This week [January 23 - 31, 2010] in avant garde cinema

From: Weekly Listing (email suppressed)
Date: Sat Jan 23 2010 - 08:06:05 PST


This week [January 23 - 31, 2010] in avant garde cinema

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SERVICES:
=========
Workshop 3D Stereo Vision: from Capture to Display
http://www.hi-beam.net/cgi-bin/ann.pl?type=services&readfile=109.ann
 
JOB AVAILABLE:
==============
Syracuse University
http://www.hi-beam.net/cgi-bin/ann.pl?type=jobs&readfile=5.ann
Media City Film Festival
http://www.hi-beam.net/cgi-bin/ann.pl?type=jobs&readfile=4.ann

NEW CALLS FOR ENTRIES:
=====================
DotFest - International Online Short Film Festival (Switzerland; Deadline: March 01, 2010)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1122.ann
CologneOFF VI - Let's Celebrate! (Cologne, Germany; Deadline: April 05, 2010)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1123.ann
DEEP LEAP MICROCINEMA - ZAUM / BEYONSENSE (Portland, OR, USA; Deadline: January 28, 2010)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1124.ann
The International Surrealist Film Festival (Los Angeles, CA, USA; Deadline: February 13, 2010)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1125.ann
ZEBRA Poetry Film Festival (Berlin, Germany; Deadline: June 14, 2010)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1126.ann
VIDEOHOLICA 2010 INTERNATIONAL VIDEO ART FESTIVAL (Varna, Bulgaria; Deadline: June 30, 2010)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1127.ann

DEADLINES APPROACHING:
======================
Media City (Windsor ON Canada; Deadline: February 19, 2010)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1088.ann
Magmart | video under volcano (Naples, Italy; Deadline: January 31, 2010)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1093.ann
Bicycle Film Festival (New York, NY, United States; Deadline: February 17, 2010)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1094.ann
The Journal of Short Film Vol. 19 (Columbus, OH, United States; Deadline: February 01, 2010)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1106.ann
Australian International Experimental Film Festival (Melbourne, Vic, Australia; Deadline: February 15, 2010)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1110.ann
Crossroads (San Francisco, CA USA; Deadline: February 10, 2010)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1112.ann
The 2010 Delta International Film and Video Festival (Cleveland, MS USA; Deadline: February 01, 2010)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1117.ann
Go Short International film festival (Nijmegen, the Netherlands; Deadline: February 01, 2010)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1118.ann
Newport Beach Film Festival (Newport Beach, CA, USA; Deadline: January 25, 2010)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1120.ann
DEEP LEAP MICROCINEMA - ZAUM / BEYONSENSE (Portland, OR, USA; Deadline: January 28, 2010)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1124.ann
The International Surrealist Film Festival (Los Angeles, CA, USA; Deadline: February 13, 2010)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1125.ann

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Also available online at Flicker: http://www.hi-beam.net

