Re: titles + film print

From: Jeanne LIOTTA (email suppressed)
Date: Fri Jun 27 2008 - 11:22:25 PDT


Moira, get your kodaliths made at MIRODDI Imaging on W 3i st I think. 12 bucks for an 8x10 adn you can gang them aLL up on one sheet and they do it while you wait. Nice old guys with craft. Perfect blacks, you can shoot on nearly any decently fine grain stock you have leftover maybe, not just hi-con which is great but persnickety. Way way better than kinkos.

Hassan, you might also consider using Niagara Custom Lab in Toronto, SEbastien is a humble genius and dedicated to making beautiful color contact prints of artists handmade films, no matter how crunchy! Unless you really want to get in deep with optical printing, which is cool but its a whole trip dude, not just a copy-robot.

love
Jeanne

---- Original message ----
>Date: Fri, 27 Jun 2008 12:21:34 -0400
>From: FRAMEWORKS automatic digest system <email suppressed>
>Subject: FRAMEWORKS Digest - 26 Jun 2008 to 27 Jun 2008 - Special issue (#2008-320)
>To: email suppressed
>
>There are 10 messages totalling 756 lines in this issue.
>
>Topics in this special issue:
>
> 1. FRAMEWORKS Digest - 25 Jun 2008 to 26 Jun 2008 - Special issue (#2008-319)
> 2. 16mm/35mm cardboard shipping cases (2)
> 3. print safe & sound
> 4. 16mm titles? (3)
> 5. film print. (2)
> 6. artfilmperformance - synthetic zero event - TOMORROW, SATURDAY 3PM - 6PM
>
>
>__________________________________________________________________
>For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
>----------------------------------------------------------------------
>
>Date: Thu, 26 Jun 2008 14:45:04 -0400
>From: Alan Sondheim <email suppressed>
>Subject: Re: FRAMEWORKS Digest - 25 Jun 2008 to 26 Jun 2008 - Special issue (#2008-319)
>
>Given:
>
>From: Regina Muff <email suppressed>
>Subject: Re: Odyssey presents: The Accidental Artist (Alan Sondheim in SL)
>
>
> [ Part 7.2: "Attached Text" ]
>
>uh oh, sondheim posts have migrated to frameworks
>
>
>uh oh too bad you can't take an announcement, idiot; don't worry, I'll get
>off the list.
>
>- Alan
>
>
>__________________________________________________________________
>For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>------------------------------
>
>Date: Thu, 26 Jun 2008 14:37:21 -0700
>From: DOMINIC ANGERAME <email suppressed>
>Subject: 16mm/35mm cardboard shipping cases
>
>Hi all Canyon Cinema is in need of 16mm and 35mm
>cardboard shipping containers, ideally with straps.
>These have become very precious items over the past 5
>years and extremely expensive. If anyone is willing to
>donate these to us, it would be fantastic. Thanks
>
>Conact
>Dominic Angerame
>Canyon Cinema
>(address suppressed)
>
>
>__________________________________________________________________
>For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>------------------------------
>
>Date: Thu, 26 Jun 2008 15:52:13 -0700
>From: "k. a.r." <email suppressed>
>Subject: Re: 16mm/35mm cardboard shipping cases
>
>--_fc0fc4d0-3c7a-4567-90a4-ce98c6b0f888_
>Content-Type: text/plain; charset="iso-8859-1"
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>
>What about plastic ones with locking corners?
>
>
>
>Kristie Reinders, B.F.A.
>Director of Cinematography, Electric Visions
>Curator and Head Projectionist, Electric Mural Project
>The Mission, San Francisco, CA
>
>'A first class technician should work best under pressure.'=20
>- - - Issac Asimov=20
>
>> Date: Thu, 26 Jun 2008 14:37:21 -0700
>> From: email suppressed
>> Subject: [FRAMEWORKS] 16mm/35mm cardboard shipping cases
>> To: email suppressed
>>=20
>> Hi all Canyon Cinema is in need of 16mm and 35mm
>> cardboard shipping containers, ideally with straps.
>> These have become very precious items over the past 5
>> years and extremely expensive. If anyone is willing to
>> donate these to us, it would be fantastic. Thanks
>>=20
>> Conact
>> Dominic Angerame
>> Canyon Cinema
>> (address suppressed)
>>=20
>>=20
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>_________________________________________________________________
>Blog your life in 3D with Windows Live Writer.
