Part 1 of 2: This week [November 8 - 16, 2008] in avant garde cinema

From: Weekly Listing (email suppressed)
Date: Sat Nov 08 2008 - 07:11:08 PST


Part 1 of 2: This week [November 8 - 16, 2008] in avant garde cinema

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Enter your announcements (calls for entries, new work, screenings,
jobs, items for sale, etc.) at:

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NEW FILM/VIDEO: FEATURE:
========================
"The Philosophers Stone" by Raymond Salvatore Harmon
 http://www.hi-beam.net/cgi-bin/ann.pl?type=newworkf&readfile=114.ann
"Taking Time a real time digital seascape" by Chris Welsby
 http://www.hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=358.ann
"Heaven's Breath Digital Media Installation" by Chris Welsby
 http://www.hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=359.ann
"Trees in Winter A digital media installation" by Chris Welsby
 http://www.hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=360.ann

JOB AVAILABLE:
==============
Massachusetts College of Art and Design
http://www.hi-beam.net/cgi-bin/ann.pl?type=jobs&readfile=41.ann

NEW CALLS FOR ENTRIES:
=====================
47th Ann Arbor Film Festival (Ann Arbor, MI, USA; Deadline: November 15, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=949.ann
Around the Coyote (Chicago; Deadline: June 01, 2009)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=950.ann
Gallery RFD (Swainsboro, GA; Deadline: November 28, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=951.ann
Gallery RFD (Swainsboro, GA; Deadline: January 02, 2009)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=952.ann
Migrating Forms (New York, NY, USA; Deadline: December 15, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=953.ann
South by Southwest Film Festival (Austin, TX; Deadline: December 12, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=954.ann
Fargo Film Festival (Fargo, ND, USA; Deadline: January 01, 2009)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=955.ann
Curtas Vila do Conde (Vila do Conde, Portugal; Deadline: April 06, 2009)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=956.ann
Media Artists (Fort Lauderdale, FL USA; Deadline: December 05, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=957.ann

DEADLINES APPROACHING:
======================
Images Festival (Toronto, Ontario, CANADA; Deadline: November 14, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=912.ann
2nd Annual Studio 60093 Children's Video Fest (Winnetka, IL USA; Deadline: November 11, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=915.ann
28th Black Maria Film + Video Festival (Jersey City, NJ, USA; Deadline: November 24, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=916.ann
MAGA / Macon Georgia Film Festival (Macon, Georgia USA; Deadline: November 15, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=919.ann
Cleveland International Film Festival (Cleveland, OH USA; Deadline: November 30, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=927.ann
Hinterland Film Festival (Montague, MA, USA; Deadline: December 01, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=936.ann
Post-Postcard 12 at The LAB OPEN INVITATIONAL (San Francisco, CA 94114; Deadline: November 22, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=938.ann
Wisconsin Film Festival (Madison, WI, USA; Deadline: December 01, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=943.ann
MadCat Women's International Film Festival (NY, NY USA; Deadline: November 17, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=945.ann
Kansas City FilmFest (Kansas City, MO USA; Deadline: November 15, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=947.ann
The 8 Fest (Toronto, Ontario, CANADA; Deadline: November 15, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=948.ann
47th Ann Arbor Film Festival (Ann Arbor, MI, USA; Deadline: November 15, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=949.ann
Gallery RFD (Swainsboro, GA; Deadline: November 28, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=951.ann
South by Southwest Film Festival (Austin, TX; Deadline: December 12, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=954.ann
Media Artists (Fort Lauderdale, FL USA; Deadline: December 05, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=957.ann

Enter your event announcements by going to the Flicker Weekly Listing Form
at http://www.hi-beam.net/cgi-bin/thisweek.pl

Also available online at Flicker: http://www.hi-beam.net

THIS WEEK'S PROGRAMS (SUMMARY):
==============================
 * 15th Annual Ann Arbor Polish Film Festival 2008 [November 8, Ann Arbor, Michigan]
 * Ann Arbor Polish Film Festival [November 8, Ann Arbor, Michigan]
 * Ben Russell: Four Experimental Ethnographies [November 8, Augusta, GA]
 * Films & videos By Julie Murray [November 8, Chicago, Illinois]
 * Solus Programme 2 [November 8, New York, New York]
 * Sex, Space, and Sickness In the Jazz Age [November 8, San Francisco, California]
 * Mike Kelley, Day Is Done [November 8, Toronto, Ontario, Canada]
 * Stephanie Maxwell visual Music [November 9, Los Angeles, California]
 * Solus Programme 3 [November 9, New York, New York]
 * Nice Biscotts and More: New Films By Luther Price [November 9, San Francisco, California]
 * To See the Enormous Night Arise: Performaces By Gale Allen, Irene
    Loughlin, Mikiki & NaufúS Ramirez-Figueroa [November 9, Toronto, Ontario, Canada]
 * How We Fight Program 4: Peacekeepers/Presented By Kino21 [November 9, san francisco ca 94110]
 * Ben Russell: Four Experimental Ethnographies [November 10, Columbia, SC]
 * Moving Figures: the Animated World of Robert Breer [November 10, Los Angeles, California]
 * Ben Russell: Four Experimental Ethnographies [November 11, Mobile, AL]
 * Eye Am Screens At Anthology Film Archives [November 11, New York, New York]
 * Adele Friedman In Person [November 11, Reading, Pennsylvania]
 * Ben Russell: Four Experimental Ethnographies [November 12, Jackson, MS]
 * Xperimental Eros (Expanded Edition) [November 12, Los Angeles, California]
 * Xperimental Eros (Expanded Edition) [November 12, Los Angeles, California]
 * Outer Ear Festival of Sound: Recent Films By Deborah Stratman [November 13, Chicago, Illinois]
 * International Science & Film Festival [November 13, Marseille (FRANCE)]
 * Ben Russell: Four Experimental Ethnographies [November 13, Mobile, AL]
 * Not Tame: New Short videos [November 13, Providence, RI]
 * Global Undergrounds: the Great Bear Minustwo [November 13, San Francisco, California]
 * Ben Russell: Four Experimental Ethnographies [November 14, Alexandria, LA]
 * Screening of Rick Schweikert's Play "Un Becoming" [November 14, Atlanta, Georgia]
 * In the Land of the Headhunters By Edward Curtis [November 14, New York, New York]
 * Global Undergrounds: Reality and Truth:- Spanish Documents [November 14, San Francisco, California]
 * Los Angeles As A Character [November 15, Los Angeles, California]
 * Moving Figures: the Animated World of Robert Breer [November 15, Los Angeles, California]
 * Paper Cannot Wrap Up Embers [November 15, New York, New York]
 * Peace With Seals [November 15, New York, New York]
 * Alone In Four Walls [November 15, New York, New York]
 * Umbrella By Du Haibin [November 15, New York, New York]
 * Sinking village, Recycle, the Pests - Short Films [November 15, New York, New York]
 * Alex Rivera's Sleep Dealer + [November 15, San Francisco, California]
 * Moving Figures: the Animated World of Robert Breer – Part 3 [November 16, Los Angeles, California]
 * Gandhi's Children By David Macdougall [November 16, New York, New York]
 * The Lost Colony [November 16, New York, New York]
 * Throw Down Your Heart (Featuring BéLa Fleck) [November 16, New York, New York]