THIS WEEK'S PROGRAMS (SUMMARY):
==============================
 * Strange Beauty Film Festival [January 23, Durham, NC]
 * HÄXan With A Live New Score By Dr. Prisoner: the Brain! [January 23, San Francisco, California]
 * Public Lighting By Mike Hoolboom (In Person) + Re-Launch of Projecting
    Questions? @ 7pm [January 23, Toronto, Ontario, Canada]
 * Circles of Confusion: A Hollis Frampton Film Retrospective Part 2 [January 24, Los Angeles, California]
 * Now, You Can Do Anything: the Films of Chris Langdom [January 25, Los Angeles, California]
 * Haitian Footage [January 26, New York]
 * Carousel Microcinema #2: Phenomenology. Labor. Color. [January 27, San Diego, California]
 * Up & Down & Back & Forth & Round & Round ... the 8 Fest Installations [January 27, Toronto, Ontario, Canada]
 * Double Take [January 28, Irvine, CA]
 * La RÉGion Centrale [January 28, Toronto, Ontario, Canada]
 * Canadian Curiosities! [January 29, Buffalo, New York]
 * Essential Cinema: Strike [January 29, New York]
 * Jim Jennings Show [January 29, Rotterdam, The Netherlands]
 * The Invisible Forest A Film By Antero Alli (In Person) [January 29, San Francisco, California]
 * Fag off! J.D.'s Homopunk Hitparade [January 29, Toronto, Ontario, Canada]
 * Zinger: Tales From the Funnel, Volume 1 [January 29, Toronto, Ontario, Canada]
 * Acadian Super 8 Now! [January 29, Toronto, Ontario, Canada]
 * Circles of Confusion: A Hollis Frampton Film Retrospective Part 3 [January 30, Los Angeles, California]
 * Essential Cinema: Battleship Potemkin [January 30, New York]
 * Essential Cinema: October [January 30, New York]
 * Golden: the Polyphonic Aural Experience [January 30, Toronto, Ontario, Canada]
 * Another Day and Night In Japan [January 30, Toronto, Ontario, Canada]
 * Circles of Confusion: A Hollis Frampton Film Retrospective Part 4 [January 31, Los Angeles, California]
 * Essential Cinema: Old and New [January 31, New York]
 * Essential Cinema: ivan the Terrible [January 31, New York]
 * Guardiaregia (1985) A Film By Giovanni Sampogna [January 31, Toronto, Ontario, Canada]
 * Bagerooo, Three! Recent Super 8 Filmmaking! [January 31, Toronto, Ontario, Canada]

Events are sorted by CITY within each DATE.

--------------------------
SATURDAY, JANUARY 23, 2010
--------------------------

1/23
Durham, NC: Strange Beauty Film Festival
http://www.strangebeauty.org
2 pm & 8:15 pm, Manbites Dog Theater, 703 Foster St

 STRANGE BEAUTY FILM FESTIVAL
  Concluding day of the inaugural Strange Beauty Film Festival, showing
  short films from around the world. Filmmakers include Leighton Pierce,
  Jodie Mack, Jennie Thwing.

1/23
San Francisco, California: Artists Television Access
http://www.atasite.org/
8PM $6-$10, 992 Valencia at 21st

 HÄXAN WITH A LIVE NEW SCORE BY DR. PRISONER: THE BRAIN!
  HÄXAN with a live new score by DR. PRISONER: THE BRAIN! Forget Murnau.
  Forget Griffith. The greatest repository of images in all of silent film
  is surely Benjamin Christensen's magnificent, loony HÄXAN, also known as
  WITCHCRAFT THROUGH THE AGES. Featuring crazed nuns, flaming witches, and
  a spectacularly obscene performance by the director himself as Satan,
  HÄXAN is like no other film ever made: an uncontrolled rampage of
  feverish, violent images, part historical recreation, part religious
  satire, all hallucination. Artists Television Access is proud to present
  HÄXAN in a newly butchered version, prepared especially for this
  screening by conceptual artist Dr. Astronaut Body. Now missing over half
  an hour of crucial footage and structurally reorganized for maximum
  impact, HÄXAN will be accompanied by a new score performed live by the
  San Francisco electronica band DR. PRISONER: THE BRAIN! Including
  members of The Pine Box Boys and Reagan's Polyp, DR. PRISONER: THE
  BRAIN! is part of the same creative team that has premiered new scores
  for THE MAN WITH THE MOVIE CAMERA, NOSFERATU, THE CABINET OF DR.
  CALIGARI, THE PASSION OF JOAN OF ARC, THE MAN WHO LAUGHS, KOYAANISQATSI,
  and the Led Zeppelin film THE SONG REMAINS THE SAME, all at Artists
  Television Access.

