From: Beverly O'Neill (email suppressed)
Date: Mon Jul 28 2008 - 14:47:41 PDT
Hello Dr. Beard,
Pat O'Neill's RUNS GOOD, 1970 and TROUBLE IN THE IMAGE, 1996 both
significantly utilize found footage and Christian Marclay's major
pieces consistently rely upon re-editing this sort of imagery.
B. O'Neill
On Jul 28, 2008, at 8:30 AM, Thomas Beard wrote:
> Though isn’t Happy-End edited? I guess what I’m really interested in
> here are not so much found footage films, but films as found
> objects. And Perfect Video is an interesting example because, if I
> remember correctly, it’s a ready-made video printed to film.
>
> TB
>
>
> On 7/28/08 11:06 AM, "albert alcoz" <email suppressed> wrote:
>
>> Peter Tscherkassky's Happy-End?
>>
>> albert
>>
>> ----- Mensaje original ----
>> De: Thomas Beard <email suppressed>
>> Para: email suppressed
>> Enviado: lunes, 28 de julio, 2008 15:54:39
>> Asunto: Perfect Films
>>
>> Hello Frameworkians,
>>
>> I'm finishing up some research right now on ready-mades in
>> experimental
>> cinema--works like Ken Jacobs's Perfect Film, Hollis Frampton's
>> Work and
>> Days, Brian Frye's Anatomy of Melancholy, etc.--and wanted to check
>> in with
>> the list for suggestions about related films.
>>
>> Best,
>> Thomas
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>>
>>
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>> >
>> La bandeja de entrada más inteligente.
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.