Events are sorted by CITY within each DATE.

--------------------------
SATURDAY, NOVEMBER 8, 2008
--------------------------

11/8
Ann Arbor, Michigan: Ann Arbor Polish Film Festival
http://www.annarborpolonia.org/filmfestival/home.htm
6:00 pm, Michigan Theater, 603 E. Liberty St

 15TH ANNUAL ANN ARBOR POLISH FILM FESTIVAL 2008
  Making the Lost and Unmade: The Films of Bruce Checefsky examines the
  lost and unmade works of four important avant-garde experimental Polish
  filmmakers: STEFAN THEMERSON, (1910 – 1988), FRANCISZKA THEMERSON (1907
  – 1988), JAN BRZEKOWSKI (1903 – 1983), and ANDRZEJ PAWLOWSKI (1925 –
  1986). The special presentation will include a screening of recent
  remakes based on the originals. The screened films will include Pharmacy
  (1930/2001) and Moment Musical (1933/2007) by Stefan and Franciszka
  Themerson; Jan Brzekowski's, A Woman and Circles (1930/2003), and
  Andrzej Pawlowski's IN NI [OTHERS] (1958/2005). A reception for the
  filmmaker will take place on Saturday, November 8, from 12 pm – 2pm at
  WORK Gallery located at 306 State Street, Ann Arbor. The exhibition is
  free and open to the public. Special gallery hours for the screenings:
  Saturday, November 8, and Sunday, November 9, from 12:00 pm – 7:00 pm. A
  special screening of A Woman and Circles (Kobieta i ko_a), dir. Bruce
  Checefsky, 2004 (10 min., experimental) will take place at the Michigan
  Theater, Screening Room at 6:00 p.m. on Saturday November 8, 2008. The
  Ann Arbor Polish Film Festival is an annual cultural event organized by
  the Polish Cultural Fund—Ann Arbor in cooperation with the
  Polish-American Congress Ann Arbor Chapter, the University of Michigan's
  Polish Club, and the University of Michigan. For more information
  contact: http://www.annarborpolonia.org/filmfestival/home.htm or
  email suppressed

11/8
Ann Arbor, Michigan: Polish Film Festival
http://www.annarborpolonia.org/festival/film/
6:00 PM, 603 E Liberty St

 ANN ARBOR POLISH FILM FESTIVAL
  Making the Lost and Unmade: The Films of Bruce Checefsky A special
  screening of A Woman and Circles (Kobieta i ko_a), dir. Bruce Checefsky,
  2004 (10 min., experimental) will take place at the Michigan Theater,
  Screening Room at 6:00 p.m. on Saturday November 8, 2008. Making the
  Lost and Unmade: The Films of Bruce Checefsky examines the lost and
  unmade works of four important avant-garde experimental Polish
  filmmakers: STEFAN THEMERSON, (1910 – 1988), FRANCISZKA THEMERSON (1907
  – 1988), JAN BRZEKOWSKI (1903 – 1983), and ANDRZEJ PAWLOWSKI (1925 –
  1986). The special presentation will include a screening of recent
  remakes based on the originals. The screened films will include Pharmacy
  (1930/2001) and Moment Musical (1933/2007) by Stefan and Franciszka
  Themerson; Jan Brzekowski's, A Woman and Circles (1930/2003), and
  Andrzej Pawlowski's IN NI [OTHERS] (1958/2005). A reception for the
  filmmaker will take place on Saturday, November 8, from 12 pm – 2pm at
  WORK Gallery located at 306 State Street, Ann Arbor. The exhibition is
  free and open to the public. Special gallery hours for the screenings:
  Saturday, November 8, and Sunday, November 9, from 12:00 pm – 7:00 pm.
  Contact Graham Hamilton, Director of Exhibitions, WORK,
  email suppressed or 734.216.1085 The Ann Arbor Polish Film Festival is
  an annual cultural event organized by the Polish Cultural Fund—Ann Arbor
  in cooperation with the Polish-American Congress Ann Arbor Chapter, the
  University of Michigan's Polish Club, and the University of Michigan.
  For more ticket information contact:
  www.annarborpolonia.org/festival/film/

