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From: MadCat Women's Film Festival (email suppressed)
Date: Tue May 20 2008 - 18:53:25 PDT


On 5/20/08 9:02 PM, "FRAMEWORKS automatic digest system"
<email suppressed> wrote:

> There are 7 messages totalling 614 lines in this issue.
>
> Topics in this special issue:
>
> 1. Jennifer Reeves at Light Industry TOMORROW
> 2. hand processing techniques (5)
> 3. press release: JSF releases Vol.11, The Portland Volume
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
> ----------------------------------------------------------------------
>
> Date: Mon, 19 May 2008 13:27:53 -0400
> From: Thomas Beard <email suppressed>
> Subject: Jennifer Reeves at Light Industry TOMORROW
>
> Light Industry
> http://www.lightindustry.org
>
> Films by Jennifer Reeves
>
> Tuesday, May 20, 2008 at 8pm
> 55 33rd Street, 3rd Floor
> Brooklyn, NY
>
> Presented by Jennifer Reeves
>
> Elations in Negative, 16mm, 1990, 5 mins
> A bloody adaptation of a William Carlos Williams poem. The film begins with
> Williamıs question ³What are these elations I have at my own underwear?² and
> Reeves answers with a not so elated, transgressive statement.
>
> The Girlıs Nervy, 16mm, 1995, 5 mins
> Exuberant rhythms are created for the eyes in this nostalgic study of the
> single film frame, through cutting, pasting, and painting clear and
> photographed film images. Fleeting shapes in lush, spattered color flicker
> and dance to big band beats.
>
> We Are Going Home, 16mm, 1998, 10 mins
> Solarized, tinted, and optically-printed, this is a surreal portrait of
> desire, ghosts and pursuit of the sensual. Rhythmic color shifts in the
> emulsion bring life to the rural landscape, which seems to embody the
> terrain of the subconscious. Three women seek pleasure and the beyond in
> parallel universes, which never quite intersect. When one finds another, she
> is either buried in the sand or asleep under a tree. Consciousness is always
> singular.
>
> We are Going Home is a 10-minute experimental film originally shot in June
> 97 at Philip Hoffmanıs film retreat in rural Ontario. The film was made in
> the memory of Marian McMahon, an experimental Canadian filmmaker who died of
> cancer in the fall of 1996.
>
> Trains Are for Dreaming, Super-8/16mm, 2008, 8 mins (in progress)
> 8 super-8 years compressed into 8 eye-popping minutes. A dreamer moves
> through landscapes to far seas‹over tracks, winding roads, through skies and
> waters‹on a journey of flight and fancy. The animals are watching and the
> chicks are chasing sunsets and dancing with sharks. Life goes on.
>
> He Walked Away, 16mm double projection, 2003-2006, 17 mins
> Performed at Rotterdam Film Festival, Dundee Contemporary Arts Festival:
> Kill Your Timid Notion, and Tonic, with composer Anthony Burr. Performed at
> Toronto International Film Festival 2003 with musicians Erik Hoversten and
> Dave Cerf. Also performed at Tonic in NYC and at the City Theater in
> Reykjavik, Iceland with musicians Skuli Sverrisson and Hilmar Jensson. And
> performed at UCSD with musicians Anthony Burr and Eliza Slavet. (Live film
> and music performance, two 16mm projectors overlapping color and black and
> white film images by Reeves.)
>
> Cuba Diary: A Film, Super-8, 1996, 15 mins
> Never shown publicly, a diary film with a guest appearance by Fidel Castro.
>
> Followed by a post-show discussion between Reeves and Elisabeth Subrin.
>
> Ticket Price - $6
>
> About Jennifer Reeves
>
> Jennifer Reeves (b. 1971, Sri Lanka) is a New York-based filmmaker. Her
> films have shown extensively, from the Berlin, New York, Vancouver, London,
> Sundance, and Seoul Film Festivals to many microcinemas in the US and
> Canada, the Robert Flaherty Seminar, Princeton University, and the Museum of
> Modern Art. In 2007 Reeves performed her double-projection films Light Work
> Mood Disorder and He Walked Away (with music by Anthony Burr) at the
> Rotterdam Film Festival, the Wexner Center, AFI Fest, Diapason Gallery in
> New York, Kino Arsenal in Berlin, and the Contemporary Art Museum of
> Strasbourg. Her HD short Light Work I screened at Sundance 2007, where
> Reeves also participated on a panel, ³Art and Technology,² moderated by Ruby
> Lerner.