1/23
Toronto, Ontario, Canada: Pleasure Dome
http://www.pdome.org/
7pm, 129 Spadina Ave. CineCycle

 PUBLIC LIGHTING BY MIKE HOOLBOOM (IN PERSON) + RE-LAUNCH OF PROJECTING
 QUESTIONS? @ 7PM
  Mike Hoolboom returns to Pleasure Dome with a captivating, richly
  layered experimental feature exploring the "cult of personality" and the
  role photographs play in creating memory. Public Lighting (76 min.,
  2004) is structured in seven parts, ranging from a gay man recounting
  the locations of various breakups to an homage to composer Philip Glass
  and a confessional letter from an HIV-positive man to Madonna. Winner
  for Best Experimental, Santa Cruz Festival, 2004; Best Director,
  Pyongyang Festival, Korea, 2004; and Best Documentary, Festival du
  Nouveau Cinema, Montreal, 2004. At 7pm please join us for the re-launch
  of the 2009 publication Projecting Questions? a series of essays and
  conversations between artists and curators about the complicated path
  from the white cube to the black box. Featuring contributions by Philip
  Monk, Chris Kennedy, Yann Beauvais and Mike Hoolboom.

------------------------
SUNDAY, JANUARY 24, 2010
------------------------

1/24
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:30 pm, Egyptian Theatre, 6712 Hollywood Blvd. at Las Palmas

 CIRCLES OF CONFUSION: A HOLLIS FRAMPTON FILM RETROSPECTIVE PART 2
  email suppressed; www.lafilmforum.org Tickets:
  http://www.brownpapertickets.com/event/95580 Discussion: Erika Vogt
  (artist) and Yvonne Rainer (filmmaker) Prince Ruperts Drops, 1969, 7
  min., silent Critical Mass (Hapax Legomena III), 1971, 25.5 min., sound
  Public Domain, 1972, 14 min., silent Matrix, 1977, 27.5 min., silent

------------------------
MONDAY, JANUARY 25, 2010
------------------------

1/25
Los Angeles, California: Redcat
http://www.redcat.org/
8:30pm, 631 W. 2nd St., Los Angeles, CA 90012

 NOW, YOU CAN DO ANYTHING: THE FILMS OF CHRIS LANGDOM
  The exuberant, irreverent and surprising films of Chris Langdon make a
  welcome return to the screen after many years out of circulation. A
  student of Pat O'Neill, Robert Nelson, and John Baldessari, Langdon was
  incredibly prolific, producing a large body of work in painting,
  sculpture, film, photography, and graphics. Her legendary film work,
  created between 1972 and '76, is often a brash and funny mix of the
  so-called high and low: one short film uses a bondage setup as a pretext
  for a critique of structuralism, while a ludicrous and satirical
  portrait of Picasso reveals the questionable authority of moving images.
  Never ponderous or needlessly abstruse, Langdon's films are direct,
  formally unique, and full of intuitive flair and wild humor; they
  delight in provoking and challenging not only modes of artmaking but our
  reception of art and its purported messages. The filmmaker is attending
  in person.

-------------------------
TUESDAY, JANUARY 26, 2010
-------------------------

1/26
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue

 HAITIAN FOOTAGE
  THE HAITIAN FOOTAGE: MAYA DEREN UNEDITED Presented as part of I GET
  LOST, a Danspace Project Platform A little more than a decade ago,
  artist Ralph Lemon was inspired by DIVINE HORSEMEN, a film containing
  extraordinary footage of Haitian Vodoun practitioners being possessed
  (or 'mounted' – hence the film's title) by deities (Loa) during sacred
  music/dance rituals. The footage was shot by filmmaker Maya Deren, one
  of the most influential independent filmmakers to emerge during the
  1940s and 50s. It was only after Deren's untimely death that her
  husband, Teiji Ito, edited the film by inaccurately joining certain
  music to dances/rituals. The authenticity of the film for Deren experts,
  Vodoun practitioners, and anthropologists has long been questioned. For
  Lemon, a major artistic research project ensued. In conjunction with
  Lemon's platform, entitled I GET LOST, at Danspace Project
  (danspaceproject.org), we will present a 33-minute video excerpt from
  Deren's unedited footage. This will be followed by a discussion with
  Lemon and other speakers to-be-announced. In light of the current
  emergency in Haiti, all proceeds from this show will be donated to the
  American Red Cross's HAITI RELIEF AND DEVELOPMENT FUND.

