amassing a remarkable body of work over the last 15
years, producing a steady stream of films and videos that are
meticulously crafted and disarmingly modest. Barber uses cinema to
explore the borders between text and image, photography and poetry,
memory and loss. Each film creates its own whimsical world, teetering on
the edge of sadness yet never maudlin. Barber's intellectually playful
works engage both brains and funny bones. "Stephanie Barber…has one of
the most original visions to emerge recently from the diverse
experimental film scene. Deceptively simple at first, her work is unique
in the way it alters and even suspends time." –CHICAGO READER "[Barber's
films] can feel like highly formal exercises in film language made by a
profoundly restless mind, playing image and sound off each other and
forcing you to locate implied meanings on your own. Others are both
silly and oddly engaging, involving puppets mundanely discussing
pressing metaphysical concerns. And others calmly and almost
imperceptibly sweep you up in the genuine breadth of their emotional
wake." –Bret McCabe, THE BALTIMORE CITY PAPER B SIDES woman stabbed to
death (1996, 7 minutes, 16mm) these horizon (1997, 12 minutes, 16mm)
city at heart (2003, 4 minutes, 16mm) dogs (2000, 15 minutes, 16mm) the
end of the world (2001, 32 minutes, video) bust chance bar (harbor)
counter (2008/10, 6 minutes, video) Total running time: ca. 80 minutes.
----------------------
SUNDAY, AUGUST 1, 2010
----------------------
8/1
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:30 pm, Egyptian Theatre, 6712 Hollywood Blvd. at Las Palmas
THE LOS ANGELES PREMIERE OF A BIENTOT J’ESPERE (BE SEEING YOU) A FILM BY
CHRIS MARKER AND MARIO MARRET AND AN INJURY TO ONE, BY TRAVIS WILKERSON
The Los Angeles Premiere of a Chris Marker film from 1968! À BIENTÔT,
J'ESPÈRE offers an inspiring look back at a time when workers, faced
with intolerable conditions and job losses resulting from the nascent
globalization of the European common market, took a stand. Marker and
Mario Marret filmed the 1967 strike at the Rhodiaceta textile mill in
Besançon, France. AN INJURY TO ONE provides a corrective—and absolutely
compelling—glimpse of a particularly volatile moment in early 20th
century American labor history: the rise and fall of Butte, Montana.
Specifically, it chronicles the mysterious death of Wobbly organizer
Frank Little, a story whose grisly details have taken on a legendary
status in the state. Much of the extant evidence is inscribed upon the
landscape of Butte and its surroundings. Thus, a connection is drawn
between the unsolved murder of Little, and the attempted murder of the
town itself. Little was murdered on August 1, 1917. Filmforum brings
back Travis Wilkerson's masterful documentary in commemoration. Advance
ticket purchase available through Brown Paper Tickets at
http://www.brownpapertickets.com/event/120380
8/1
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
5:30 pm, 32 2nd Avenue
ESSENTIAL CINEMA: QUICK BILLY
1971, 73 minutes, 16mm Film Notes Bruce Baillie's journey through "the
dark wood encountered in the middle of life's journey" (Dante), with
references to Bardo Thodol. A major work from one of the great poets of
cinema.
8/1
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue
ESSENTIAL CINEMA: BAILLIE/CROCKWELL PROGRAM
Film Notes Bruce Baillie MASS FOR THE DAKOTA SIOUX (1963-64, 20 minutes,
16mm, b&w) QUIXOTE (1964-65, 45 minutes, 16mm) CASTRO STREET (1966, 10
minutes, 16mm) ALL MY LIFE (1966, 3 minutes, 16mm) VALENTIN DE LAS
SIERRAS (1968, 10 minutes, 16mm) Meditations on America by a filmmaker
whom Willard van Dyke once called the most American of all contemporary
filmmakers. Annette Michelson has referred to Bruce Baillie as one of
the few American political filmmakers. Douglass Crockwell GLENS FALLS
SEQUENCE (1964, 8 minutes, 16mm) "The basic idea was to paint continuing
pictures on various layers with plastic paint, adding at times and
removing at times, and to a certain extent these early attempts were
successful." –D.C. Total running time: ca. 100 minutes.