>
> Reeves has made films since 1990 (or since 1986 if you consider high-school
> video-making). Reeves does her own writing, cinematography, editing, and
> sound design. Her subjective and personal films push the boundaries of film
> through optical-printing, film stock ³mis-use,² direct-on-film techniques
> including hand-painting film frames. Reeves explores themes of memory,
> mental health and recovery, feminism and sexuality, landscape, wildlife, and
> politics.
>
> Reevesı acclaimed 2004 feature The Time We Killed won the FIPRESCI Critics
> prize at the Berlin Film Festival, Outstanding Artistic Achievement at
> OUTFEST, and Best NY, NY Narrative Feature at Tribeca Film Festival
> (receiving an original painting by Christopher Walken) and it screened at
> the 2006 Whitney Biennial. The Village Voice Film Criticıs poll (2005)
> honored The Time We Killed with votes from six film critics for categories
> including: Best Film, Best Cinematography, and Best Performance.
>
> In 2003 Reeves expanded her work as a ³single strand filmmaker² by adding
> multiple-projection film performance to her creative work. That year she
> performed her double-projection He Walked Away at the Toronto Film Festival
> and the City Theater in Reykjavik. In 2005, Reeves was commissioned to make
> a film for the Bard Music Festival. The experimental-narrative film Shadows
> Choose Their Horrors was shown with a performance by the American Symphony
> Orchestra. Currently Reeves is in post-production on a new double-projection
> film When It Was Blue. She worked on the project at her recent MacDowell
> Colony residency.
>
> Reeves teaches film courses part-time at Cooper Union, the Bard College MFA
> Program, and Millennium Film Workshop.
>
> About Light Industry
>
> Light Industry is a new venue for film and electronic art in Brooklyn, New
> York. Developed and overseen by Thomas Beard and Ed Halter, the project will
> begin as a series of weekly events in Sunset Park this spring and summer,
> each organized by a different artist, critic, or curator. Conceptually,
> Light Industry draws equal inspiration from the long history of alternative
> art spaces in New York as well its storied tradition of cinematheques and
> other intrepid film exhibitors. Through a regular program of screenings,
> performances, and lectures, its goal is to explore new models for the
> presentation of time-based media and foster a complex dialogue amongst a
> wide range of artists and audiences within the city.
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
> ------------------------------
>
> Date: Mon, 19 May 2008 20:29:28 -0700
> From: charles chadwick <email suppressed>
> Subject: hand processing techniques
>
> Hello frameworkers. I'm gaining an interest in
> exploring some hand processing techniques, but don't
> really know where to begin. There's a great class at
> sfai this summer on it, but I really can't afford the
> tuition. Does anyone know of a good book or website
> that I could go to, or maybe someone who'd be willing
> to share their knowlege? I'm going to school in the
> fall, and there will be some resources there
> hopefully, but I want to cover all my bases. Thanks.
>
> -charles
>
> Charles Chadwick
> humanity, ltd.
> ---
> www.myspace.com/chadwickfilms
> www.bureau-of-intimacy.us
>
>
>
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
> ------------------------------
>
> Date: Mon, 19 May 2008 23:59:53 -0400
> From: Meg Jamieson <email suppressed>
> Subject: Re: hand processing techniques
>
> well, Helen Hill, of course, Recipes for Disaster. You can download it
> here, and donate. The next link is for the memorial site, for more
> information or if you don't know about her work. Otherwise, an archive
> search will turn up a lot of information. So much depends on the stock you
> are starting out with. Good luck. Meg
>
> /www.othercinema.com/otherzine/otherzine4/hh.html
>
> http://www.helenhill.org/news/
>
>
>> Hello frameworkers. I'm gaining an interest in
>> exploring some hand processing techniques, but don't
>> really know where to begin. There's a great class at
>> sfai this summer on it, but I really can't afford the
>> tuition. Does anyone know of a good book or website
>> that I could go to, or maybe someone who'd be willing
>> to share their knowlege? I'm going to school in the
>> fall, and there will be some resources there
>> hopefully, but I want to cover all my bases. Thanks.