---------------------------
WEDNESDAY, JANUARY 27, 2010
---------------------------

1/27
San Diego, California: Carousel Microcinema San Diego
http://carouselmicrocinema.wordpress.com/
7:00pm, QUEEN BEE CULTURAL CENTER,3925 Ohio Street San Diego, CA 92104

 CAROUSEL MICROCINEMA #2: PHENOMENOLOGY. LABOR. COLOR.
  Historical and contemporary works that together try to reckon with
  notions of phenomenology, Labor, and Color. Amy Alexander- Unbroken
  Pieces. 1995. John Baldessari- Six Colorful Inside Jobs. 1971. Brian
  Bress- Status Report. 2009. Cheryl Donegan- Lieder. 2000. Kris Moyes- I
  REALLY Want You To REALLY Want Me. 2009. & Cut Copy: Going Nowhere.
  Meghan O'Hara- Color Film. 2008. Hadas Neuman- Fairy On A Roof. 2008.
  Kori Newkirk- Bixel 2005. Ken Nordine- Selections from "Colors". 1966
  Asphodel Records. Charlie Roberts- Erase. 2007. Michael Trigilio- Book
  30. 2001-2004 From Untitled Book Series.

1/27
Toronto, Ontario, Canada: the 8 fest
www.the8fest.com
7 pm , Fountain Enterprises, 1261 Dundas Street West, (East of Dovercourt), 12-6pm

 UP & DOWN & BACK & FORTH & ROUND & ROUND ... THE 8 FEST INSTALLATIONS
  Inspired by the optical toys which were the progenitors of cinema, this
  exhibition presents works by six local artists that recover the
  immediacy, intimacy and wonder of those early inventions. All of the
  works share a sense of play, some due to their interactive nature, and
  others owing to their content or optical quality. Installations by Rob
  Cruickshank, Vuk Dragojevic, Alexi Manis, John Porter, Lina Rodriguez
  and Alex Rogalski. Please join us for a reception on the opening night
  of the installation (Wednesday Jan. 27, 7pm). - free! Open Jan. 28-31,
  12-6pm.

--------------------------
THURSDAY, JANUARY 28, 2010
--------------------------

1/28
Irvine, CA: UC Irvine Film and Video Center
http://www.humanities.uci.edu/fvc/
7:30 PM, Humanities Gateway 1070, University of California, Irvine, CA 92697

 DOUBLE TAKE
  In Johan Grimonprez's DOUBLE TAKE (2009), Alfred Hitchcock's television
  show and movie cameos frame the trajectory of the mass media's influence
  on collective fear. Grimonprez skillfully weaves together Hollywood
  films, TV ads, and cold-war news coverage to narrate a tale in which
  television hijacks cinema, the Khrushchev and Nixon kitchen debate
  rattles on, and sexual politics quietly take off. Followed by a Q&A and
  light reception with artist and filmmaker Johan Grimonprez. Organized by
  Cole Akers, Ph.D. Program in Visual Studies, UC Irvine.

1/28
Toronto, Ontario, Canada: Cinematheque Ontario
http://www.bell.ca/cinematheque
7:00 PM, Jackman Hall (317 Dundas St. W- McCaul St entrance)

 LA RÉGION CENTRALE
  Michael Snow in person! Please join Michael Snow for a FREE screening of
  his film LA RÉGION CENTRALE. Experience the work of one of Canada and
  the world's greatest artists. For more info visit
  http://cinemathequeontario.ca/filmdetail.aspx?filmId=1867&GrpId=0&page=1

------------------------
FRIDAY, JANUARY 29, 2010
------------------------

1/29
Buffalo, New York: Department of Media Study, SUNY Buffalo
http://ubdms.wordpress.com/2010/01/13/canadian-curiosities/
7 pm, Rustbelt Books: 202 Allen Street (On the corner of Elmwood and Allen)