-------------------------
WEDNESDAY, AUGUST 4, 2010
-------------------------
8/4
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue
ESSENTIAL CINEMA: A SIXTH OF THE WORLD
by Dziga Vertov With Russian intertitles; English synopsis available,
1926, 74 minutes, 35mm Film Notes THE FILMS OF DZIGA VERTOV A SIXTH OF
THE WORLD / SHESTAIA CHAST MIRA "The film drama is the Opium of the
people…down with Bourgeois fairy-tale scenarios…long live life as it
is!" – D.V.
8/4
Seattle, Washington: Northwest Film Forum
http://www.nwfilmforum.org
8pm, 1515 12th Ave (at Pike)
DOG STAR MAN
(Stan Brakhage, 1961-64 USA, 16mm, 75 min) Co-presented by The Sprocket
Society and Third Eye Cinema Wednesday, Aug 04 at 08:00PM Join us for a
rare screening of an essential film of the 20th century avant garde in
its original 16mm format. Four years in the making, this influential and
much-revered abstract work is widely regarded as the masterpiece of
legendary filmmaker Stan Brakhage, who made more than 350 films over 50
years. With its psychedelic freakout, mytho-poetic dissertation and
game-changing aesthetic, Dog Star Man is an unforgettable work of high
artistry, as challenging as it is rewarding. Unlike Brakhage's later and
better-known painted films, Dog Star Man draws mainly on filmed
actualities. Its components are all contained in the stunning Prelude.
Over the next four parts these elements are fragmented, manipulated and
recombined in a mosaic of increasing complexity. On one level it depicts
an intensely mythic spiritual quest, a deeply personal farago informed
by Brakhage's lifelong study of poetry and symbolism. On another level
it is a purely visual tour de force of editing and composition that can
be experienced solely on its own (or your own) terms. Shown silent, as
intended by the filmmaker. "I wanted it to be as real from the very
beginning as life happening." —Stan Brakhage
------------------------
THURSDAY, AUGUST 5, 2010
------------------------
8/5
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue
ESSENTIAL CINEMA: FORWARD, SOVIET!
by Dziga Vertov With Russian intertitles; English synopsis available,
1925-26, 73 minutes, 35mm
----------------------
FRIDAY, AUGUST 6, 2010
----------------------
8/6
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
8:00 pm, 32 2nd Avenue
ESSENTIAL CINEMA: ENTHUSIASM
ENTHUSIASM, OR SYMPHONY OF THE DON BASIN by Dziga Vertov In Russian with
no subtitles; English synopsis available, 1931, 67 minutes, 35mm
8/6
North Miami: MOCA North Miami
www.mocanomi.org
7pm + 9pm, 770 NE 125th Street
OPTIC NERVE XII
MOCA MARKS 10th ANNIVERSARY OF OPTIC NERVE FILM FESTIVAL OF SOUTH
FLORIDA ARTISTS AND FILMMAKERS Screening: Friday, August 6 at 7 pm and 9
pm * Seating is very limited and RSVP is required. For reservations,
please call 305.893.6211 or email (address suppressed) The Museum of
Contemporary Art will celebrate the 10th anniversary of Optic Nerve, its
annual festival of short films and videos by artists from South Florida,
with a screening of its 12th rendition on Friday, August 6 at 7 and 9
pm. Optic Nerve XII will feature 22 films by 21 artists, all less than
five minutes in length, selected from an open call for submissions. (See
complete list of films below). The festival is part of MOCA's ongoing
effort to provide new opportunities for South Florida artists. Since the
inception of Optic Nerve in 2000, over 150 artists have been featured,
many of whom publicly presented their work for the first time in this
MOCA program ( list of all Optic Nerve artists below). Optic Nerve XII
will be presented at the Museum of Contemporary Art, 770 NE 125th
Street, North Miami, FL 33161 and is free with museum admission ($5
adults; $3 seniors and students with ID; free for MOCA members, North
Miami residents). Seating is very limited and RSVP is required. For
reservations, please call 305.893.6211 or email (address suppressed)