11/8
Augusta, GA: The Imperial Theatre
http://www.southarts.org/site/c.guIYLaMRJxE/b.2821369/
7:30pm, 749 Broad Street

 BEN RUSSELL: FOUR EXPERIMENTAL ETHNOGRAPHIES
  "Tjúba Tén" ("The Wet Season") is an experimental ethnography recorded
  in the jungle village of Bendekondre, Suriname at the start of 2007.
  Composed of community-generated performances, reenactments and
  extemporaneous recordings, this film functions doubly as an examination
  of a rapidly changing material culture in the present and as a
  historical document for the future. Whether the resultant record is
  directed toward its subjects, its temporary residents (the filmmakers),
  or its Western viewers is a question proposed via the combination of
  long takes, materialist approaches, selective subtitling and a focus on
  various forms of cultural labor. In addition to "Tjúba Tén" ("The Wet
  Season"), Russell's screenings will feature three additional
  experimental ethnographies: "Daumë," "The Red and the Blue Gods," and
  "Black and White Trypps Number Three."

11/8
Chicago, Illinois: Nightingale Theater
http://www.nightingaletheatre.org/
8pm, 1084 N. Milwaukee

 FILMS & VIDEOS BY JULIE MURRAY
  Using combinations of found and original footage, Irish-born New Yorker
  Julie Murray makes subtle and eloquent films that imbue banal images and
  everyday sounds with an other-worldly charge, a sense of mystery and
  menace. -Chris Gehman, Cinematheque Ontario. The program includes: Fl Oz
  (16mm, silent, 7 min, 2003), I Began to Wish… (16mm, silent, 5 min,
  2003), Micromoth (16mm, color, sound, 6 min, 2000), YSBRYD (spirit) (DV,
  sound, 8 min, 2008), Detroit Park (DV, sound, 8 min, 2005), Deliquium
  (16mm, color, sound, 15 min (but represents 800 years), 2003), plus
  other untitled material.

11/8
New York, New York: solus film collective
www.soluscollective.org
8pm, ANTHOLOGY FILM ARCHIVES: 32 2nd Avenue at 2nd Street, New York, NY 10003

 SOLUS PROGRAMME 2
  Solus programme #2:Vivienne Dick - Visibility Moderate + Liberty's Booty
  + Like Dawn to Dust ... if you've never seen this lady's work, get your
  booty down to Anthology asap!

11/8
San Francisco, California: Other Cinema
http://www.othercinema.com/
8:30pm, 992 Valencia Street

 SEX, SPACE, AND SICKNESS IN THE JAZZ AGE
  The Earl of Orphan Films, Rick Prelinger has recently un-earthed a cache
  of anomalous silent hygiene films from the Twenties! Not the familiar
  SexEd and social-guidance films of the 1950s, these sometimes preachy,
  often elemental cine-tracts open onto a world of persuasion few people
  now alive can recall. These extremely rare industrial-film artifacts are
  here interpreted through the electronic compositions of Mission audio
  artist Hans Grüsel. Among the medical oddities are Personal Hygiene for
  Young Men (1918), General Personal Hygiene (1918, excerpted), If We
  Lived on the Moon (ca. 1920s), and Social Diseases of Men (ca. 1920).
  "The sex impulse is like a fiery horse. Uncontrolled, it may be
  destructive and dangerous. Controlled, the sex impulse, like the horse,
  may be a source of power and service." *$7.77.

11/8
Toronto, Ontario, Canada: Pleasure Dome
http://www.pdome.org/
8pm, Latvian House, 491 College St.

 MIKE KELLEY, DAY IS DONE
  Mike Kelley, Day Is Done (2006, 169 min. video) Pleasure Dome is very
  excited to be presenting a rare screening of Los Angeles art star Mike
  Kelley's recently re-edited feature Day Is Done , an epic investigation
  of the mythic archetypes and carnivalesque folk culture of America. This
  self-described musical – with lyrics by Kelley himself – assembles a
  loose narrative out of thirty-one performative vignettes which the
  artist has dubbed "extracurricular activity projective reconstructions."

------------------------
SUNDAY, NOVEMBER 9, 2008
------------------------

11/9
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:00 pm, Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd.

 STEPHANIE MAXWELL VISUAL MUSIC
  Filmforum presents Stephanie Maxwell Visual Music. Maxwell in person.
  Co-presented by iotaCenter. A retrospective of Maxwell's hand-painted
  experimental abstract animation, utilizing a variety of painting,
  marking and engraving techniques directly onto 35mm film stock. Tonight
  will feature work from 1984 through her two newest works from 2008, as
  well as a twelve-minute short documentary about Maxwell's filmmaking
  process. GA (1984, 5 mins, miniDV); Please Don't Stop (1989, 5 mins,
  miniDV); Outermost (1998, 5 mins, miniDV); Somewhere (1999, 5 mins,
  miniDV); Fragments (2000, 7 mins, miniDV); terra incognita (2001, 4 ˝
  mins, miniDV); passe-partout (2002, 6 mins, miniDV); Time Streams (2003,
  5 ˝ mins, miniDV); Reflecting Pool (2004, 9 mins, miniDV); Second Sight
  (2005, 5 ˝ mins, miniDV); All That Remains (2006, 6 mins, miniDV);
  Runa's Spell (2007, 3 ˝ mins, miniDV); Currents (2008, 6 mins, miniDV);
  End To End (2008, 4 ˝ mins, miniDV); The Art Form of Stephanie Maxwell
  (2007, 12 mins, miniDV). Total Running Time: 89 minutes See more on her
  website: http://people.rit.edu/sampph

11/9
New York, New York: solus film collective
www.soluscollective.org
8pm, ANTHOLOGY FILM ARCHIVES: 32 2nd Avenue at 2nd Street, New York, NY 10003

 SOLUS PROGRAMME 3
  Solus programme #3:Pat Murphy - Anne Devlin ... a true classic & very
  rare screening - we've got the one & only master print from the Irish
  Film Archive in Dublin! not to be missed ...