 CANADIAN CURIOSITIES!
  Join us for an evening of back to back Canadian delights! We will be
  welcoming Prof. Michael Zryd and filmmaker Phillip Hoffman for a
  cinematic extravaganza at Buffalo's love-home Rustbelt Books. Prof. Zryd
  has curated a special program just for Rustbelt's cozy little space, and
  Phillip Hoffman will be showing his latest work, "All Fall Down". This
  will be two screenings in one evening, and Prof. Zryd will be leading a
  discussion with Hoffman after the films. The line-up for the evening is
  as follows: Primiti Too Taa by Ed Akerman and Colin Morton, Rat Life and
  Diet in North America by Joyce Wieland, Maltese Cross Movement by
  Keewatin Dewdney, So Is This by Michael Snow, All Fall Down by Phillip
  Hoffman and more to be announced! *** A filmmaker of memory and
  association, Professor Hoffman creates "personal" yet highly universal
  works which weave and question fact and fiction in an experimental
  "diarist" cinema. A filmmaker with an extensive list of productions, his
  short films have won many awards, including three in 2002, A Golden Gate
  Award, New Visions, from the San Francisco International Film Festival,
  as well as the Gus Van Sant Award from the Ann Arbor Film Festival, both
  for What these ashes wanted (2001). Professor Hoffman has given seminars
  and production workshops continuously and presented screenings of his
  films on five continents, including retrospectives at international
  festivals in India, Holland and Australia, at Cinematheque Canada in
  Ottawa, and at the School of the Art Institute in Chicago. In 2001,
  Hoffman's films were featured at the Images Festival for Independent
  Film and Video in Toronto, where a new book about his films was
  launched; Landscape with Shipwreck: First Person Cinema and the Films of
  Philip Hoffman contains over 25 essays/writings by academics and
  artists. See http://www.philiphoffman.ca/ for more! *** Professor Zryd
  is an Associate Professor in Cinema and Media Studies. He researches
  experimental and documentary film and other forms of alternative media
  in North America. His major research projects include a conceptual
  reconstruction of Hollis Frampton's never-completed Magellan project
  (1972-1980); an institutional study of the relationship between
  experimental film and the academy in Canada and the United States
  (1960s-present); and a critical examination of irony in documentary and
  experimental film He has curated or co-curated Hollis Frampton Magellan
  retrospectives in Toronto, New York, Karlsruhe, and London. He was Chair
  of the Board of Directors of the Images Festival in 2004-05, and
  President of the Film Studies Association of Canada in 2005-06. He is
  currently Archivist of the Society for Cinema and Media Studies (SMCS)
  and a member of the SCMS Board of Directors. He is the current co-chair
  of the Experimental Film and Media Scholarly Interest Group of SCMS and
  was co-founder of the Toronto Film Seminar. Zryd teaches courses on
  experimental film and media, documentary film, American cinema, film
  analysis and history, methodology, and film theory and aesthetics. He
  has previously taught at the University of Western Ontario, and as a
  visiting instructor at Oberlin College, Bard College, SUNY Binghamton,
  CUNY Brooklyn College, New York University, and the University of
  Toronto. *** Canadian Curiosities is being sponsored by the
  Canadian-American Studies Committee Programming Grant and the Department
  of Media Study at SUNY Buffalo.

1/29
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue

 ESSENTIAL CINEMA: STRIKE
  by Sergei Eisenstein 1925, 106 minutes, 35mm, b&w, silent. With Russian
  intertitles; English synopsis available. Eisenstein's interest in the
  Freudian father complex drives this psychological scenario in which
  non-actors step forward to acknowledge the viewer, illustrating
  Eisenstein's desire to penetrate to the heart of cinema, sidestepping
  realism by "being real." Governmental restrictions made STRIKE the only
  completed film of a series intended to portray the road to revolution.

1/29
Rotterdam, The Netherlands: Jim Jennings
8 pm, Rotterdam International Film Festival

 JIM JENNINGS SHOW
  Jim Jennings will be having a show at the Rotterdam International Film
  Festival. Eight films will be screened on January 29th and again on
  February 1st. The screening on January 29th will be preceded by a
  musical performance by composer Rutger Zuydervelt.