>http://www.windowslive.com/overview.html?ocid=3DTXT_TAGLM_Wave2_wl_writer_0=
>22008=
>
>
>__________________________________________________________________
>For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
>--_fc0fc4d0-3c7a-4567-90a4-ce98c6b0f888_
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>Content-Transfer-Encoding: quoted-printable
>
><html>
><head>
><style>
>.hmmessage P
>{
>margin:0px;
>padding:0px
>}
>body.hmmessage
>{
>FONT-SIZE: 10pt;
>FONT-FAMILY:Tahoma
>}
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><body class=3D'hmmessage'>
>What about plastic ones with locking corners?<br><br><br><br>Kristie Reinde=
>rs, B.F.A.<br>Director of Cinematography, Electric Visions<br>Curator and H=
>ead Projectionist, Electric Mural Project<br>The Mission, San Francisco, CA=
><br><br>'A first class technician should work best under pressure.' <br>- -=
> - Issac Asimov <br><br>&gt; Date: Thu, 26 Jun 2008 14:37:21 -0700<br>&gt; =
>From: email suppressed<br>&gt; Subject: [FRAMEWORKS] 16mm/35mm=
> cardboard shipping cases<br>&gt; To: email suppressed<br>&gt; <=
>br>&gt; Hi all Canyon Cinema is in need of 16mm and 35mm<br>&gt; cardboard =
>shipping containers, ideally with straps.<br>&gt; These have become very pr=
>ecious items over the past 5<br>&gt; years and extremely expensive. If anyo=
>ne is willing to<br>&gt; donate these to us, it would be fantastic. Thanks<=
>br>&gt; <br>&gt; Conact<br>&gt; Dominic Angerame<br>&gt; Canyon Cinema<br>&=
>gt; (address suppressed)<br>&gt; <br>&gt; <br>&gt; ________________________=
>__________________________________________<br>&gt; For info on FrameWorks, =
>contact Pip Chodorov at &lt;email suppressed&gt;.<br><br /><hr />Blog your l=
>ife in 3D with Windows Live Writer. <a href=3D'http://www.windowslive.com/o=
>verview.html?ocid=3DTXT_TAGLM_Wave2_wl_writer_022008' target=3D'_new'>Get W=
>indows Live-Free</a></body>
></html>=
><p>
>__________________________________________________________________
>For info on FrameWorks, contact Pip Chodorov at &lt;email suppressed&gt;.
><p>
>
>--_fc0fc4d0-3c7a-4567-90a4-ce98c6b0f888_--
>
>------------------------------
>
>Date: Thu, 26 Jun 2008 22:46:57 -0700
>From: ev petrol <email suppressed>
>Subject: print safe & sound
>
>--0-221550697-1214545617=:25080
>Content-Type: text/plain; charset=us-ascii
>
>got it back in the post today (from nyuff) - cheers lads! moira
>
>
>
>
>
>__________________________________________________________________
>For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
>--0-221550697-1214545617=:25080
>Content-Type: text/html; charset=us-ascii
>
><table cellspacing='0' cellpadding='0' border='0' ><tr><td valign='top' style='font: inherit;'>got it back in the post today (from nyuff) - cheers lads! moira<br></td></tr></table><br>
>
><p>
>__________________________________________________________________
>For info on FrameWorks, contact Pip Chodorov at &lt;email suppressed&gt;.
><p>
>
>--0-221550697-1214545617=:25080--
>
>------------------------------
>
>Date: Thu, 26 Jun 2008 22:49:59 -0700
>From: ev petrol <email suppressed>
>Subject: 16mm titles?
>
>--0-1440352179-1214545799=:96069
>Content-Type: text/plain; charset=us-ascii
>
>howya
>& sorry if this has been asked already (if so maybe just send me to the archive! had a look but couldn't find ...)
>any tips for shooting 16mm titles (at home?)
>have been doing it with black-on-white text flipped to white-on-black on the photocopier and shot against a light box, usually grand, but the last batch don't look so hot (the contrast leaves a bit to be desired)
>how does anyone else do them?
>cheers! moira
>
>
>
>
>
>__________________________________________________________________
>For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
>--0-1440352179-1214545799=:96069
>Content-Type: text/html; charset=us-ascii
>
><table cellspacing='0' cellpadding='0' border='0' ><tr><td valign='top' style='font: inherit;'>howya<br>&amp; sorry if this has been asked already (if so maybe just send me to the archive! had a look but couldn't find ...)<br>any tips for shooting 16mm titles (at home?) <br>have been doing it with black-on-white text flipped to white-on-black on the photocopier and shot against a light box, usually grand, but the last batch don't look so hot (the contrast leaves a bit to be desired)<br>how does anyone else do them?<br>cheers! moira<br></td></tr></table><br>
>
><p>
>__________________________________________________________________
>For info on FrameWorks, contact Pip Chodorov at &lt;email suppressed&gt;.