11/9
San Francisco, California: San Francisco Cinematheque
http://www.sfcinematheque.org
7:30 pm, Yerba Buena Center for the Arts, 701 Mission Street (at Third)

 NICE BISCOTTS AND MORE: NEW FILMS BY LUTHER PRICE
  The films of Luther Price (Sodom, Clown, Bottle Can…) are among the most
  intense and visceral in all of cinema, frequently immersing viewers in
  smothering domestic nightmares and presenting teetering monuments to
  entropy and decay, locating abject horror in the mundane, beauty in the
  horrific. His recent work, based largely on repetitive assemblies of
  scavenged 16mm strips, replete with his trademark techniques of material
  distress and physical violation, continues Price's obsessional
  exploration of identity, sexuality and the extremes of bodily
  experience. This program presents a selection of this recent work, all
  completed since 2005, including Nice Biscotts, Nice Baskets, Singing
  Biscotts, Dipping Sause, Silk and more.

11/9
Toronto, Ontario, Canada: Pleasure Dome
http://www.pdome.org/
8pm, Latvian House, 491 College St.

 TO SEE THE ENORMOUS NIGHT ARISE: PERFORMACES BY GALE ALLEN, IRENE
 LOUGHLIN, MIKIKI & NAUFúS RAMIREZ-FIGUEROA
  To See The Enormous Night Arise brings forth four remarkable
  performances artists ( Gale Allen, Irene Loughlin, Mikiki & Naufús
  Ramirez-Figueroa) that seek the stars as their bodies explode, pushing
  the limits of the flesh and the forces that seek to keep them defined.

11/9
san francisco ca 94110: artists' television access
http://www.atasite.org
8pm, 992 valencia

 HOW WE FIGHT PROGRAM 4: PEACEKEEPERS/PRESENTED BY KINO21
  Sunday, November 9, 2008. 8PM $6 HOW WE FIGHT Program 4: Peacekeepers
  presented by kino21 Crazy by Hedy Honigmann (Holland, 1999, 97 minutes)
  Hedy Honigmann kino21's fall series, How We Fight, presents
  international works that explore soldiering and depict the experience of
  war from the point of view of those on the ground. From Argentina,
  Russia, Iraq, Germany, France, Holland and the U.S., several of these
  films are US premieres. On Thursday, September 25 we begin with Iraqi
  Short Films, a brand new compilation of videos shot in battle by
  soldiers and militia members in Iraq. Subsequent programs include video
  diaries of the battlefield and pre- or post-combat rumination, extended
  observational portraits and interview-based works. There are depictions
  of Russian conscripts in Chechnya, PKK rebels in the mountains of Iraq,
  American veterans returned from Vietnam, and mercenaries and
  peacekeepers stationed across the globe, from Bosnia to Rwanda, from the
  Middle East to the USA. As the fourth program of our series we shift to
  the peacekeeping soldier, screening Dutch filmmaker Hedy Honigmann's
  Crazy. Known for her documentaries on Paris street musicians
  (Underground Orchestra), Peruvian taxi drivers (Metal and Melancholy)
  and Brazilian fans of the erotic poetry of Carlos Drummond de Andrade (O
  Amor Natural), Honigmann is a master of the interview. Here she turns
  her attention to soldiers who are "peacekeepers," Dutch veterans of UN
  peacekeeping and humanitarian forces who were stationed in Korea,
  Lebanon, Vietnam, Cambodia, Rwanda and Bosnia. Structured primarily
  around conversations with nine former soldiers, Honigmann's film
  incorporates home videos, photo scrapbooks, news footage, letters, and
  journals. It is not easy to speak about the experience of war; about the
  trauma of witnessing brutality, massacres, and starvation; about the
  after-effects of PTSD, depression, or attempted suicide. In spite of
  this difficulty, it is Honigmann's solicitation of the soldiers' words
  and feelings that give the film its force. In particular, her request
  that they share the piece of music most vividly encapsulating their
  wartime experiences leads them to let down their verbal guard. As they,
  and in turn we, listen to this music – which ranges from Seal's "Crazy"
  to Puccini's "Turandot" and Guns 'n' Roses' "Knockin' on Heaven's Door"
  — something is let loose. What words fail to express or what the
  soldiers' denial of their vulnerability suppresses, the force of the
  music eloquently conveys through sound and body language as they listen.
  A powerful testament to what it means to endure or witness the
  excruciating suffering of warfare, Honigmann's film about the futility
  of the peacekeepers is one of war's most compelling indictments. How We
  Fight: Conscripts, Mercenaries, Terrorists and Peacekeeprs is presented
  with the generous support of the Potrero Nuevo Fund of the Tides
  Foundation, the LEF Foundation, and Goethe Institut San Francisco.