>>
>> -charles
>>
>> Charles Chadwick
>> humanity, ltd.
>> ---
>> www.myspace.com/chadwickfilms
>> www.bureau-of-intimacy.us
>>
>>
>>
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
> ------------------------------
>
> Date: Tue, 20 May 2008 03:46:22 -0700
> From: Jay Hudson <email suppressed>
> Subject: Re: hand processing techniques
>
> --0-468881892-1211280382=:61369
> Content-Type: text/plain; charset=iso-8859-1
> Content-Transfer-Encoding: 8bit
>
> Also check this site out from the super 8 center in the Netherlands
>
> http://www.super8.nl/english/e_frame_edu_ontw.htm
>
> Be forewarned. Every source you look at on hand processing will tell you
> different things about what is correct.
>
> Meg Jamieson <email suppressed> wrote: well, Helen Hill, of course,
> Recipes for Disaster. You can download it
> here, and donate. The next link is for the memorial site, for more
> information or if you don't know about her work. Otherwise, an archive
> search will turn up a lot of information. So much depends on the stock you
> are starting out with. Good luck. Meg
>
> /www.othercinema.com/otherzine/otherzine4/hh.html
>
> http://www.helenhill.org/news/
>
>
>> Hello frameworkers. I'm gaining an interest in
>> exploring some hand processing techniques, but don't
>> really know where to begin. There's a great class at
>> sfai this summer on it, but I really can't afford the
>> tuition. Does anyone know of a good book or website
>> that I could go to, or maybe someone who'd be willing
>> to share their knowlege? I'm going to school in the
>> fall, and there will be some resources there
>> hopefully, but I want to cover all my bases. Thanks.
>>
>> -charles
>>
>> Charles Chadwick
>> humanity, ltd.
>> ---
>> www.myspace.com/chadwickfilms
>> www.bureau-of-intimacy.us
>>
>>
>>
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at
> .
>>
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at
> .
>
>
>
>
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
> --0-468881892-1211280382=:61369
> Content-Type: text/html; charset=iso-8859-1
> Content-Transfer-Encoding: 8bit
>
> Also check this site out from the super 8 center in the
> Netherlands<br><br>http://www.super8.nl/english/e_frame_edu_ontw.htm><br>Be
> forewarned.&nbsp; Every source you look at on hand processing will tell you
> different things about what is correct.<br><br><b><i>Meg Jamieson
> &lt;email suppressed&gt;</i></b> wrote:<blockquote class="replbq"
> style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px;
> padding-left: 5px;"> well, Helen Hill, of course, Recipes for Disaster. You
> can download it<br>here, and donate. The next link is for the memorial site,
> for more<br>information or if you don't know about her work. Otherwise, an
> archive<br>search will turn up a lot of information. So much depends on the
> stock you<br>are starting out with. Good luck.
> Meg<br><br>/www.othercinema.com/otherzine/otherzine4/hh.html<br><br>
http://www
> .helenhill.org/news/<br><br><br>&gt; Hello frameworkers. I'm gaining an
> interest in<br>&gt; exploring some hand processing techniques, but
> don't<br>&gt; really know where to begin. There's a great class at<br>&gt;
> sfai this summer on it, but I really can't afford the<br>&gt; tuition. Does
> anyone know of a good book or website<br>&gt; that I could go to, or maybe
> someone who'd be willing<br>&gt; to share their knowlege? I'm going to school
> in the<br>&gt; fall, and there will be some resources there<br>&gt; hopefully,
> but I want to cover all my bases. Thanks.<br>&gt;<br>&gt;
> -charles<br>&gt;<br>&gt; Charles Chadwick<br>&gt; humanity, ltd.<br>&gt;
> ---<br>&gt; www.myspace.com/chadwickfilms<br>&gt;
> www.bureau-of-intimacy.us<br>&gt;<br>&gt;<br>&gt;<br>&gt;<br>&gt;<br>&gt;
> __________________________________________________________________<br>&gt; For
> info on FrameWorks, contact Pip Chodorov at
> <email suppressed>.<br>&gt;<br><br><br>________________________________________
> __________________________<br>For info on FrameWorks, contact Pip Chodorov at
> <email suppressed></blockquote><br><p>
> &#32;
>
> <p>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at &lt;email suppressed&gt;.