><p>
>
>--0-1440352179-1214545799=:96069--
>
>------------------------------
>
>Date: Fri, 27 Jun 2008 01:21:17 -0700
>From: Hassan Said <email suppressed>
>Subject: film print.
>
>------=_Part_4345_17768873.1214554877754
>Content-Type: text/plain; charset=ISO-8859-1
>Content-Transfer-Encoding: 7bit
>Content-Disposition: inline
>
>hello,
>i have recently created a 4 min short on a flatbed, my techniques included
>bleaching, coloring, and many other direct manipulation techniques.
>its hard in the end for the film to go properly through the projector so i
>decided the only way to get a clean print is to do it through the optical
>printer
>however, i am not very familiar with the optical printer. I mean, the film
>now has alot of bright and dark images, what stocks would you recommend me
>to use?
>and also how would i know the right exposure for each of the frames?
>thank you
>
>--
>Hassan M. Said
>(845) 597-9468
>email suppressed
>www.HassanSaid.com
>
>
>__________________________________________________________________
>For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
>------=_Part_4345_17768873.1214554877754
>Content-Type: text/html; charset=ISO-8859-1
>Content-Transfer-Encoding: 7bit
>Content-Disposition: inline
>
>hello,<br>i have recently created a 4 min short on a flatbed, my techniques included bleaching, coloring, and many other direct manipulation techniques.<br>its hard in the end for the film to go properly through the projector so i decided the only way to get a clean print is to do it through the optical printer<br>
>however, i am not very familiar with the optical printer. I mean, the film now has alot of bright and dark images, what stocks would you recommend me to use?<br>and also how would i know the right exposure for each of the frames?<br>
>thank you<br clear="all"><br>-- <br>Hassan M. Said<br>(845) 597-9468<br><a href="mailto:email suppressed">www.HassanSaid.com</a>
><p>
>__________________________________________________________________
>For info on FrameWorks, contact Pip Chodorov at &lt;email suppressed&gt;.
><p>
>
>------=_Part_4345_17768873.1214554877754--
>
>------------------------------
>
>Date: Fri, 27 Jun 2008 10:11:17 -0400
>From: James Cole <email suppressed>
>Subject: Re: 16mm titles?
>
>If you get transparencies made (like the kind from grade school),
>they'll work pretty well. The black background might come out a
>little light if you just get them made at Kinkos, but you can get a
>few layers made of the same words, stack them a about four layers
>thick and absolutely no light will be able to get through the black
>areas. Then, hold them against a light box. The white will be clear,
>and you'll get a ton of light through it, and no light at all should
>get through the black, if you have enough layers. If you shoot in on
>hi-con stock (I think Kodak 7363 is the one I've used, but I'm not
>sure about that) the whites should be crisp white and the blacks
>should be ink black. Plus hi-con film can be processed as negative or
>as reversal, and can be hand processed really easily.
>
>On 6/27/08, ev petrol <email suppressed> wrote:
>> howya
>> & sorry if this has been asked already (if so maybe just send me to the
>> archive! had a look but couldn't find ...)
>> any tips for shooting 16mm titles (at home?)
>> have been doing it with black-on-white text flipped to white-on-black on the
>> photocopier and shot against a light box, usually grand, but the last batch
>> don't look so hot (the contrast leaves a bit to be desired)
>> how does anyone else do them?
>> cheers! moira
>>
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>>
>>
>>
>
>
>__________________________________________________________________
>For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>------------------------------
>
>Date: Fri, 27 Jun 2008 07:56:23 -0700
>From: ev petrol <email suppressed>
>Subject: Re: film print.
>
>--0-1349563097-1214578583=:609
>Content-Type: text/plain; charset=us-ascii
>
>any time i've done optic printing i've used 7248 (now discontinued) or 7212 - and done loads of tests - so i'd suggest testing a representative sample of your dark/light images at (eg) 80,90,100,110 volts & at f4, 5.6, 8, 11, 16 ... gives you a rough idea & you can do more tests with the nd filters as well if you like
>should work a treat though!