-------------------------
MONDAY, NOVEMBER 10, 2008
-------------------------

11/10
Columbia, SC: The Imperial Theatre
http://www.southarts.org/site/c.guIYLaMRJxE/b.2821369/
6:00pm, 937 Main Street

 BEN RUSSELL: FOUR EXPERIMENTAL ETHNOGRAPHIES
  "Tjúba Tén" ("The Wet Season") is an experimental ethnography recorded
  in the jungle village of Bendekondre, Suriname at the start of 2007.
  Composed of community-generated performances, reenactments and
  extemporaneous recordings, this film functions doubly as an examination
  of a rapidly changing material culture in the present and as a
  historical document for the future. Whether the resultant record is
  directed toward its subjects, its temporary residents (the filmmakers),
  or its Western viewers is a question proposed via the combination of
  long takes, materialist approaches, selective subtitling and a focus on
  various forms of cultural labor. In addition to "Tjúba Tén" ("The Wet
  Season"), Russell's screenings will feature three additional
  experimental ethnographies: "Daumë," "The Red and the Blue Gods," and
  "Black and White Trypps Number Three."

11/10
Los Angeles, California: Redcat
http://www.redcat.org/
8:30pm, 631 W 2nd St.

 MOVING FIGURES: THE ANIMATED WORLD OF ROBERT BREER
  Robert Breer, one of America's foremost filmmakers for more than 50
  years, pays a rare visit to Los Angeles to attend a multi-venue
  celebration of his work. A close colleague of Rauschenberg, Oldenburg
  and many other seminal artists of the '50s and '60s, Breer brought a
  comparably imaginative and rigorous appreciation for collage and pure
  form to the art of cinema. Throughout a body of more than 40
  animated—and in ways anti-animated films—Breer celebrates cinema as a
  unique way of seeing, and the act of drawing as an endlessly expressive
  and unpredictable personal gesture. Tonight's program features 14
  masterworks spanning four decades, gorgeously restored by Anthology Film
  Archives for the first time on 35mm: Recreation (1956), A Man And His
  Dog Out For Air (1957), Jamestown Baloos (1957), Eyewash and its
  "Alternative Version" (both 1959), Blazes (1961), Fist Fight (1964), 66
  (1966), 69 (1969), 70 (1970), Fuji (1974), 77 (1977), Swiss Army Knife
  With Rats And Pigeons (1981) and Bang! (1986). In person: Robert
  Breertickets $9 [students $7]

--------------------------
TUESDAY, NOVEMBER 11, 2008
--------------------------

11/11
Mobile, AL: Capri Theatre
http://www.southarts.org/site/c.guIYLaMRJxE/b.2821369/
7:30pm, 1045 East Fairview Avenue

 BEN RUSSELL: FOUR EXPERIMENTAL ETHNOGRAPHIES
  "Tjúba Tén" ("The Wet Season") is an experimental ethnography recorded
  in the jungle village of Bendekondre, Suriname at the start of 2007.
  Composed of community-generated performances, reenactments and
  extemporaneous recordings, this film functions doubly as an examination
  of a rapidly changing material culture in the present and as a
  historical document for the future. Whether the resultant record is
  directed toward its subjects, its temporary residents (the filmmakers),
  or its Western viewers is a question proposed via the combination of
  long takes, materialist approaches, selective subtitling and a focus on
  various forms of cultural labor. In addition to "Tjúba Tén" ("The Wet
  Season"), Russell's screenings will feature three additional
  experimental ethnographies: "Daumë," "The Red and the Blue Gods," and
  "Black and White Trypps Number Three."

11/11
New York, New York: Eye Am: Women Behind the Lens
http://www.eyeamvideo.blogspot.com
6pm, Anthology Film Archives 32 Second Avenue NY, NY 10003

 EYE AM SCREENS AT ANTHOLOGY FILM ARCHIVES
  6:00PM TUESDAY November 11th, 2008 EYE AM: WOMEN BEHIND THE LENS @
  ANTHOLOGY FILM ARCHIVES (New Filmmakers Series) * 32 Second Avenue New
  York, NY 10003 * (212) 505-5181 Curated by Victoria Kereszi Find full
  schedule at: www.newfilmmakers.com/NewFilmmakers%20Schedule%200810.htm
  Series info at: www.eyeamvideo.blogspot.com Featured Filmmakers~ ~Emily
  DeGruchy FRENCH LADIES (2006, 1 Minute, Video) ~Abigail Feldman THE YEAR
  OF THE CORRESPONDENT (2004, 10 Minutes, 2004) ~Sarah Friedland BREATH ON
  THE MIRROR (2008, 1 Minute, Video) ~Oriana Fox OUR BODIES, OURSELVES
  (2003, 2 Minutes, Video) ~Victoria Kereszi FADED GLAMOUR (2008, 5
  Minutes, Video) ~Lili White PROVIDING NOURISHMENT (1996, 3 Minutes,
  Video) ~Vanessa Woods FIVE CENTS A PEEK (2007, 7 Minutes, Video)
  ~Caroline Koebel HOLE OR SPACE (2006, 3 Minutes, Video) ~Sophie Peer
  TURNED ON (2006, 6 Minutes, Video) ~Oriana Fox TALE OF NARCISSUS (2003,
  5 Minutes, Video) ~Penny Lane & Jessica Bardsley THE WREN (2008, 4
  Minutes, Video) ~Hilda Daniel NATURE NATURE (2005, 2 Minutes, Video)
  ~Devorah Hill I LOVE YOU (2006, 3 Minutes, Video)

11/11
Reading, Pennsylvania: Berks Filmmakers
http://www.berksfilmmakers.org
7:30, Albright College

 ADELE FRIEDMAN IN PERSON
  ADELE FREIDMAN (Chicago) who, over the past 25 years, has screened work
  and done in-person shows at museums and experimental film venues
  throughout America and Europe will be here to present a program of her
  16mm films. The 10 short films presented in this show, most if them
  silent and in black & white, reflect Friedman's interests ranging from
  portraits to dreamscapes to landscapes, with additional films that blur
  the boundaries. Program includes: Abduction (1986, 18 min.); Verdauwoo
  (1989, 4 min. color); Christian and Michael (2006, 8 min.); Marietta
  (2006, 5 min.); Untitiled (revenant) (2002, 10 min.); Robert's Place
  (2004, 7 min.); Untitled I (1983, 7 min); Untitled II (1983, 7 min.);
  Sarah and Norman (1983, 4 min.); Pauline and Patrick, Le Marais, Paris
  (2008-PREMIERE, 8 min.)

