Re: [Frameworks] Letter to other Filmmaker Artists

From: Anna Biller (email suppressed)
Date: Fri Jul 23 2010 - 14:45:33 PDT

There are big differences between facilities and color timers on film
too. I was going to a "good" lab. I also don't think it's just a
transfer issue. Thats why you can't wear white on TV, or stripes,
because whites will blow out and stripes will strobe. Video just
doesn't handle those situations too well.

On Jul 23, 2010, at 1:43 PM, Sam Wells wrote:

> Anna -
> My reply (even if your post was not framed as a question) addressed,
> again, a 'translation' issue.....
> And there are BIG differences between facilities and colorists/
> technicians.
> Really one reason I switched from 16mm to (1920 x 1080 "1,9K" &
> capturing @ up to 4K ) digital, am looking toward working in 4K is
> that on one hand HD etc can degrade 16mm;
> but 16 is typically - subjective opinion - insufficient capture size
> for what I wanted to get in the digital environment.
> Zero sum game, loss either way. 35mm too much money, too much baggage,
> not that 35/ 3 perf with good scanning would not look
> terrific........... scanning to data format NOT "HD"
> -Sam
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