1/29
San Francisco, California: Artists Television Access
http://www.atasite.org/
8pm $6, 992 Valencia at 21st

 THE INVISIBLE FOREST A FILM BY ANTERO ALLI (IN PERSON)
  Friday, January 29, 2010. 8PM $6 THE INVISIBLE FOREST A film by Antero
  Alli (in Person) A theatre troupe camps out in a forest to perform their
  director's vision of Antonin Artaud's magic theatre of ghosts, gods and
  spirits. During their forest experiment Alex, the director, is haunted
  by disturbing dreams where Artaud appears and mocks his theatrical
  ambitions. When these strange nightmares persist, Alex stops sleeping in
  an attempt to regain control over his mind. Sleep-deprived and with his
  sanity pushed to its limits, he seeks help from a Psychotherapist who
  suggests hypnosis as a means to discover the source of his problems.
  What follows is a hypnagogic journey through the internal landscape of
  Alex's subconscious memories and dreams, a sojourn that leads us to a
  place beyond belief, beyond words, and beyond the mind itself. (2008;
  111 min. USA; Antero Alli . Super-8 film, HDV & mini-dv) trailer
  http://www.youtube.com/watch?v=jkOevXUvL3s filmography
  http://www.verticalpool.com/filmography.html

1/29
Toronto, Ontario, Canada: the 8 fest
11 pm , Canadian Corps Headquarters, 201 Niagara Street (Just South of King)

 FAG OFF! J.D.’S HOMOPUNK HITPARADE
  curated by Kevin Hegge. A rare chance to catch the early films of
  Toronto's original queer punk provocateurs: the J.Ds crew. Featured
  selections include work from Bruce LaBruce and his cinema-conspirator
  Candy Parker, plus an entirely new movie by J.D's co-creator G.B Jones
  herself — her first film since completing her epic The Lollipop
  Generation in 2008. All films in Super 8!

1/29
Toronto, Ontario, Canada: the 8 fest
7pm , Canadian Corps Headquarters, 201 Niagara Street (Just South of King) Toronto, ON

 ZINGER: TALES FROM THE FUNNEL, VOLUME 1
  curated by Milada Kovacova. The Funnel Experimental Film Theatre, which
  operated for 12 years, from 1977 to 1989, was a one-stop alternative.
  The Funnel was a collective of thirty, mostly artists, who provided
  16mm, 8mm and super 8, film production, distribution and exhibition
  facilities, for personal film artists only. Volume One just skims the
  surface of the small-gauge treasures produced at The Funnel. ZINGER:
  Tales from The Funnel showcases the films of three visual artists who
  sometimes make movies. All films in Super 8! Films by Lorna Mills, Dave
  Anderson and Jim Anderson.

1/29
Toronto, Ontario, Canada: the 8 fest
9 pm , Canadian Corps Headquarters, 201 Niagara Street (Just South of King)

 ACADIAN SUPER 8 NOW!
  curated by Mario Doucette (in person!) Hailed as North America's longest
  running super8 film screening, Acadie Underground has been an integral
  part of the Festival international du cinéma francophone en Acadie
  (FICFA) since 1996. The collaboration with Galerie Sans Nom, an
  artist-run centre, insures that the participants have access to
  workshops, films, and cameras. Filmmakers have 48 hours to submit one
  roll of edited-in-camera film. Here are a few examples of the films
  screened at Acadie Underground in Moncton, New Brunswick. All films in
  Super 8! Films by Christian Roy, David LeBlanc, Jule Haché, David
  Gregory, Jennifer Bélanger, Julien Cadieux, Nisk Imbeault, Joseph
  Teakles, Amanda Dawn Christie, Jocelyne Chaput, Tracy Lavoie, Mathieu
  Saulnier & Martin Cormier and Linda Rae Dorman.

--------------------------
SATURDAY, JANUARY 30, 2010
--------------------------

1/30
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
2:00 pm, Pacific Design Center Silver Screen, 8687 Melrose Avenue