>cheers moira t
>
>www.moiratierney.net
>
>--- On Fri, 6/27/08, Hassan Said <email suppressed> wrote:
>From: Hassan Said <email suppressed>
>Subject: film print.
>To: email suppressed
>Date: Friday, June 27, 2008, 4:21 AM
>
>hello,
>i have recently created a 4 min short on a flatbed, my techniques included bleaching, coloring, and many other direct manipulation techniques.
>its hard in the end for the film to go properly through the projector so i decided the only way to get a clean print is to do it through the optical printer
>
>however, i am not very familiar with the optical printer. I mean, the film now has alot of bright and dark images, what stocks would you recommend me to use?
>and also how would i know the right exposure for each of the frames?
>
>thank you
>
>--
>Hassan M. Said
>(845) 597-9468
>email suppressed
>www.HassanSaid.com
>
>__________________________________________________________________
>For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
>
>
>
>
>__________________________________________________________________
>For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
>--0-1349563097-1214578583=:609
>Content-Type: text/html; charset=us-ascii
>
><table cellspacing='0' cellpadding='0' border='0' ><tr><td valign='top' style='font: inherit;'>any time i've done optic printing i've used 7248 (now discontinued) or 7212 - and done loads of tests - so i'd suggest testing a representative sample of your dark/light images at (eg) 80,90,100,110 volts &amp; at f4, 5.6, 8, 11, 16 ... gives you a rough idea &amp; you can do more tests with the nd filters as well if you like<br>should work a treat though!<br>cheers moira t<br><br>www.moiratierney.net<br><br>--- On <b>Fri, 6/27/08, Hassan Said <i>&lt;email suppressed<br>Date: Friday, June 27, 2008, 4:21 AM<br><br><div id="yiv143452575">hello,<br>i have recently created a 4 min short on a flatbed, my techniques included bleaching,
> coloring, and many other direct manipulation techniques.<br>its hard in the end for the film to go properly through the projector so i decided the only way to get a clean print is to do it through the optical printer<br>
>however, i am not very familiar with the optical printer. I mean, the film now has alot of bright and dark images, what stocks would you recommend me to use?<br>and also how would i know the right exposure for each of the frames?<br>
>thank you<br clear="all"><br>-- <br>Hassan M. Said<br>(845) 597-9468<br><a rel="nofollow" target="_blank" href="mailto:email suppressed">www.HassanSaid.com</a>
><p>
>__________________________________________________________________
>For info on FrameWorks, contact Pip Chodorov at &lt;email suppressed&gt;.
></p><p>
></p></div></blockquote></td></tr></table><br>
>
><p>
>__________________________________________________________________
>For info on FrameWorks, contact Pip Chodorov at &lt;email suppressed&gt;.
><p>
>
>--0-1349563097-1214578583=:609--
>
>------------------------------
>
>Date: Fri, 27 Jun 2008 07:56:58 -0700
>From: ev petrol <email suppressed>
>Subject: Re: 16mm titles?
>
>--0-185386926-1214578618=:63212
>Content-Type: text/plain; charset=us-ascii
>
>great! thanks james that sounds spot on .... cheers moira
>
>www.moiratierney.net
>
>--- On Fri, 6/27/08, James Cole <email suppressed> wrote:
>From: James Cole <email suppressed>
>Subject: Re: 16mm titles?
>To: email suppressed
>Date: Friday, June 27, 2008, 10:11 AM
>
>If you get transparencies made (like the kind from grade school),
>they'll work pretty well. The black background might come out a
>little light if you just get them made at Kinkos, but you can get a
>few layers made of the same words, stack them a about four layers
>thick and absolutely no light will be able to get through the black
>areas. Then, hold them against a light box. The white will be clear,
>and you'll get a ton of light through it, and no light at all should
>get through the black, if you have enough layers. If you shoot in on
>hi-con stock (I think Kodak 7363 is the one I've used, but I'm not
>sure about that) the whites should be crisp white and the blacks
>should be ink black. Plus hi-con film can be processed as negative or
>as reversal, and can be hand processed really easily.
>
>On 6/27/08, ev petrol <email suppressed> wrote:
>> howya
>> & sorry if this has been asked already (if so maybe just send me to
>the
>> archive! had a look but couldn't find ...)
>> any tips for shooting 16mm titles (at home?)
>> have been doing it with black-on-white text flipped to white-on-black on
>the
>> photocopier and shot against a light box, usually grand, but the last
>batch
>> don't look so hot (the contrast leaves a bit to be desired)
>> how does anyone else do them?
