From: Alex Lake (email suppressed)
Date: Tue Jul 20 2010 - 11:28:56 PDT
Hello!
I use the Jobo C-41 press kit when processing color negative... I just
follow the instructions in the box... It's only 3 steps and pretty
easy...
http://www.jobo.com/jobo_service_analog/us_analog/instructions/instructions_process_c41_presskit.htm
Be careful... these chemicals are kind of scary... I would highly
recommend processing in a well ventilated area using a respirator,
gloves, etc...
Best
-Alex
On Tue, Jul 20, 2010 at 11:18 AM, Veronica Ibarra
<email suppressed> wrote:
> Hi!
> I hand-process my own B&W 16mm film and would like to do the same with
> colour, reversal or neg. I use a Lomo tank.
>
> Could anyone tell me how to do it? chemicals needed, times, temperatures,
> etc?
> Or maybe someone knows where I could get this information?
>
> Thank you
>
> Best
> Veronica
> www.veronicaibarra.com
> ________________________________
> De: Rory Brosius <email suppressed>
> Para: email suppressed
> Enviado: mar,20 julio, 2010 18:51
> Asunto: Re: [Frameworks] experimental documentary (thank you)
>
> Christopher,
> Thank you for the kind response. I hope you are able to incorporate
> everything you hope to.
> Keep us updated!
> Cheers,
> Rory
> PS: If you are looking to incorporate some interesting portraits,
> docudrama, and "self-reflexive" films (as Marilyn had said)...
> Grey Gardens: Albert & David Maysles
> Sherman's March: Ross McElwee
>
> War: Jake Mahaffy
> Chain: Jem Cohen
> and for fun...
> The King of Kong: A Fistful of Quarters: Seth Gordon
> ________________________________
> From: email suppressed
> To: email suppressed
> Date: Tue, 20 Jul 2010 16:34:54 +0000
> Subject: [Frameworks] experimental documentary (thank you)
>
> Hello all,
>
>
>
> Thanks to everyone for so many excellent and thought provoking
> recommendations. Some of them were already on my radar but many others had
> either slipped my mind or were completely unknown to me.
>
>
>
> Thanks in particular to Amanda, Dan, Robert, Dinorah, Jeanne, Ken, Matt,
> Mike, Jason, Carl, Sonali, David, Ted, Elizabeth, Mads, Greg, James, Shane,
> Jeff, Beverly, Manuele, Rory and Rob (whew!).
>
>
>
> Special thanks to Marilyn, Jason and Rory for prodding me to focus my
> thoughts a bit more as I begin to shape the syllabus for the course.
>
>
>
> In response to their comments a little context is probably in order:
>
>
>
> The class I will be teaching this fall is called Film Documentary. Based on
> past experience with the student body I suspect that the vast majority of my
> students have an idea of documentary that does not go very far beyond Ken
> Burns and Michael Moore. Its within this context that I decided that I
> would teach an "experimental documentary" course in order to challenge these
> sorts of preconceptions. In any case when I posted my initial query to
> Frameworks I deliberately left the terminology undefined so as to cast as
> wide a net as possible in the hopes that I would get a range of responses
> (it seemed to have worked). I assumed correctly that many responses would
> point me in directions that I might not have anticipated. At the same time
> I included the names of certain film and video makers in order to provide
> some sense of what I meant by "experimental." The point was to provide some
> context without closing off potential avenues.
>
>
>
> Marilyn wondered about the purpose of the course. One of the major areas of
> focus for this class will be, as Marilyn put it, on "self-reflexive
> documentaries that are honest, also, about their subjectivity.” Rather than
> a history of such films I intend to design the course as an introduction to
> these kinds of films (and videos) with no attempt to be exhaustive or
> definitive. In this spirit, the discussions around terminology
> (“experimental” and “documentary”) will be integrated into the course with
> as little doctrinaire fanfare as possible.
>
>
>
> Jason, I wholeheartedly agree that there are no clear boundaries between
> Narrative, Documentary and Experimental film. I intend to design the course
> in such way that the content and spirit of the course convey this lack of
> definitive boundaries.
>
>
>
> Rory, Documentary Film is a theory course however I have recently begun to
> fold optional production assignments into my theory courses and I intend to
> do the same with my “experimental” version of the this class. How exactly I
> will do this has yet to be determined. I am not sure how much experience
> with hands on processes. Certainly the discussion around terminology and
> processes will have to be placed within an historical context.
>
>
>
> Again, thanks to all the very helpful feedback.
>
>
>
> Best,
>
>
>
> CH
>
>
>
>
>
> ________________________________
> The New Busy is not the too busy. Combine all your e-mail accounts with
> Hotmail. Get busy.
>
> _______________________________________________
> FrameWorks mailing list
> email suppressed
> http://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
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