From: Charles Chadwick (email suppressed)
Date: Thu Mar 18 2010 - 02:04:53 PDT
Cool, thanks for the advice. I think what I'm going to do actually is
smear some blood onto 16mm clear leader and then transfer it on the
sly at school, and then superimpose it over my footage in final cut.
Hopefully that will work. Anyway, I should be getting out that DVD to
you next week. It will have the films on it that you've already seen
when I had that tutorial with you my first semester. Also, did you see
that frameworks post about the website named after agnes varda
dedicated to facilitating the work of women filmmakers? It'd be cool
if you contributed to that... I think you'd have a lot to offer. You
certainly have informed and facilitated my practice greatly over the
years. I'll definitely be making it to that film salon. Hope you're
well. Take care!
Sent from my iPhone
On Mar 16, 2010, at 2:03 PM, Janis Lipzin <email suppressed> wrote:
> Hi Charles,
> I used some of my blood to tint a passage at the end of my film
> Other Reckless Things in the '80s. The lab, then W.A. Palmer Films
> in San Francisco, was instructed not to clean it by hand but to do
> so ultrasonically instead to preserve the "hand-applied color" which
> it did.
> The original film was color reversal from which an internegative was
> struck. Then release prints were made from the interneg with no
> problems that I recall.
> You can see the results yourself at the San Francisco Art Institute
> Film Salon that will be present this film on March 31 at 7 PM.
> Janis Crystal Lipzin
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.