Starbucks Coffee Company, sponsor of Optic Nerve since 2006, will
provide funds for the purchase of one of the films for MOCA's permanent
collection. The selection will be announced by MOCA Executive Director
Bonnie Clearwater at the conclusion of the first screening. Audience
members will vote for their favorite film by ballot. The Art Museum of
El Salvador (MARTE) is currently screening five films which MOCA
acquired through Optic Nerve: Crossing the Equator (2007) by Phillip
Estlund, I am the Smallest Planet of My Own (story tell) (2006) by Jiae
Hwang, 1984/2005 (2005) by Kyle Trowbridge, Streaming Gradient (2008) by
Jen Stark, and She Said As long as You Run With Me (2009) by the TM
Sisters. Jurors for Optic Nerve XII were Anthony Allegro, Professor,
Motion Pictures, School of Communications, University of Miami; Don
Chauncey, former Director for the Lynn and Louis Wolfson Florida Moving
Image Archives at Miami-Dade College; Bonnie Clearwater, Executive
Director and Chief Curator, Museum of Contemporary Art, North Miami; Rod
Faulds, University Galleries Director, Florida Atlantic University
School of the Arts; and filmmaker and artist Juan Carlos Zaldivar. OPTIC
NERVE XII FILMS 3PQ, You're Going to Carry that Weight, 4:52 min In this
film, artist collective 3PQ seeks to transform a static landscape into a
fluid real time continuum, a sort of momentary bliss of genuine
discovery and refusal where lines erase, transverse or scale infinitely
as pixels on a screen. Carlos Llerena Aguirre, Valor Y Fe 1:43 min
Faith, courage and loyalty are referenced in street dogs from all over
the world. The film creates a contrast between the stray dogs and sacred
altars as symbols of religious passage. The altars depict Gauchito
Antonio Gil, a saint from Corrientes, North of Argentina. The score
details the life of San Jose de San Martin, liberator of South America.
Jeff Calvert and Ran Dolf, Mustache Chronicles 1:30 min Inspired by
dated maps and atlases, this work is short meditation on modern man and
his dilemmas. With an ephemeral style of animation and narration, linked
with linear continuity, the artwork suggests an infinite timeline of
abstract events, suggesting progress and belief are timeless and
ruthless attributes to human nature. Autumn Casey, Getting Rid of All My
Shoes 4:16 min In this film, the artist liberates herself from what she
is supposedly attached to by displacing her entire shoe collection
throughout her neighborhood until she is barefoot. Charles Chace,
Amplified Proof 3:11 min The inspiration of this video centers on an
immature and unrealistic desire to elicit artist Tracey Emin's
attention. The structure of the video is based on traditional song
writing. The limited images of the muse (Tracey Emin), creates a
nonsensical dialog which is enhanced by the use of music, sound effects,
voiceovers, and various colorful scrolling texts. Vanessa Cruz, Eve as a
Young Girl 2:09 min; Lazarus 1:20 min The mythical and allegorical world
of storytelling is at the heart of these animated films. Ancient stories
are told through a modern sense of the visual. Scott Draft, Creation:
Apocalypse 4:41 min Creation through Apocalypse is a pun on the
Discovery Channel. Just as all language contains dialectic malfunctions,
the voice of the video is encoded with a limited worldview. It is an
attempt to explain the unexplainable and that the devil is in the
details. Shane Eason, Works of the Flesh: Second Study 5:00 min The film
is the second in a series of studies on body modification and
manipulation through a number of medical practices and procedures. The
footage is found Super 8 film, circa late 1960's, which existed
originally in medical institutions and universities as instructional
films for medical students. Erwin Georgi, Lines 1:50 min Lines is a
study of light and symmetry, showing how light is perceived and captured
into living energy. The result is a living piece of light movement.