----------------------------
WEDNESDAY, NOVEMBER 12, 2008
----------------------------

11/12
Jackson, MS: Milsaps College
http://www.southarts.org/site/c.guIYLaMRJxE/b.2821369/
7:00pm, Gertrude C. Ford Academic Complex, room 215

 BEN RUSSELL: FOUR EXPERIMENTAL ETHNOGRAPHIES
  "Tjúba Tén" ("The Wet Season") is an experimental ethnography recorded
  in the jungle village of Bendekondre, Suriname at the start of 2007.
  Composed of community-generated performances, reenactments and
  extemporaneous recordings, this film functions doubly as an examination
  of a rapidly changing material culture in the present and as a
  historical document for the future. Whether the resultant record is
  directed toward its subjects, its temporary residents (the filmmakers),
  or its Western viewers is a question proposed via the combination of
  long takes, materialist approaches, selective subtitling and a focus on
  various forms of cultural labor. In addition to "Tjúba Tén" ("The Wet
  Season"), Russell's screenings will feature three additional
  experimental ethnographies: "Daumë," "The Red and the Blue Gods," and
  "Black and White Trypps Number Three."

11/12
Los Angeles, California: Reengineering Cinematheque
http://www.enginetheater.com/
8:00, 1636 Wilcox

 XPERIMENTAL EROS (EXPANDED EDITION)
  Exploring realms both sacred and profane, XPERIMENTAL EROS invokes a
  shimmering fantasia of celluloid sensuality for the pleasure of our
  largest sex organ – the brain. Using exotic tropes and erotic footage
  from the world's oldest genre, our program of ardent auteurs spin
  grindhouse dross into arthouse gold with perverse panache. Be it tales
  of sexual obsession, rejected letters to Penthouse Forum, or the Mr.
  Nude Trucker Contest of 1976, no subject is taboo… nor above
  deconstruction. XPERIMENTAL EROS strips bare the spectacle of sex in
  cinema, poeticizing the cinematic language of the body. Jeff Krulik
  "King of Porn" 1996 | Beta SP | 6 mins. Known affectionately as the
  "King of Porn," Ralph Whittington retired as a curator at the US Library
  of Congress in 2000 after 37 years of service. Whittington has been a
  major acquirer and documentor of mainly US pornography since the 1970s.
  His $100,000 collection of pornographic material, which he personally
  cataloged, indexed, and cross-referenced includes more than four hundred
  8mm films, seven hundred videos, 1,500 magazines, 200 books, calendars,
  posters, blow-up dolls, artificial genitalia, erotic records, novelties,
  records, bawdy house coins, and a selection of women's high-heeled
  shoes. The Ralph Whittington collection is now owned by New York's
  Museum of Sex (MoSex) and the man himself is the star of "King of Porn",
  a 1996 documentary short by Jeff Krulik. Mark Street "Blue Movie" 1994 |
  16mm | 5 mins. A smattering of repeated performances culled from old
  porno films and hand-painted. A man bends over a body, but what we
  really notice is the wall behind him. A woman stares back at the viewer
  with annoyance. On the soundtrack Anais Nin declares: "but while I'm
  doing this I feel I'm not living." Tom Palazzolo "Sneakin' and Peekin'"
  (Made with Mark Rance) 1976 | 16mm | 15 mins. "We traveled to Indiana
  back roads to see and shoot the annual Miss Nude Universe Contest held
  at a "notorious" nudist camp. They wanted $15 a head at the gate so we
  parked down the road and crawled through the brush. Once in, we
  encountered truckers and hundreds of Sunday photographers straining for
  a shot at the contestants. Afterwards we joined the quest for stray
  women willing to pose. After a quick success we headed home with our
  catch in the can." – Tom Palazzolo (This film also contains shots of the
  Mr. Nude Trucker Contest.) Thomas Draschan & Stella Friedrichs "The
  influence of ocular light…" 2005 | 16mm | 5 mins. A found footage film
  that uses an Italian sixties softporn soundtrack which is repeated two
  times. Each time a sequence of images is synched to the soundtrack. It
  can thus be viewed as a double projection (in a video installation) or a
  single screen cinema version. The film images are illustrating acts of
  ocular light perception as well as imagery with strong visual impact. It
  is a kind of visual test directed towards the viewer. Lewis Klahr "Downs
  are Feminine" 1993 | 16mm | 10 mins. "Lewis Klahr's DOWNS ARE FEMININE
  unveils a kind of rainy day, indoor, peaceable kingdom of desultory and
  idyllic debauchery, masturbatory reveries and hermaphroditic
  transformations. Klahr's oneric collages graft '70s porn of pallid
  stubbly flesh flagrantly onto Good Housekeeping/Architectural Digest
  decor (varicolored crab-orchard stone foyers, modacrylic sunbursts,
  jalousie windows and orientalist metal scrollwork), interior states
  where characters despoil themselves in Quaalude interludes of dreamy
  couplings. In this out-of-touch realm, touching is intelligence
  gathering for a carnal knowledge that will never attain its platonic
  ideal. The whole atmosphere is pervaded with euphoria, a hopelessness
  without despair, a contentment beyond longing. If Klahr's Yesterday's
  Glue presented an after-hours club world of pining narcissists where the
  mandatory sex, drugs and rock and roll was glacial if not sinister,
  DOWNS ARE FEMININE presents a world that edges past despondency to
  become an amoral libertine glade that is at its core abeyant but
  benevolent." - Mark McElhatten Peggy Ahwesh "The Color of Love" 1994 |
  16mm | 10 mins. Ahwesh subjects an apparently found pornographic film to
  coloring, optical printing and general fragmentation; the source
  material threatens to virtually collapse under the beautiful violence of
  her filmic treatment. What emerges is a portrait at once nostalgic and
  horrible: the degraded image, locked in symbiotic relation with an image
  of degradation. Oscar Perez "Pacifier" 1999 | 16mm | 11 mins. Winner of
  the Grand Jury Award for Best Short Film at Microcinefest, director
  Oscar Perez based PACIFIER on a letter he wrote to "Penthouse Forum" as
  a thirteen-year old. PACIFIER offers amazing insight into the mind of an
  adolescent boy. Playing like a campy condensed version of a Cinemax
  softcore movie, the narration of PACIFIER stays true to Perez's youthful
  writing, complete with poor grammar and misunderstood feminine anatomy.
  Danny Plotnick "Swinger's Serenade" 1999 | 16mm | 22 mins. A tawdry tale
  of suburban sexual malaise plus a lesson in arcane film history rolled
  into one sin-tillating package! In the late 1950s and throughout the
  1960s, when home movie making was at its peak, this nation's newsstands
  were filled with amateur movie making magazines. The majority of the
  articles contained therein focused on the technical concerns of
  filmmaking. Some magazines, however, would actually provide their
  subscribers with scripts to shoot-scripts on which these would-be
  cineastes could hone their filmic chops. In and of itself, there was
  nothing unseemly about such a service. But upon closer inspection, some
  of these scripts were, to say the least, rather randy. One such script,
  entitled Swingers' Serenade, was published in the July/August 1960 issue
  of Better Movie Making. The script seems quite ahead of its time,
  replete with lurid sexual dynamics, hints of loose sexual mores,
  swinging couples, lecherous Fuller Brush salesmen, voyeuristic
  suburbanites and more. The film you're about to see, Swingers' Serenade,
  offers up both a history of the amateur movie magazine world and a
  rendering of the original script of Swingers' Serenade, shot, to the
  best of our knowledge, as the publishers of the July/August 1960 issue
  of Better Movie Making had intended. George Kuchar "Web of Vice" 2006 |
  Video | 50 mins. "Shot with my students at the San Francisco Art
  Institute, this colorful drama with song and dance numbers (plus
  burlesque acts) follows the libidinous poisoning of Vatican personnel by
  an otherworldly intruder. The cast is mostly young and vibrant and the
  songs staged as opulently as possible on a $400 budget. Anyone
  interested in these collaborative productions will find a lot to gawk at
  in this backstage romance with pagan overtures galore." – George Kuchar
  NOT ON DVD