>> cheers! moira
>>
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>>
>>
>>
>
>
>__________________________________________________________________
>For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
>
>
>__________________________________________________________________
>For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
>--0-185386926-1214578618=:63212
>Content-Type: text/html; charset=us-ascii
>
><table cellspacing='0' cellpadding='0' border='0' ><tr><td valign='top' style='font: inherit;'>great! thanks james that sounds spot on .... cheers moira<br><br>www.moiratierney.net<br><br>--- On <b>Fri, 6/27/08, James Cole <i>&lt;email suppressed<br>Date: Friday, June 27, 2008, 10:11 AM<br><br><pre>If you get transparencies made (like the kind from grade school),<br>they'll work pretty well. The black background might come out a<br>little light if you just get them made at Kinkos, but you can get a<br>few layers made of the same words, stack them a about four layers<br>thick and absolutely no light will be able to get through the black<br>areas. Then, hold them against a light box. The white will be clear,<br>and
> you'll get a ton of light through it, and no light at all should<br>get through the black, if you have enough layers. If you shoot in on<br>hi-con stock (I think Kodak 7363 is the one I've used, but I'm not<br>sure about that) the whites should be crisp white and the blacks<br>should be ink black. Plus hi-con film can be processed as negative or<br>as reversal, and can be hand processed really easily.<br><br>On 6/27/08, ev petrol &lt;email suppressed&gt; wrote:<br>&gt; howya<br>&gt; &amp; sorry if this has been asked already (if so maybe just send me to<br>the<br>&gt; archive! had a look but couldn't find ...)<br>&gt; any tips for shooting 16mm titles (at home?)<br>&gt; have been doing it with black-on-white text flipped to white-on-black on<br>the<br>&gt; photocopier and shot against a light box, usually grand, but the last<br>batch<br>&gt; don't look so hot (the contrast leaves a bit to be desired)<br>&gt; how does anyone else do them?<br>&gt;
> cheers! moira<br>&gt;<br>&gt;<br>&gt;<br>&gt; __________________________________________________________________<br>&gt; For info on FrameWorks, contact Pip Chodorov at &lt;email suppressed&gt;.</pre></blockquote></td></tr></table><br>
>
>
>
><p>
>__________________________________________________________________
>For info on FrameWorks, contact Pip Chodorov at &lt;email suppressed&gt;.
><p>
>
>--0-185386926-1214578618=:63212--
>
>------------------------------
>
>Date: Fri, 27 Jun 2008 12:01:59 -0400
>From: Mitsu Hadeishi <email suppressed>
>Subject: artfilmperformance - synthetic zero event - TOMORROW, SATURDAY 3PM - 6PM
>
>--Apple-Mail-6-52118829
>Content-Type: text/plain;
> charset=US-ASCII;
> format=flowed;
> delsp=yes
>Content-Transfer-Encoding: 7bit
>
>http://www.syntheticzero.com/events/
>
>Saturday, June 28th, 3pm-midnight, at the brand new Synthetic Zero Art
>Space, 305 E. 140th St #1A, in the Bronx (see directions below). We
>will have a reading, experimental film, and art. It will be part of
>the 2nd Annual Mott Haven Open Studio Tour, organized by the Bronx
>Council on the Arts: http://www.bronxarts.org/documents/062808StudioTourMap.pdf
>
>The event is free! The space will be open to see artwork from noon -
>6pm, but the experimental films and performances will begin at 3pm and
>go to 6pm.