> <p>
>
> --0-468881892-1211280382=:61369--
>
> ------------------------------
>
> Date: Tue, 20 May 2008 08:56:17 -0600
> From: Robert Schaller <email suppressed>
> Subject: Re: hand processing techniques
>
> Hi Charles,
>
> The Handmade Film Institute, www.handmadefilm.org, exists particularly to
> provide this information; it's in our resources section. Our goal is to be
> complete (more so than now!), so if something is missing that you'd like to
> know, let me know and we'll put it up. It's an ongoing project, and helping
> you (or anyone else) out would be a welcome impetus for its evolution.
>
> Robert Schaller
> handmadefilm.org
>
> On 5/20/08 4:46 AM, "Jay Hudson" <email suppressed> wrote:
>
>> Also check this site out from the super 8 center in the Netherlands
>>
>> http://www.super8.nl/english/e_frame_edu_ontw.htm
>>
>> Be forewarned. Every source you look at on hand processing will tell you
>> different things about what is correct.
>>
>> Meg Jamieson <email suppressed> wrote: well, Helen Hill, of course,
>> Recipes for Disaster. You can download it
>> here, and donate. The next link is for the memorial site, for more
>> information or if you don't know about her work. Otherwise, an archive
>> search will turn up a lot of information. So much depends on the stock you
>> are starting out with. Good luck. Meg
>>
>> /www.othercinema.com/otherzine/otherzine4/hh.html
>>
>> http://www.helenhill.org/news/
>>
>>
>>> Hello frameworkers. I'm gaining an interest in
>>> exploring some hand processing techniques, but don't
>>> really know where to begin. There's a great class at
>>> sfai this summer on it, but I really can't afford the
>>> tuition. Does anyone know of a good book or website
>>> that I could go to, or maybe someone who'd be willing
>>> to share their knowlege? I'm going to school in the
>>> fall, and there will be some resources there
>>> hopefully, but I want to cover all my bases. Thanks.
>>>
>>> -charles
>>>
>>> Charles Chadwick
>>> humanity, ltd.
>>> ---
>>> www.myspace.com/chadwickfilms
>>> www.bureau-of-intimacy.us
>>>
>>>
>>>
>>>
>>>
>>> __________________________________________________________________
>>> For info on FrameWorks, contact Pip Chodorov at
>> .
>>>
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at
>> .
>>
>>
>>
>>
>>
>>
>> __________________________________________________________________
>> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>>
>>
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
> ------------------------------
>
> Date: Tue, 20 May 2008 20:04:45 EDT
> From: Jim Carlile <email suppressed>
> Subject: Re: hand processing techniques
>
> -------------------------------1211328285
> Content-Type: text/plain; charset="US-ASCII"
> Content-Transfer-Encoding: 7bit
>
>
> On the Web page _www.handmadefilm.org_ (http://www.handmadefilm.org) ,
> 'artistic' is not spelled correctly.
>
>
> In a message dated 5/20/2008 8:12:51 A.M. Pacific Daylight Time,
> email suppressed writes:
>
> Charles,
>
> The Handmade Film Institute, www.handmadefilm.org, exists particularly to
> provide this information; it's in our resources section. Our goal is to be
> complete (more so than now!), so if something is missing that you'd like to
> know, let me know and we'll put it up. It's an ongoing project, and helping
> you (or anyone else) out would be a welcome impetus for its evolution.
>
> Robert Schaller
> handmadefilm.org
>
>
>
>
>
>
>
> **************Wondering what's for Dinner Tonight? Get new twists on family
> favorites at AOL Food.
