This week [May 10 - 18, 2008] in avant garde cinema

From: Weekly Listing (email suppressed)
Date: Sat May 10 2008 - 09:12:32 PDT


This week [May 10 - 18, 2008] in avant garde cinema

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Enter your announcements (calls for entries, new work, screenings,
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NEW CALLS FOR ENTRIES:
=====================
Various London venues (Location: London, U.K.; No entry deadline)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=callsnd&readfile=140.ann
CPH:DOX (Copenhagen, Denmark; Deadline: August 01, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=878.ann
The LAB (San Francisco; Deadline: May 21, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=879.ann

DEADLINES APPROACHING:
======================
HEART OF GOLD INTERNATIONAL FILM FESTIVAL (Gympie, Australia; Deadline: May 28, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=830.ann
imagine art after (London, United Kingdom; Deadline: June 01, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=839.ann
Bearded Child Film Festival (Grand Rapids, Minnesota; Deadline: June 06, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=841.ann
Miwaukee International Film Festival (Milwaukee, WI., USA; Deadline: May 13, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=845.ann
ATA Film & Video Festival (San Francisco; Deadline: May 15, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=847.ann
Antimatter Underground Film Festival (Victoria, BC, Canada; Deadline: May 30, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=853.ann
Chicago Underground Film Festival (Chicago, IL USA; Deadline: May 15, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=863.ann
Astronomical Unit (Buffalo, NY, USA; Deadline: May 30, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=868.ann
Bearded Child Film Festival (Grand Rapids, Minnesota, USA; Deadline: June 06, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=872.ann
Experimental Film and Video Festival in Seoul (Seoul, Korea; Deadline: May 15, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=875.ann
The LAB (San Francisco; Deadline: May 21, 2008)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=879.ann

Enter your event announcements by going to the Flicker Weekly Listing Form
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THIS WEEK'S PROGRAMS (SUMMARY):
==============================
 * Fortune [May 10, Albuquerque, NM]
 * The Free Translators [May 10, Brookline, Massachusetts]
 * Dyke Delicious Series 5: Invisible Women (In Front of and Behind the
    Camera) [May 10, Chicago, Illinois]
 * Carbuncle Back By Popular Demand [May 10, Echo Park]
 * The Show Starts On the Sidewalk [May 10, San Francisco, California]
 * Jesse Lerner's F Is For Phony [May 10, San Francisco, California]
 * The Green Light and the Lone Rose [May 13, Brooklyn, New York]
 * Fortune [May 13, Venice CA]
 * Landscape Suicide & Confederation Park [May 13, jacksonville]
 * The Show Starts On the Sidewalk [May 14, Santa Cruz]
 * Two Nights of Touring Experimental Films & videos At 51 3rd St. In [May 14, Troy, NY]
 * Fortune [May 15, Los Angeles CA]
 * Rohstoff: Raw Material - Site Specific Exhibition [May 15, San Francisco, California]
 * Chicago 360 V.3 [May 16, Chicago, Illinois]
 * The Fundraiser For the Independent Collaborative Media Project (Icmp)
    Presents Fou Fou Ha!, Freddy Mcguire and Torsten Kretchzmar At the
    Ata. [May 16, San Francisco, California]
 * The Free Translators [May 17, Buffalo, New York]
 * Chicago 360 V.3 [May 17, Chicago, Illinois]
 * The Museum of Modern Art Poprally Series Presents Pittsburgh's
    Experimental Film Collective Jefferson Presents... [May 17, New York, New York]
 * Notendo + Potter-Belmar [May 17, San Francisco, California]
 * Tearoom - With Filmmaker William E. Jones In Person! [May 18, Chicago, Illinois]
 * Filmforum Presents Noisy People: Film + Live Performance! [May 18, Los Angeles, California]
 * Latent Images: Sfai Mfa Film & video Screening [May 18, San Francisco, California]

Events are sorted by CITY within each DATE.

