From: Christopher May (email suppressed)
Date: Thu Sep 17 2009 - 02:56:46 PDT
TERRIFIC!!!!!!!.
On Wed, Sep 16, 2009 at 8:43 PM, Bernard Roddy <email suppressed> wrote:
> The Return of Representation in Avant-Garde Film (BFI), by Peter Gidal and
> Hal Foster. A startling reconsideration of abstraction and politics.
>
> From Happening to Frame, by Benjamin H.D. Buchloh and Jane Blocker
> (Minnesota). Blocker subjects the critic to postmodernist feminist theory
> through recent avant-garde film.
>
> Performance, camcorder, text, by Robin Curtis and Raymond Bellour (some
> French publisher), with an introduction by Friedrich Kittler. A penetrating
> analysis of digital video sequences conceived as text.
>
> Paul McCarthy and the Stage, by Thomas McEvilley and D.N. Rodowick
> (Michigan). McCarthy's recent work is discussed in terms of Deleuzian film
> theory and Yves Klein.
>
> Reviving the Dead: Video art's appropriation of film history (Duke), by
> Jeffrey Skoller and Kobena Mercer. The text launches with a discussion of
> history and death in postcolonial theory.
>
> Liveness and Recent Artist's Performance Film (Routledge), by Philip
> Auslander and Catherine Elwes. Need I say more?
>
> From Cinema 16 to Network Theory (MIT), by Eugene Thacker and Scott
> MacDonald. Thacker brings his insights on network theory to the current
> scene in experimental film.
>
> Bernie
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> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.