Music by Vitalic. Moira Holohan, Look at the Sign 2:17 min This video
animation with found sound includes the following processes: studio
performances, green screen, video montage and drawing and painted
animation. Dee Hood, Believe 4:22 min This video explores ideas about
belief. The artist entered the word "believe" on Twitter to explore the
common use of the word with fascinating results. The scrolling text
shows the bizarre range of what we believe. Lew Lautin, Paris: A Ride on
Le Metro 3:22 min The artist offers a crazy, zany fun-filled ride on the
world famous Paris Le Metro, a journey unlike any other. Susan Lee-Chun,
Let's Suz-ercise! (Chicago-Style) 3:12 min This film addresses notions
of authenticity identity and perception. A faux entity "The Suz" is a
conglomeration of three alter egos that embody the polarizing impacts of
race and identity politics - Sue (assimilation), Sioux (independence)
and Su (mediation). Justin H. Long, In Search of the Miercoles 1:45 min
Rather than following in the footsteps of conceptual artist Bas Jan
Ader's search for the Miraculous ultimate end-all performance, the
artist seeks a little piece of paradise on a Wednesday. Juan Maristany,
Leak :57 min Leak is an abstract 3D animation dealing with disgust and
powerlessness. The creature is the focus of an internal rage amplified
and the feeling of trying to personify an insurmountably huge opponent
or a daunting, non changeable situation Jillian Mayer, Scenic Jogging 1
min "Now here you see, it takes all the running you can do, to keep in
the same place " The Red Queen. Kristina Rodriguez, The Ecstasy of St.
Theresa 1:14 min This piece is inspired by St. Theresa of Avila's
recount of a visitation from a seraph which inspired the Bernini
sculpture The Ecstasy of St. Theresa. David Rohn, Construction one 5 min
Construction is a short and personal rumination on fantasy and dress-up
for adults who still like to play the way they may have as kids. Emerson
Rosenthal, Pseudocoma 2:36 min This is a video collage inspired by
Orwell's bittersweet couplet "Under the Spreading Chestnut tree, I sold
you and you sold me" Barron Sherer, Wall Street Neu! 3:08 min This film
footage is an unedited portion of a 35mm to a 16mm reduction print of a
popular feature film from the 1980's. It is projected in its original
16mm format with music on CD. Juan Carlos Zaldivar, Horror (Horror
Sickness) 4:38 min Mal "Les Chants de Maldoror" has been cited by many
surrealist artists as their main source of inspiration (Salvador Dalí,
Jean Coteau). This short film is an attempt at drawing a parallel to
Ducasse's social and moral commentary at the end of the 19th century by
questioning contemporary definition of the moral boundaries guiding our
creation of digital content.
----------------------
SUNDAY, AUGUST 8, 2010
----------------------
8/8
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:30 pm, Egyptian Theatre, 6712 Hollywood Blvd. at Las Palmas
WARHOL/HOPPER – FILMS BY ANDY WARHOL FEATURING DENNIS HOPPER
In conjunction with the Tribute to Dennis Hopper and the Dennis Hopper
show at MOCA, Filmforum screens Screen Tests Reel #4 (1964-65, 16mm,
app. 40 min, silent, b&w, 18 fps) – ten screen tests including two with
Hopper, filmed in 1964, and Tarzan and Jane Regained... Sort of (1964,
80 min, 16mm, color, sound), directed by Warhol, featuring Taylor Mead
as Tarzan, Naomi Levine as Jane, Dennis Hopper, Irving Blum, Brooke
Howard , and Andy Warhol in Warhol's rarely-seen film shot in Los
Angeles in October 1963 while he was in town for his second show at the
Ferus Gallery.
Enter your event announcements by going to the Flicker Weekly Listing Form
at http://www.hi-beam.net/cgi-bin/thisweek.pl
The weekly listing is also available online at Flicker:
http://www.hi-beam.net
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