----------------------
SATURDAY, MAY 10, 2008
----------------------

5/10
Albuquerque, NM: Potter-Belmar Labs
http://potterbelmar.org/now
8pm, Verb Collective

 FORTUNE
  What does the future hold? What follows us from the past? What do we
  need to know about the present? Live cinema performers, Potter-Belmar
  Labs, will answer these questions and more, on tour stops throughout the
  U.S. Southwest and West Coast in May 2008. Traveling by train, this pair
  of itinerant fortune-tellers will probe the collective subconscious of
  audiences from Albuquerque to Seattle, and on many stops in between.
  Potter-Belmar Labs brings the ancient tradition of the magic lantern
  show to the 21st Century, inviting the audience to participate in a
  collective fortune-telling experience, and presenting the results in
  music, sound and moving image. The Fortune tour is made possible in part
  through Meet the Composer's MetLife Creative Connections program.

5/10
Brookline, Massachusetts: Gasp Gallery
http://www.g-a-s-p.net/
6pm, 362-4 Boylston Street

 THE FREE TRANSLATORS
  Reminiscent of the do-it-yourself approach of the Riot Grrrl movement,
  this Spring two feminist provocateurs are taking their multimedia show
  on the road. Mary Billyou and Sabine Gruffat are hailing from Brooklyn,
  NY and Madison, WI to present "The Free Translators" touring east coast
  cities and towns with a program of radical videos and performances. As
  the title suggests, The Free Translators' video program is inspired by
  widely accessible texts. The artists perform in many of their own
  videos, sometimes enacting the news, dictating words written by the
  Marquis de Sade, or excerpting from Virginia Woolf's anti-war essays. By
  re-interpreting the texts for the audience, the videos explore notions
  of identity and communication, re-imagining issues raised by feminist
  consciousness, the quality of attention today in the midst of multiple
  authorial references, and the diminished space of citizenship around the
  monologue of mass media. In between video screenings, The Free
  Translators present two "Live Tactical Translations," or, live
  multimedia experiments inspired by 1970s feminist art and Soviet
  avant-garde news troupes. Culling from their library of text, sound, and
  image, alter egos Miss Reading and Miss Recognition communicate through
  matching headsets and manipulate analog recordings as they educate
  audiences in their unique methods of reading and comprehension.

5/10
Chicago, Illinois: Chicago Filmmakers
http://www.chicagofilmmakers.org/
7:00 Social Hr., 8:00 Screening, 5243 N. Clark St.

 DYKE DELICIOUS SERIES 5: INVISIBLE WOMEN (IN FRONT OF AND BEHIND THE
 CAMERA)
  Co-presented by Black Cat Productions Admission: $10/$8 Reeling members
  (includes social hour and screening) Lip (directed by Tracey Moffatt and
  Gary Hillberg, 1999, 10 min., USA): It is Hollywood's favorite role for
  black women: the maid. Sassy or sweet, snickeringly attentive or
  flippantly dismissive, the performers who play them steal every scene
  they are in, and Tracy Moffatt's entertaining video collage reveals the
  narrow margin Hollywood has allowed black actresses to shine in. But
  shine they do. "Giving lip" is proven an art form in these scenes from
  1930's cinema to present-day movies featuring a remarkable roster of
  undervalued actresses and their more celebrated white costars. Women Who
  Made the Movies (directed by Gwendolyn Foster and Wheeler Dixon, 1992,
  55 min., USA): Recounting the history of women in Hollywood, after you
  watch this documentary you will be renting many of the wonderful films
  these ladies created. From femme director Ida Lupino to butch Dorothy
  Arzner, mark our words you will be making a list of their films to
  watch.