> (http://food.aol.com/dinner-tonight?NCID=aolfod00030000000001)
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
>
> -------------------------------1211328285
> Content-Type: text/html; charset="US-ASCII"
> Content-Transfer-Encoding: quoted-printable
>
> <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
> <HTML><HEAD>
> <META http-equiv=3DContent-Type content=3D"text/html; charset=3DUS-ASCII">
> <META content=3D"MSHTML 6.00.6000.16640" name=3DGENERATOR></HEAD>
> <BODY id=3Drole_body style=3D"FONT-SIZE: 10pt; COLOR: #000000;
> FONT-FAMILY:=20=
> Arial"=20
> bottomMargin=3D7 leftMargin=3D7 topMargin=3D7 rightMargin=3D7><FONT id=3Drol=
> e_document=20
> face=3DArial color=3D#000000 size=3D2>
> <DIV>
> <DIV>On the Web page &nbsp;<A=20
> href=3D"http://www.handmadefilm.org">www.handmadefilm.org</A>, 'artistic' is=
> not=20
> spelled correctly.</DIV>
> <DIV>&nbsp;</DIV>
> <DIV>&nbsp;</DIV>
> <DIV>In a message dated 5/20/2008 8:12:51 A.M. Pacific Daylight Time,=20
> email suppressed writes:</DIV>
> <BLOCKQUOTE=20
> style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue 2px solid"><=
> FONT=20
> style=3D"BACKGROUND-COLOR: transparent" face=3DArial color=3D#000000=20
> size=3D2>Charles,<BR><BR>The Handmade Film Institute, www.handmadefilm.org=
> ,=20
> exists particularly to<BR>provide this information; it's in our resources=20
> section.&nbsp; Our goal is to be<BR>complete (more so than now!), so if=20
> something is missing that you'd like to<BR>know, let me know and we'll put=
> it=20
> up.&nbsp; It's an ongoing project, and helping<BR>you (or anyone else) out=
> =20
> would be a welcome impetus for its evolution.<BR><BR>&nbsp; &nbsp; Robert=20
> Schaller<BR>&nbsp; &nbsp; handmadefilm.org<BR></FONT></BLOCKQUOTE></DIV>
> <DIV></DIV>
> <DIV>&nbsp;</DIV></FONT><BR><BR><BR><DIV><FONT style=3D"color: black;
> font:=20=
> normal 10pt ARIAL, SAN-SERIF;"><HR style=3D"MARGIN-TOP: 10px">Wondering what=
> 's for Dinner Tonight? <A title=3D"http://food.aol.com/dinner-tonight?NCID=
> =3Daolfod00030000000001" href=3D"http://food.aol.com/dinner-tonight?NCID=3Da=
> olfod00030000000001" target=3D"_blank">Get new twists on family favorites at=
> AOL Food</A>.</FONT></DIV></BODY></HTML>
> <p>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at &lt;email suppressed&gt;.
> <p>
>
> -------------------------------1211328285--
>
> ------------------------------
>
> Date: Tue, 20 May 2008 21:02:26 -0400
> From: contact <email suppressed>
> Subject: press release: JSF releases Vol.11, The Portland Volume
>
> --Apple-Mail-51--1051170633
> Content-Type: text/plain;
> charset=US-ASCII;
> format=flowed;
> delsp=yes
> Content-Transfer-Encoding: 7bit
>
> for immediate release
>
> The Journal of Short Film releases Volume 11 (Spring 2008), The
> Portland Volume
>
> (May 20, 2008) The Journal of Short Film released Volume 11 (Spring
> 2008) today. Vol.11 is the long-awaited Portland Volume, featuring 24
> filmmakers from Portland, Oregon. The JSF is a quarterly DVD that, to
> date, has published over 120 filmmakers from 10 countries.
>
> The Journal was thrilled to have Portland filmmaker Karl Lind serve as
> guest editor for Vol.11. The collection maintains the JSF's normal
> wild diversity while highlighting one of the most singular, lively art
> scenes in the country. This is the Journal's first geographically
> themed volume, and, through Lind's work and Portland's amazing depth
> of talent, the result is impressive.