11/12
Los Angeles, California: Reengineering Cinematheque
http://www.enginetheater.com/
8:00, 1636 Wilcox

 XPERIMENTAL EROS (EXPANDED EDITION)
  Exploring realms both sacred and profane, XPERIMENTAL EROS invokes a
  shimmering fantasia of celluloid sensuality for the pleasure of our
  largest sex organ – the brain. Using exotic tropes and erotic footage
  from the world's oldest genre, our program of ardent auteurs spin
  grindhouse dross into arthouse gold with perverse panache. Be it tales
  of sexual obsession, rejected letters to Penthouse Forum, or the Mr.
  Nude Trucker Contest of 1976, no subject is taboo… nor above
  deconstruction. XPERIMENTAL EROS strips bare the spectacle of sex in
  cinema, poeticizing the cinematic language of the body. INCLUDES WORK
  FROM GEORGE KUCHAR ("WEB OF VICE"), LEWIS KLAHR ("PONY GLASS"), DANNY
  PLOTNICK ("SWINGERS SERENADE"), PEGGY AHWESH ("THE COLOR OF LOVE") AND
  MUCH, MUCH, MORE....

---------------------------
THURSDAY, NOVEMBER 13, 2008
---------------------------

11/13
Chicago, Illinois: Conversations at the Edge
http://myspace.com/conversationsattheedge
6pm, 164 N. State St.

 OUTER EAR FESTIVAL OF SOUND: RECENT FILMS BY DEBORAH STRATMAN
  Deborah Stratman in person! The Experimental Sound Studio's Outer Ear
  Festival of Sound and CATE team up to present a special preview of
  award-winning filmmaker Deborah Stratman's latest film, O'ER THE LAND
  (2008). Completed in part through a residency at ESS, Stratman's film
  meditates on our notions of freedom in an era of elevated threat by
  interweaving footage from our national pastimes—football, war
  re-enactments, machine gun festivals—with the incredible story of Marine
  Lt. Col William Rankin who, in 1959, was forced to eject from his
  fighter jet at 47,000 feet without a pressure suit, only to be trapped
  for 40 minutes in the up and down drafts of a massive thunderstorm.
  Accompanied by Stratman's Paranormal Trilogy: IT WILL DIE OUT IN THE
  MIND (2006), HOW AMONG THE FROZEN WORDS (2005), and THE MAGICIAN'S HOUSE
  (2007). The Outer Ear Festival of Sound (November 3–22, 2008) is the
  only comprehensive interdisciplinary sonic arts festival in the Midwest.
  For more information, visit exsost.org. 2005—08, Deborah Stratman, USA,
  16mm, ca 65 min.