5/10
Echo Park: Echo Park Film Center
http://www.echoparkfilmcenter.org/
8:00 PM, 1200 N. Alvarado Street (@ Sunset Blvd)

 CARBUNCLE BACK BY POPULAR DEMAND
  SEE May 9th, 2008 Listing

5/10
San Francisco, California: Sidewalk Screenings
http://http://may2008.artintervention.org/showStartsSidewalk.php
8:30 PM, 16th St @ Florida St

 THE SHOW STARTS ON THE SIDEWALK
  The Show Starts on the Sidewalk features work that either documents
  public intervention or is an intervention in itself. Screenings will
  take place in outdoor locations in public places in San Francisco, San
  Jose, and Santa Cruz. These films consider relational aesthetics,
  interventions, Situationist practices, Fluxus style events and explore
  the followings concepts: Intervention: An action undertaken in order to
  change what is happening or might happen in another's affairs,
  especially in order to prevent something undesirable In·ter·rupt (v)
  1.To halt the flow of a speaker or of a speaker's utterance with a
  question or remark. 2. To disturb somebody who is busy doing something,
  causing him or her to stop. 3. To cause a break in the flow of something
  or put a temporary stop to something. 4. To discontinue doing something
  temporarily. 5. To obstruct or block a view In·ter·fer·ence (n) 1.
  Involvement in something without any invitation or justification. 2.
  Hindrance or obstruction that prevents a natural or desired outcome. 3.
  An unwanted signal that disrupts radio, telephone, or television
  reception. In·tru·sion (n)1. A disturbing of somebody's peace or privacy
  by an unwelcome arrival or presence. 2. An unwelcome presence or effect
  that disturbs or upsets something. In·volv·ing (adj) Holding the
  attention. Alternatively, Bring Your Own Definition! Curated and
  produced by Nomi Talisman and Bill Basquin

5/10
San Francisco, California: Other Cinema
http://www.othercinema.com/
8:30, 992 Valencia Street

 JESSE LERNER'S F IS FOR PHONY
  Jesse is here in person to introduce his (and Alexandra Juhasz') new
  anthology, subtitled Fake Documentary and Truth's Undoing.
  Pseudo-documentary, mockumentary, disinformation, speculative essay, and
  avant-garde attack on journalistic orthodoxy, these genres have long and
  fascinating histories; this book-and this evening-undertake a scholarly
  AND comic appreciation of this transgressive cinematic strain. Lerner
  holds forth before, between, and after excerpts of Spanish-American War
  newsreels, Luis Buñuel's Land Without Bread, Elizabeth Subrin's Shulie,
  Mitchell Block's No Lies, William Karel's Dark Side of the Moon, and
  Jesse's own Ruins. Come early for artist's reception, to browse the book
  and to get a signed copy from this Squire of Skeptical Inquiry.

---------------------
TUESDAY, MAY 13, 2008
---------------------

5/13
Brooklyn, New York: Light Industry
http://www.lightindustry.org
8 PM, 55 33rd Street, 3rd Floor

 THE GREEN LIGHT AND THE LONE ROSE
  Curated by David Gatten 1 for sorrow 2 for joy 3 for a girl 4 for a boy
  5 for silver 6 for gold 7 for a secret that's never to be told 8 is a
  wish and 9 is a kiss 10 for the person who most you miss The places we
  live, the spots where we go, the things we do, the songs we choose to
  sing: for friends and for strangers, for the one next to you and for the
  one who isn't. Ten pieces of sound and light, featuring premieres of new
  works by Jessie Stead and Mike DeAngelis.

5/13
Venice CA: Potter-Belmar Labs
http://potterbelmar.org/now
7pm, 7 Dudley Cinema

 FORTUNE
  What does the future hold? What follows us from the past? What do we
  need to know about the present? Live cinema performers, Potter-Belmar
  Labs, will answer these questions and more, on tour stops throughout the
  U.S. Southwest and West Coast in May 2008. Traveling by train, this pair
  of itinerant fortune-tellers will probe the collective subconscious of
  audiences from Albuquerque to Seattle, and on many stops in between.
  Potter-Belmar Labs brings the ancient tradition of the magic lantern
  show to the 21st Century, inviting the audience to participate in a
  collective fortune-telling experience, and presenting the results in
  music, sound and moving image. The Fortune tour is made possible in part
  through Meet the Composer's MetLife Creative Connections program.