>
> Following is a list of the films in Volume 11:
>
> 1.SPHERES Jeremy Bird (1:00) 2.TO WATCH IN PREPARATION OF THE DEEP
> FALL Mack McFarland (1:30) 3.THE FOREST John Bacone (3:00) 4.COSMOS
> Randy Wakerlin (4:30) 5.BLOBSQUATCH Carl Diehl (3:30) 6.SILENCE IN 60
> SECONDS Andy Mingo (1:15) 7.STRATEGERY Jim Lowry (2:30) 8.PLANET
> EARTH: OUR RESPONSE Arman Bohn (10:00) 9.LITTLE ATOMIC BOMB Adam Long
> (2:00) 10.TO WATCH WHILE SMELLING SUMMER Mack McFarland (1:30)
> 11.DARKCLOUD Gretchen Hogue (1:00) 12.LE PUZZLE Uli Beutter (5:00)
> 13.FOREST OF THE FLOWERS Gretchen Hogue (2:00) 14.3 OUT OF 4 Stephen
> Slappe (00:45) 15.STEVE WINWOOD IS HUNGRY FOR BREAKFAST Jesse England
> (1:45) 16.TEST ANTHEM Michael Paulus (3:30) 17.50 YEARS LATER Matt
> McCormick (3:00) 18.ROPPONGI CROSSING Brian Libby (3:00) 19.BEN: A
> TRUE STORY Melanie Brown (4:00) 20.TWO Hart Ryan Noecker (4:45)
> 21.KEITH Evan Stroum (6:00) 22.VERTIGO CORE SAMPLE Ron Mason Gassaway
> (3:00) 23.FURNESS Cat Tyc (6:00) 24.TO REMEMBER THAT OUR SKIES ARE THE
> SAME SKIES Chris Lael Larson (2:30) 25.MAGIC HOSTESS, THE ELECTRIC CAN
> OPENER Rob Tyler (4:00) 26.CIRCLE OF PURITY Liz Haley (2:00)
>
> The Journal continues to have a free and open submissions process.
> Submissions should be sent to The JSF, PO Box 8217, Columbus, OH
> 43201, USA. The Journal also remains ad-free and committed to
> independent and underrepresented work.
>
> Contact: Karl Mechem, publisher, The Journal of Short Film, contact
> (at) theJSF.org.
>
>
>
> ###
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
>
> --Apple-Mail-51--1051170633
> Content-Type: text/html;
> charset=US-ASCII
> Content-Transfer-Encoding: quoted-printable
>
> <html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
> -webkit-line-break: after-white-space; "><div style=3D"word-wrap: =
> break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
> after-white-space; "><p class=3D"MsoNormal"><span style=3D"font-family: =
> Courier; ">for immediate release</span></p><p class=3D"MsoNormal" =
> align=3D"center" style=3D"text-align: center; "><b><i><u>The Journal of =
> Short Film</u></i><u>&nbsp;releases&nbsp;<i>Volume 11 (Spring 2008), The =
> Portland Volume</i></u></b></p><p class=3D"MsoNormal">(May 20, =
> 2008)<span style=3D"font-family: ArialMT; =
> "><span>&nbsp;&nbsp;</span></span><i>The Journal of Short =
> Film</i>&nbsp;released&nbsp;<i>Volume 11 (Spring =
> 2008)</i>&nbsp;today.<span>&nbsp;&nbsp;</span>Vol.11 is the long-awaited =
> Portland Volume, featuring 24 filmmakers from Portland, =
> Oregon.<span>&nbsp;&nbsp;</span>The JSF is a quarterly DVD that, to =
> date, has published over 120 filmmakers from 10 =
> countries.<span>&nbsp;</span></p><p class=3D"MsoNormal">The Journal was =
> thrilled to have Portland filmmaker Karl Lind serve as guest editor for =
> Vol.11.<span>&nbsp;&nbsp;</span>The collection maintains the JSF's =
> normal wild diversity while highlighting one of the most singular, =
> lively art scenes in the country.<span>&nbsp;&nbsp;</span>This is the =