11/13
Marseille (FRANCE): Association Polly Maggoo
http://www.pollymaggoo.org
4, Le Rendez-vous des Quais

 INTERNATIONAL SCIENCE & FILM FESTIVAL
  CALL FOR ENTRIES INTERNATIONAL SCIENCE & FILM FESTIVAL (RISC), 3rd
  edition Marseille (France), 13-16 November 2008 The Polly Maggoo
  Association, organisers of the 3rd INTERNATIONAL SCIENCE & FILM FESTIVAL
  (RISC) which will be held in November, is calling for entries. All
  genres of films are eligible (documentary, experimental, fiction or
  short films, art video, animation, etc.) if their subject is directly or
  indirectly related to scientific topics (including fundamental sciences,
  life sciences, the environment, and social and human sciences).
  Informations, regulations and entry form here :
  http://www.pollymaggoo.org/doc_polly/risc-2008.html Deadline : July
  2008, 15th Polly Maggoo : http://www.pollymaggoo.org

11/13
Mobile, AL: The Mobile Arts Council
http://www.southarts.org/site/c.guIYLaMRJxE/b.2821369/
7:00pm, 318 Dauphin St

 BEN RUSSELL: FOUR EXPERIMENTAL ETHNOGRAPHIES
  "Tjúba Tén" ("The Wet Season") is an experimental ethnography recorded
  in the jungle village of Bendekondre, Suriname at the start of 2007.
  Composed of community-generated performances, reenactments and
  extemporaneous recordings, this film functions doubly as an examination
  of a rapidly changing material culture in the present and as a
  historical document for the future. Whether the resultant record is
  directed toward its subjects, its temporary residents (the filmmakers),
  or its Western viewers is a question proposed via the combination of
  long takes, materialist approaches, selective subtitling and a focus on
  various forms of cultural labor. In addition to "Tjúba Tén" ("The Wet
  Season"), Russell's screenings will feature three additional
  experimental ethnographies: "Daumë," "The Red and the Blue Gods," and
  "Black and White Trypps Number Three."

11/13
Providence, RI: AS220
http://as220.org
10pm, 115 Empire Street

 NOT TAME: NEW SHORT VIDEOS
  A program of brand new experimental short videos by local artists.
  Featuring shorts by Arley Marks, Muffy Brandt, Adam Morowsky, Elizabeth
  Skadden, Eli Monster, Jacob Berendes, Maralie Armstrong-Milholland and
  more.Curated by Mike Stoltz.FREE ADMISSION!

11/13
San Francisco, California: Artists Television Access
http://www.atasite.org/
8pm, 992 Valencia St

 GLOBAL UNDERGROUNDS: THE GREAT BEAR MINUSTWO
  On November 13 and 14, as part of an ongoing cinematic and cultural
  exchange between ATA and the independent cinema La Enana Marron in
  Madrid, Spain, ATA hosts two nights of Documentary film from Spain
  sponsored by the General Consulate of Spain in San Francisco. David
  Reznak, filmmaker and founder of La Enana Marron will be here in person
  to present the series. Both screenings will take place at ATA, 992
  Valencia Street, Doors open at 7:30pm and films will start at 8pm.
  Entrance is FREE. Thursday, November 13, 2008 - 8pm LA OSA MAYOR MENOS
  DOS -THE GREAT BEAR MINUS TWO by David Reznak 16mm, 98 min, colour,
  2006. V.O with enghish subtitles http://www.laosamayormenosdos.com Like
  the train that brings you from Madrid to Leganés (town where the film
  was shot), and shows you the back shop of factories and towns, that path
  that only the railroad takes; staying at the Mental Hospital becomes
  like watching society behind the scene. Madness has a primitive power
  for revelation: revelation that what is dreamy is to be real, that
  illusion has no limits. All reality is reabsorbed by fantastic images.
  This documentary has been filmed throughout a year to portrait punctual
  events of each season, follow the cycles of the younger patients, the
  improvement or even rehabilitation of the healthier, and irreversibility
  of the eldest. Best Documentary Award at the XII Festival Internacional
  de Cine Independiente de Barcelona. L' Alternativa 05, it has been said
  this is one of the 5 best Spanish films of the decade. Born in Madrid in
  1969. Bachelor of Fine Arts from the film department of the San
  Francisco Art Institute in 1992. In 1994 David Reznak founded the
  production company "Espejo Frio" from where he produces and directs six
  short films selected and honoured at international film festivals, and a
  long documentary. In 1996 he co-founded in Madrid the independent cinema
  "El Fenakisticopio Itinerante", where experimental films on 16mm where
  shown. From these projects came the collaborations with collectives of
  programmers and artists like "El Ojo Atomico" in 1997 and "La Zona de
  Accion Temporal" in 1998. In 1999 he co-founded and directs the
  independent cinema "La Enana Marron" (http://www.laenanamarron.org),
  where more than 1000 films from 36 different countries, always outside
  of commercial circuits, sometimes artisan, on 35 mm, 16 mm, super-8 or
  video, have been program. In collaboration with international
  institutions, organizations and filmmakers, Artists' Television Access
  presents Global Undergrounds, a film and video series that fosters
  awareness and appreciation of the issues and aesthetics of our global
  diversity. Artists' Television Access is a 501(c)(3) nonprofit,
  all-volunteer, artist-run, experimental media arts gallery that has been
  in operation since 1984. ATA hosts a series of film and video
  screenings, exhibitions and performances by emerging and established
  artists and a weekly cable access television program.

(continued in next email)

__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.