 CIRCLES OF CONFUSION: A HOLLIS FRAMPTON FILM RETROSPECTIVE PART 3
  Los Angeles Filmforum, Khastoo Gallery, and the Art Los Angeles
  Contemporary Fair are delighted to present CIRCLES OF CONFUSION, a
  five-screening series of films by Hollis Frampton, from January 21 to
  February 7, 2010, with guest scholars and artists at each program to
  discuss his works and their influence on later artists. Los Angeles, CA
  90069-5730; (310) 657-0800; for information contact Khastoo Gallery or
  Los Angeles Filmforum. In conjunction with the Art Los Angeles
  Contemporary Fair, http://www.artlosangelesfair.com/ Free Panel
  following screening: Alex Klein (artist/curatorial fellow at LACMA);
  David James (USC film professor and Frampton scholar); Madison
  Brookshire, Michael Ned Holte Poetic Justice (Hapax Legomena II), 1972,
  31 min., silent Nostalgia (Hapax Legomena I), 1973, 36 min., sound

1/30
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
5:15 pm, 32 2nd Avenue

 ESSENTIAL CINEMA: BATTLESHIP POTEMKIN
  by Sergei Eisenstein 1925, 74 minutes, 35mm, b&w, silent. With English
  intertitles. Eisenstein's constructivist montage and rigid,
  super-structured plot share equal weight with a seemingly spontaneous,
  inflamed emotion.

1/30
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:00 pm, 32 2nd Avenue

 ESSENTIAL CINEMA: OCTOBER
  by Sergei Eisenstein 1928, 143 minutes, 35mm, b&w, silent. With Russian
  intertitles; English synopsis available. Eisenstein celebrates the
  baroque in OCTOBER, as opposed to the Greek classicism of POTEMKIN,
  disappointing contemporary audience expectations. "Intellectual cinema"
  starts here.

1/30
Toronto, Ontario, Canada: the 8 fest
7 pm , Canadian Corps Headquarters, 201 Niagara Street (Just South of King)

 GOLDEN: THE POLYPHONIC AURAL EXPERIENCE
  curated by Milada Kovacova. Experimentation, audacity, and revolt will
  be essential elements of Golden. This is a rehash. Expect no biases
  here. There is no inclination here of picture dominating sound. Audio
  plays as equal a part as the image. Golden is a random fusion of 5
  filmmakers with 5 audio artists continuously rotating so that each flick
  shapeshifts. Audio artists: Sym Corrigan, Ken Gregory, Darsha Hewitt,
  Taimaz Moslemian and Steve Reinke. Super 8 filmmakers: Deco Dawson, John
  Kneller, Nicholas Kovats, Tricia Martin and Midi Onodera. On the theme
  of "Golden".

1/30
Toronto, Ontario, Canada: the 8 fest
9 pm , Canadian Corps Headquarters, 201 Niagara Street (Just South of King)

 ANOTHER DAY AND NIGHT IN JAPAN
  curated by Tomonari Nishikawa (in person!) This program consists of
  contemporary Japanese 8mm films, including six works shot on Fujifilm's
  "Single-8." It features a diverse selection from Japan's personal 8mm
  filmmakers, from a hand-processed experimental film to a short narrative
  with magnetic soundstripe. All films in Single or Super 8! Films by
  Toshiyuki Maeda, Maya Asaba, Eriko Sonoda, Akira Mizuyoshi, Mie
  Kurihara, Satoshi Yajimachi, Masaharu Oki, Kenji Onishi.

------------------------
SUNDAY, JANUARY 31, 2010
------------------------

1/31
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:30 pm, Egyptian Theatre, 6712 Hollywood Blvd. at Las Palmas

 CIRCLES OF CONFUSION: A HOLLIS FRAMPTON FILM RETROSPECTIVE PART 4
  Los Angeles Filmforum and Khastoo Gallery are delighted to present
  CIRCLES OF CONFUSION, a five-screening series of films by Hollis
  Frampton, from January 21 to February 7, 2010, with guest scholars and
  artists at each program to discuss his works and their influence on
  later artists. A Lecture, 1968, audio & performance, 23 min. Process
  Red, 1968, 3:30, silent Carrots and Peas, 1969, 5.5 min., sound Lemon,
  1969, 7.30 min., silent Surface Tension, 1968, 10 min., sound
  Palindrome, 1969, 22 min., silent Cadenzas I & XIV (Completed Pts The
  Birth of Magellan: 14 Cadenas), 1980, 11.25 min, sound
  email suppressed; www.lafilmforum.org Tickets:
  http://www.brownpapertickets.com/event/95583