>
>Experimental Film:
>
>Derek Taylor - "Travelogue #8" - New Haven, CT
>Lee Young Joo - "This is not what reality is called" - Seoul, Korea
>Meg Duguid - silent films - Brooklyn, NY
>Jason Head - "Rumble" - Brooklyn, NY
>Catie Olson - "rolling pin" - Chicago, IL
>Tim Cahill - "She Goes" - Westport, CT
>Stephen Slappe - "3 out of 4" - Portland, OR
>Anders Weberg - "Undisclosed Beauty" - Sweden
>Kate Walker - "3' High and Rising" - Nelson, New Zealand
>Inge Hoonte - "Active Passive" - New York, NY
>
>Performances:
>
>Leigh Stein - reading
>Seyhan Musaoglu and others - hwww.seyhanmusaoglu.com - multimedia
>performance
>
>Art:
>
>Dmitry Gubin - gubinpaint.com - painting
>Blanka Amezcua - polaroids & embroidery
>Sonia Li - installation
>Victor Teng - ink brush drawings
>Heather Anne Halpert - time series photographs of ceramics
>Gina Fuentes Walker - photographs
>damali abrams - collage on fabric
>Shadagga - artwork
>Rebecca Bird - painting
>Kymia Nawabi - drawing and sculpture
>Nicholas Friedmann - hanging sculpture
>Caroline Falby - paintings and drawings
>Betty T. Kao - paintings
>Chris Riggs - drawings
>Theo Cote - photography
>
>DIRECTIONS:
>
>By subway:
>We're about 20 minutes from Union Square. From Manhattan, 4-5 train to
>125th, transfer to 6, one stop to 3rd Ave/138th, 2 blocks north on
>Alexander Ave, left on 140th to 305, 4th Floor. If you end up at 138th
>and Grand Concourse, walk east, across 3rd Avenue, turn left, go to
>140th, then turn right to 305, 4th Floor. You can also take the 2
>train to 149th and 3rd Avenue (one stop PAST 149th/Grand Concourse!)
>and walk 9 blocks south to 140th, turn left and it's half a block to
>305.
>
>By car:
>FDR to Willis Avenue bridge, take the left fork, left on 138th, right
>on 3rd Ave, right on 140th, park anywhere. From Triborough Bridge:
>Take Bronx exit, head towards Major Deegan, get off at Willis Avenue,
>stay on 135th (go straight), right on Lincoln, veer right onto 3rd,
>turn right on 140th, park. From the north, on I-87: Take Madison
>Avenue Bridge/138th St exit, turn left, turn wide left on 3rd Ave,
>turn right on 140th, park.
>
>305 is on a paper sign in the glass door. Ring doorbell marked 1A, to
>the right of the door.
>
>IF YOU HAVE ARTWORK, WRITING, A PERFORMANCE, MUSIC, OR SOMETHING ELSE
>you would like to submit to a future event, please contact us at
>events at syntheticzero dot com. Send submissions to:
>
> Mitsu Hadeishi
> 305 E 140th St #1A
> Bronx, NY 10454
> 718 772-4961
>
>Preferred formats for video are DVD (NTSC or PAL) or Blu-Ray disc.
>
>PLEASE FORWARD THIS TO FRIENDS! Thanks.
>
>Mitsu Hadeishi
>email suppressed
>718-772-4961 (cell)
>http://www.syntheticzero.com/events/
>
>
>
>__________________________________________________________________
>For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
>--Apple-Mail-6-52118829
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> charset=US-ASCII
>Content-Transfer-Encoding: quoted-printable
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><html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
>-webkit-line-break: after-white-space; "><div style=3D"margin-top: 0px; =
>margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
>href=3D"http://www.syntheticzero.com/events/">http://www.syntheticzero.com=
>/events/</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
>margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
>style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
>margin-left: 0px; ">Saturday, June 28th, 3pm-midnight, at the brand new =
>Synthetic Zero Art Space, 305 E. 140th St #1A, in the Bronx (see =
>directions below). &nbsp;We will have a reading, experimental film, and =
>art. &nbsp;It will be part of the <font class=3D"Apple-style-span" =
>face=3D"Helvetica-Bold"><b>2nd Annual Mott Haven Open Studio =
>Tour</b></font>, organized by the <font class=3D"Apple-style-span" =
>face=3D"Helvetica-Bold"><b>Bronx Council on the Arts: &nbsp;<span =
>class=3D"Apple-style-span" style=3D"font-family: Helvetica; font-weight: =
>normal; "><a =
>href=3D"http://www.bronxarts.org/documents/062808StudioTourMap.pdf">http:/=
>/www.bronxarts.org/documents/062808StudioTourMap.pdf</a></span></b></font>=
></div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
>0px; margin-left: 0px; "><br></div><div style=3D"margin-top: 0px; =
>margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><span =
>class=3D"Apple-style-span" style=3D"font-family: Arial; font-size: 13px; =
>">The event is free! &nbsp;The space will be open to see artwork from =