5/13
jacksonville: THE LAST HURRAH PICTURE SHOW
http://thelasthurrahpictureshow.wordpress.com
8:00p.m., 406 chelsea st

 LANDSCAPE SUICIDE & CONFEDERATION PARK
  "In "Landscape Suicide" Benning continues his examination of Americana
  through the stories of two murderers. Ed Gein was a Wisconsin farmer and
  multiple murderer who taxidermied his victims in the 1950s. Bernadette
  Prott was a California teenager who stabbed a friend to death over an
  insult in 1984. Benning's distanced approach to such grisly material is
  as far removed as possible from sensationalism, however. Although the
  acts of murder are both bizarre and violent, Benning dwells on them only
  minimally, emphasizing instead the details of psychological motivation,
  which in both cases seem frighteningly mundane. Benning has created a
  script which is a masterpiece of understated colloquial writing, and the
  actors he employs to re-enact confessional testimony and incidents
  recounted in trial transcripts perform with a flatly convincing lack of
  affect reminiscent of Gary Gilmore. The two monologues are embedded in
  Benning's characteristic meditations of landscape: long shots of the
  Wisconsin farmlands, general stores, dirt roads and pick-up trucks, and
  the carefully tended lawns, swimming pools, sprawling bungalows and
  malls of the middle-class California suburb. These images are offered in
  the classically spare mise-en-scene which Benning has perfected in his
  work as a cinematic poet of the contemporary American environment. Here,
  in his most accessible film so far, the beautiful, open vistas are dense
  with the significance of the catastrophes they engendered."-anonymous
  16mm 1986 95min. "In the voice-over to his most recent film,
  CONFEDERATION PARK, Texas filmmaker Bill Brown makes reference to 'the
  secret languages of exile,' and while this reflective, even somber film
  presents a pastiche of places across Canada where Brown has lived, its
  real subject is the limits of knowledge. Its long takes are accompanied
  by verbal meditations on the nation's recent history, including the
  separatist bombings in Quebec during the 60s, and the battle between
  English and French becomes a metaphor for the filmmaker's divided mind.
  Brown applies stickers with city names to a huge outdoor map of Canada,
  his voice-over suggesting that 'we've found our place in the universe'
  as a result of the 'Copernican revolution' - but then the stickers are
  blown away by the wind. Brown implies that images are insufficient: we
  need to know their history, their locations, their meaning. But
  landscapes can't be fully decoded, nor past events captured on film: in
  the final shot a woman sings, 'I don't know where he's headin' for,'
  while a car travels in a circle." - Fred Camper, Reader 16mm 1999 30min

-----------------------
WEDNESDAY, MAY 14, 2008
-----------------------

5/14
Santa Cruz: Sidewalk Screenings
http://http://may2008.artintervention.org/showStartsSidewalk.php
8:30 PM, Cedar @ Locust St (downtown)

 THE SHOW STARTS ON THE SIDEWALK
  The Show Starts on the Sidewalk features work that either documents
  public intervention or is an intervention in itself. Screenings will
  take place in outdoor locations in public places in San Francisco, San
  Jose, and Santa Cruz. These films consider relational aesthetics,
  interventions, Situationist practices, Fluxus style events and explore
  the followings concepts: Intervention: An action undertaken in order to
  change what is happening or might happen in another's affairs,
  especially in order to prevent something undesirable In·ter·rupt (v)
  1.To halt the flow of a speaker or of a speaker's utterance with a
  question or remark. 2. To disturb somebody who is busy doing something,
  causing him or her to stop. 3. To cause a break in the flow of something
  or put a temporary stop to something. 4. To discontinue doing something
  temporarily. 5. To obstruct or block a view In·ter·fer·ence (n) 1.
  Involvement in something without any invitation or justification. 2.
  Hindrance or obstruction that prevents a natural or desired outcome. 3.
  An unwanted signal that disrupts radio, telephone, or television
  reception. In·tru·sion (n)1. A disturbing of somebody's peace or privacy
  by an unwelcome arrival or presence. 2. An unwelcome presence or effect
  that disturbs or upsets something. In·volv·ing (adj) Holding the
  attention. Alternatively, Bring Your Own Definition! Curated and
  produced by Nomi Talisman and Bill Basquin