1/31
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
3:30 pm, 32 2nd Avenue

 ESSENTIAL CINEMA: OLD AND NEW
  by Sergei Eisenstein 1929, 120 minutes, 35mm, b&w, silent. With Russian
  intertitles; English synopsis available. Known also as THE GENERAL LINE,
  OLD AND NEW is one of Eisenstein's least-known films. With it, he
  developed and perfected his theories of "mise-en-cadre," using the
  montage of characters in the foreground and background to conjure
  meanings, and "overtonal montage," bringing silent film to its zenith.

1/31
New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
6:00 pm, 32 2nd Avenue

 ESSENTIAL CINEMA: IVAN THE TERRIBLE
  by Sergei Eisenstein 1942-46, 194 minutes, 35mm, b&w. In Russian with no
  subtitles; English synopsis available. "The first time in history a man
  has committed suicide by cinema," quipped Dovzhenko. A state-sanctioned
  production, Ivan's opulent furs and jewels color the black-and-white
  machinations by a demonic Czar bent on making his subjects' lives a
  living hell – a statement pointed with outrage directly at Stalin.

1/31
Toronto, Ontario, Canada: the 8 fest
7 pm , Canadian Corps Headquarters, 201 Niagara Street (Just South of King)

 GUARDIAREGIA (1985) A FILM BY GIOVANNI SAMPOGNA
  "Guardiaregia is the ancestral home of both my parents for well over
  1000-years and is located about an hour drive northeast of Naples two
  hours southeast of Rome. The village's name was given to us by the King
  of Naples during the renaissance age – it literally means, "The Kings
  Guardian" – even though the village itself is over 2000 years old. I was
  born in Australia, but grew up in Guardiaregia from age 3-7 & I have
  been back over a dozen times usually for 2-months or more. My dads
  family farm of over 400 years is still in operation there & opens this
  film. Y'arrr!!!" Originally made as Sampogna's thesis film (it remains
  the longest thesis film ever completed at Ryerson), Guardiaregia is a
  cinema-verite portrait of a daily agrarian life that has not changed
  much in the small town's 2000-year history. Guardiaregia was quickly
  transferred to video after shooting and has NEVER been shown on its
  original format. This night marks the one and only chance to see this
  extraordinary documentary projected on super 8 sound film! Guardiaregia
  (the Kings Guardian) Giovanni Sampogna Super 8, sound on film,
  Canada/Italy 1985 96 min.

1/31
Toronto, Ontario, Canada: the 8 fest
9 pm , Canadian Corps Headquarters, 201 Niagara Street (Just South of King)

 BAGEROOO, THREE! RECENT SUPER 8 FILMMAKING!
  An exciting collection of new small gauge films and one rarely screened
  older film closes out this year's screenings! These films were selected
  from an international call for recent Super 8 films. Augmenting the
  selection of recent work is a new performance by local super 8
  filmmaker, Peggy Anne Berton. This year we saw an increase in
  submissions from Spanish-speaking countries and from filmmakers under
  the age of thirty, further proof that we're just scratching the surface
  of contemporary interest in small gauge filmmaking. Tonight's program
  features beautiful city symphonies, celebrations of childhood, gothic
  nightmares and abstractions drawn from an thoughtful attentiveness to
  the natural world--sometimes in the same film! All films in Super 8!
  Films by Rich Bahto (Los Angeles), Andres Victorero Rey (Ames, Spain),
  Jonathan Sajda (San Francisco), Cecilia Arenada (Winnipeg), Siue Moffatt
  (Toronto), Nicky Hamlyn (Lewes, UK), Gerald Saul (Regina), Ryan Hill
  (Regina), Paul Clipson (San Francisco), Alberto Cabrera Bernal (Madrid),
  Kevin T. Allen (Brooklyn), Brandon Fox (Boulder, CO), Helder Carvajal
  (Regina) and Peggy Anne Berton with Marc St Aubin (Toronto).

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For info on FrameWorks, contact Pip Chodorov at <email suppressed>.