> Journal's first geographically themed volume, and, through Lind's work =
> and Portland's amazing depth of talent, the result is =
> impressive.<span>&nbsp;</span></p><p class=3D"MsoNormal">Following is a =
> list of the films in&nbsp;<i>Volume 11:</i></p><p =
> class=3D"MsoNormal"><span style=3D"font-size: 10pt; font-family: 'Times =
> New Roman'; ">1.SPHERES Jeremy Bird (1:00) 2.TO WATCH IN PREPARATION OF =
> THE DEEP FALL Mack McFarland (1:30) 3.THE FOREST John Bacone (3:00) =
> 4.COSMOS Randy Wakerlin (4:30) 5.BLOBSQUATCH Carl Diehl (3:30) 6.SILENCE =
> IN 60 SECONDS Andy Mingo (1:15) 7.STRATEGERY Jim Lowry (2:30) 8.PLANET =
> EARTH: OUR RESPONSE Arman Bohn (10:00) 9.LITTLE ATOMIC BOMB Adam Long =
> (2:00) 10.TO WATCH WHILE SMELLING SUMMER Mack McFarland (1:30) =
> 11.DARKCLOUD Gretchen Hogue (1:00) 12.LE PUZZLE Uli Beutter (5:00) =
> 13.FOREST OF THE FLOWERS Gretchen Hogue (2:00) 14.3 OUT OF 4 Stephen =
> Slappe (00:45) 15.STEVE WINWOOD IS HUNGRY FOR BREAKFAST Jesse England =
> (1:45) 16.TEST ANTHEM Michael Paulus (3:30) 17.50 YEARS LATER Matt =
> McCormick (3:00) 18.ROPPONGI CROSSING Brian Libby (3:00) 19.BEN: A TRUE =
> STORY Melanie Brown (4:00) 20.TWO Hart Ryan Noecker (4:45) 21.KEITH Evan =
> Stroum (6:00) 22.VERTIGO CORE SAMPLE Ron Mason Gassaway (3:00) =
> 23.FURNESS Cat Tyc (6:00) 24.TO REMEMBER THAT OUR SKIES ARE THE SAME =
> SKIES Chris Lael Larson (2:30) 25.MAGIC HOSTESS, THE ELECTRIC CAN OPENER =
> Rob Tyler (4:00) 26.CIRCLE OF PURITY Liz Haley (2:00)</span></p><p =
> class=3D"MsoNormal">The Journal continues to have a free and open =
> submissions process.<span>&nbsp;&nbsp;</span>Submissions should be sent =
> to The JSF, PO Box 8217, Columbus, OH<span>&nbsp;&nbsp;</span>43201, =
> USA.<span>&nbsp;&nbsp;</span>The Journal also remains ad-free and =
> committed to independent and underrepresented work.</p><p =
> class=3D"MsoNormal"><span style=3D"font-family: Times-Roman; =
> ">Contact:<span>&nbsp;&nbsp;</span>Karl Mechem, publisher, The Journal =
> of Short Film, contact (at) theJSF.org.<o:p></o:p></span></p><p =
> class=3D"MsoNormal"><span style=3D"font-family: Times-Roman; color: =
> black; "><o:p>&nbsp;</o:p></span></p><p class=3D"MsoNormal" =
> align=3D"center" style=3D"text-align: center; "><span =
> style=3D"font-family: Times-Roman; color: black; =
> ">###</span></p></div></body></html>=
> <p>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at &lt;email suppressed&gt;.
> <p>
>
> --Apple-Mail-51--1051170633--
>
> ------------------------------
>
> End of FRAMEWORKS Digest - 18 May 2008 to 20 May 2008 - Special issue
> (#2008-228)
> ******************************************************************************
> ***

MadCat Womenıs International Film Festival
575 Pierce St., #606
San Francisco, CA 94117

P. 415 436-9523
E. email suppressed
W. www.madcatfilmfestival.org

MadCat Womenıs International Film Festival
Screening the best films by women directors from around the world

__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.