5/14
Troy, NY: 51 3rd
7 pm, 51 3rd Street

 TWO NIGHTS OF TOURING EXPERIMENTAL FILMS & VIDEOS AT 51 3RD ST. IN
  TWO NIGHTS OF TOURING EXPERIMENTAL FILMS & VIDEOS AT 51 3RD ST. in TROY,
  NY in MAY (first screening is next week) WEDNESDAY MAY 14 7PM ACTION
  NEWS Experimental films and videos and music videos from Philadelphia
  Fantastical video narratives, metaphysical workout videos, music videos,
  and experimental animations and documentaries by Ryan Trecartin, Ted
  Passon, Sarah Christman, and other artists from Philadelphia.
  http://tinyurl.com/2yfeyu WEDNESDAY MAY 21 7PM THE FREE TRANSLATORS
  Video screening plus special performance by Miss Reading and Miss
  Recognition The Free Translators (Mary Billyou and Sabine Gruffat)
  present a program of video screenings deliberately complicating the
  textual content of our everyday lives and dedicated to the idea that
  multiple translations continually unhinge single meanings.
  http://tinyurl.com/yvqtdr

----------------------
THURSDAY, MAY 15, 2008
----------------------

5/15
Los Angeles CA: Potter-Belmar Labs
http://potterbelmar.org/now
8pm, Echo Park Film Center

 FORTUNE
  What does the future hold? What follows us from the past? What do we
  need to know about the present? Live cinema performers, Potter-Belmar
  Labs, will answer these questions and more, on tour stops throughout the
  U.S. Southwest and West Coast in May 2008. Traveling by train, this pair
  of itinerant fortune-tellers will probe the collective subconscious of
  audiences from Albuquerque to Seattle, and on many stops in between.
  Potter-Belmar Labs brings the ancient tradition of the magic lantern
  show to the 21st Century, inviting the audience to participate in a
  collective fortune-telling experience, and presenting the results in
  music, sound and moving image. The Fortune tour is made possible in part
  through Meet the Composer's MetLife Creative Connections program.

5/15
San Francisco, California: Bay Area Video Coalition
http://www.bavc.org
6pm, Bay Area Video Coalition, 2727 Mariposa Street, 2nd Floor

 ROHSTOFF: RAW MATERIAL - SITE SPECIFIC EXHIBITION
  Opening night of the next exhibition in BAVC's ROHSTOFF [raw material]
  series, featuring site specific video by Rebeca Bollinger, Nate Boyce,
  Anthony Discenza, Brook Hinton, Sade Huron and Laura Splan. (Exhibition
  runs through July)

--------------------
FRIDAY, MAY 16, 2008
--------------------

5/16
Chicago, Illinois: Chicago Filmmakers
http://www.chicagofilmmakers.org/
8:00 pm, 5243 N. Clark St.

 CHICAGO 360 V.3
  Co-presented by Split Pillow Split Pillow presents the third installment
  of its decade-long project chronicling early 21st century life and
  culture in the Windy City, Chicago 360. Five mini-documentaries
  centering around the theme "Work in the City" provide a glimpse into
  some of the jobs and workers that help define the Chicago landscape. The
  world's largest button-making operation, street-side peanut vendors, the
  changing image of Chicago's working class, the evolution of urban
  journalism, and the ultimate selfless job of parenting come under
  examination in this fascinating work. Split Pillow is a Chicago-based
  non-profit motion picture production and media literacy education
  company now in its sixth season of producing a full season of new works
  by Chicago filmmakers primarily for Chicago audiences.