>noon - 6pm, but the experimental films and performances will begin at =
>3pm and go to 6pm.</span></div><div style=3D"margin-top: 0px; =
>margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
>14px; "><font class=3D"Apple-style-span" face=3D"Arial" size=3D"3"><span =
>class=3D"Apple-style-span" style=3D"font-size: 13px;"><br =
>class=3D"webkit-block-placeholder"></span></font></div><div =
>style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
>margin-left: 0px; ">Experimental Film:</div><div style=3D"margin-top: =
>0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
>min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
>margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
>14px; "><div><div><div>Derek Taylor -&nbsp;"Travelogue #8" -&nbsp;New =
>Haven, CT</div></div> </div> <div><div><div>Lee Young Joo -&nbsp;"This =
>is not what reality is called" -&nbsp;Seoul, Korea</div></div> </div> =
><div><div><div>Meg Duguid -&nbsp;silent films -&nbsp;Brooklyn, =
>NY</div></div> </div> <div><div><div>Jason Head -&nbsp;"Rumble" =
>-&nbsp;Brooklyn, NY</div></div> </div> <div><div><div>Catie Olson =
>-&nbsp;"rolling pin" -&nbsp;Chicago, IL</div></div> </div> =
><div><div><div>Tim Cahill -&nbsp;"She Goes" -&nbsp;Westport, =
>CT</div></div> </div> <div><div><div>Stephen Slappe -&nbsp;"3 out of 4" =
>-&nbsp;Portland, OR</div></div> </div> <div><div><div>Anders Weberg =
>-&nbsp;"Undisclosed Beauty" -&nbsp;Sweden</div></div> </div> =
><div><div><div>Kate Walker -&nbsp;"3' High and Rising" -&nbsp;Nelson, =
>New Zealand</div><div>Inge Hoonte - "Active Passive" - New York, =
>NY</div></div> </div> <br></div><div style=3D"margin-top: 0px; =
>margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
>14px; ">Performances:</div><div style=3D"margin-top: 0px; margin-right: =
>0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
>"><br></div><span class=3D"Apple-style-span" style=3D"font-family: =
>Arial; font-size: 13px; "><div><div><div>Leigh Stein =
>-&nbsp;reading</div></div></div><div><div></div></div></span><div =
>style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
>margin-left: 0px; min-height: 14px; ">Seyhan Musaoglu and others =
>-&nbsp;hwww.seyhanmusaoglu.com -&nbsp;multimedia performance</div><div =
>style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
>margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
>0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
>min-height: 14px; ">Art:</div><div style=3D"margin-top: 0px; =
>margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
>14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
>margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><font =
>class=3D"Apple-style-span" face=3D"Arial" size=3D"3"><span =
>class=3D"Apple-style-span" style=3D"font-size: 13px;"> =
><div><div><div>Dmitry Gubin -&nbsp;gubinpaint.com =
>-&nbsp;painting</div></div> </div> <div><div><div>Blanka Amezcua =
>-&nbsp;polaroids &amp; embroidery</div></div></div> <div><div><div>Sonia =
>Li - installation</div></div> </div> <div><div><div>Victor Teng =
>-&nbsp;ink brush drawings</div></div> </div> <div><div><div>Heather Anne =
>Halpert - time series&nbsp;photographs of ceramics</div></div> </div> =
><div><div><div>Gina Fuentes Walker -&nbsp;photographs</div></div> </div> =
><div><div><div>damali abrams -&nbsp;collage on fabric</div></div> </div> =
><div><div><div>Shadagga -&nbsp;artwork</div></div> </div> =
><div><div><div>Rebecca Bird -&nbsp;painting</div></div> </div> =
><div><div><div>Kymia Nawabi -&nbsp;drawing and sculpture</div></div> =
></div> <div><div><div>Nicholas Friedmann -&nbsp;hanging =
>sculpture</div></div> </div> <div><div><div>Caroline Falby =
>-&nbsp;paintings and drawings</div></div> </div> <div><div><div>Betty T. =
>Kao -&nbsp;paintings</div></div> </div> <div><div><div>Chris Riggs =
>-&nbsp;drawings</div></div> </div> </span></font></div><div =
>style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
>margin-left: 0px; min-height: 14px; "><font class=3D"Apple-style-span" =
>face=3D"Arial" size=3D"3"><span class=3D"Apple-style-span" =
>style=3D"font-size: 13px;">Theo Cote - =
>photography</span></font></div><div style=3D"margin-top: 0px; =
>margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
>14px; "><font class=3D"Apple-style-span" face=3D"Arial" size=3D"3"><span =
>class=3D"Apple-style-span" style=3D"font-size: =
>13px;"><br></span></font></div><div style=3D"margin-top: 0px; =
>margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
>">DIRECTIONS:</div><div style=3D"margin-top: 0px; margin-right: 0px; =
>margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
>style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
>margin-left: 0px; min-height: 14px; ">By subway:</div><div =
>style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
>margin-left: 0px; "><div style=3D"margin-top: 0px; margin-right: 0px; =
>margin-bottom: 0px; margin-left: 0px; ">We're about 20 minutes from =
>Union Square. =46rom Manhattan, 4-5 train to 125th, transfer to 6, one =
>stop to 3rd Ave/138th, 2 blocks north on Alexander Ave, left on 140th to =
>305, 4th Floor. If you end up at 138th and Grand Concourse, walk east, =
>across 3rd Avenue, turn left, go to 140th, then turn right to 305, 4th =
>Floor. You can also take the 2 train to 149th and 3rd Avenue (one stop =
>PAST 149th/Grand Concourse!) and walk 9 blocks south to 140th, turn left =
>and it's half a block to 305.</div><div style=3D"margin-top: 0px; =
>margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
>"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
>margin-bottom: 0px; margin-left: 0px; ">By car:</div><div =
>style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
>margin-left: 0px; ">FDR to Willis Avenue bridge, take the left fork, =
>left on 138th, right on 3rd Ave, right on 140th, park anywhere. =46rom =
>Triborough Bridge: Take Bronx exit, head towards Major Deegan, get off =
>at Willis Avenue, stay on 135th (go straight), right on Lincoln, veer =
>right onto 3rd, turn right on 140th, park. &nbsp;=46rom the north, on =
>I-87: Take Madison Avenue Bridge/138th St exit, turn left, turn wide =
>left on 3rd Ave, turn right on 140th, park.</div><div style=3D"margin-top:=
> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
>"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
>margin-bottom: 0px; margin-left: 0px; ">305 is on a paper sign in the =
>glass door. Ring doorbell marked 1A, to the right of the door.</div><div =
>style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
>margin-left: 0px; "><br></div><div style=3D"margin-top: 0px; =
>margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">IF YOU HAVE =
>ARTWORK, WRITING, A PERFORMANCE, MUSIC, OR SOMETHING ELSE you would like =
>to submit to a future event, please contact us at events at =
>syntheticzero dot com. Send submissions to:</div><div style=3D"margin-top:=
> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
>"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
>margin-bottom: 0px; margin-left: 0px; ">&nbsp;&nbsp; &nbsp;Mitsu =
>Hadeishi</div><div style=3D"margin-top: 0px; margin-right: 0px; =
>margin-bottom: 0px; margin-left: 0px; ">&nbsp;&nbsp; &nbsp;305 E 140th =
>St #1A</div><div style=3D"margin-top: 0px; margin-right: 0px; =
>margin-bottom: 0px; margin-left: 0px; ">&nbsp;&nbsp; &nbsp;Bronx, NY =
>10454</div><div style=3D"margin-top: 0px; margin-right: 0px; =
>margin-bottom: 0px; margin-left: 0px; ">&nbsp;&nbsp; &nbsp;718 =
>772-4961&nbsp;</div><div style=3D"margin-top: 0px; margin-right: 0px; =
>margin-bottom: 0px; margin-left: 0px; "><br></div><div =
>style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
>margin-left: 0px; ">Preferred formats for video are DVD (NTSC or PAL) or =
>Blu-Ray disc.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
>margin-bottom: 0px; margin-left: 0px; "><br></div><div =
>style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
>margin-left: 0px; ">PLEASE FORWARD THIS TO FRIENDS! Thanks.</div><div =
>style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
>margin-left: 0px; "><br></div></div><div style=3D"margin-top: 0px; =
>margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Mitsu =
>Hadeishi</div><div style=3D"margin-top: 0px; margin-right: 0px; =
>margin-bottom: 0px; margin-left: 0px; "><a =
>href=3D"mailto:email suppressed</a></div><=
>div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
>margin-left: 0px; ">718-772-4961 (cell)</div><div style=3D"margin-top: =
>0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
>href=3D"http://www.syntheticzero.com/events/">http://www.syntheticzero.com=
>/events/</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
>margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
></body></html>=
><p>
>__________________________________________________________________
>For info on FrameWorks, contact Pip Chodorov at &lt;email suppressed&gt;.
><p>
>
>--Apple-Mail-6-52118829--
>
>------------------------------
>
>End of FRAMEWORKS Digest - 26 Jun 2008 to 27 Jun 2008 - Special issue (#2008-320)
>*********************************************************************************

__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.