5/16
San Francisco, California: Artists Television Access
http://www.atasite.org/
door 8pm - show 9pm, 992 Valencia Street (at 21st)

 THE FUNDRAISER FOR THE INDEPENDENT COLLABORATIVE MEDIA PROJECT (ICMP)
 PRESENTS FOU FOU HA!, FREDDY MCGUIRE AND TORSTEN KRETCHZMAR AT THE ATA.
  San Francisco, CA – May 16th, 2008. A triple feature of the finest
  independent performers is shown at the ATA (992 Valencia Street) on
  Friday May 16th starting at 9pm. The burlesque dance spectacle FOU FOU
  HA! together with the twisted lounge sound-artists FREDDY McGUIRE and
  the German electro pop performer TORSTSEN KRETCHZMAR join their creative
  forces to raise funds for the Independent Collaborative Media Project.
  Asking for a $10 to $1000 sliding scale the audience awaits a unique
  blend of intricate dance choreography, smooth vocals wrapped in
  electronic sound tunes and a live video interaction "Gesamtkunstwerk"
  that is topped of with a one of a kind Raffle! The proceeds will go
  toward a video project that will reclaim the creative soul of the once
  so avantgardistic art of the music video genre. About the Artists: Fou
  Fou Ha! (www.foufouha.com) Combining buffoonery, intricate dance
  choreography, mayhem, drag-queens and cheap Burbon, FOU FOU HA! is a
  troupe of performers like no other. Described as a cross between
  Venetian Carnival Clowns, Dr. Suess and the Cockettes, Fou Fou HA! has
  been seen all over the Bay displaying edgy playfulness and
  gender-bending dance antics. Freddy McGuire
  (www.myspace.com/freddymcguire) FREDDY MCGUIRE is Anne McGuire,
  accompanied by electronic musician Wobbly (Jon Leidecker). Together they
  perform as The Freddy McGuire Show, in twisted lounge mode. Anne is
  widely regarded for her video work, and has a screening at the Andy
  Warhol Museum in Pittsburgh this June. Wobbly performs and releases his
  anti-pop collage music quietly and occasionally internationally, and
  will be opening for Matmos on the West Coast wing of their upcoming
  Summer tour. Torsten Kretchzmar (www.kretchzmar.com) The German electro
  pop talent Torsten Kretchzmar is best described as the love child of
  Kraftwerk and Sprockets. His live multimedia show surprises the audience
  with his unexpected usage of the spoken word. The synergy of hip sounds,
  amazing choreography, Torsten's unique voice - all synced to stunning
  video projections creates a show experience the critics enthusiastically
  call "WTF was that?!" and "OMG – who gave this guy a visa to the U.S?!".

----------------------
SATURDAY, MAY 17, 2008
----------------------

5/17
Buffalo, New York: Squeaky Wheel
http://www.squeaky.org
8 pm, 712 Main Street

 THE FREE TRANSLATORS
  Reminiscent of the do-it-yourself approach of the Riot Grrrl movement,
  this Spring two feminist provocateurs are taking their multimedia show
  on the road. Mary Billyou and Sabine Gruffat are hailing from Brooklyn,
  NY and Madison, WI to present "The Free Translators" touring east coast
  cities and towns with a program of radical videos and performances. As
  the title suggests, The Free Translators' video program is inspired by
  widely accessible texts. The artists perform in many of their own
  videos, sometimes enacting the news, dictating words written by the
  Marquis de Sade, or excerpting from Virginia Woolf's anti-war essays. By
  re-interpreting the texts for the audience, the videos explore notions
  of identity and communication, re-imagining issues raised by feminist
  consciousness, the quality of attention today in the midst of multiple
  authorial references, and the diminished space of citizenship around the
  monologue of mass media. In between video screenings, The Free
  Translators present two "Live Tactical Translations," or, live
  multimedia experiments inspired by 1970s feminist art and Soviet
  avant-garde news troupes. Culling from their library of text, sound, and
  image, alter egos Miss Reading and Miss Recognition communicate through
  matching headsets and manipulate analog recordings as they educate
  audiences in their unique methods of reading and comprehension.

5/17
Chicago, Illinois: Chicago Filmmakers
http://www.chicagofilmmakers.org/
8:00 pm, 5243 N. Clark St.

 CHICAGO 360 V.3
  Co-presented by Split Pillow Split Pillow presents the third installment
  of its decade-long project chronicling early 21st century life and
  culture in the Windy City, Chicago 360. Five mini-documentaries
  centering around the theme "Work in the City" provide a glimpse into
  some of the jobs and workers that help define the Chicago landscape. The
  world's largest button-making operation, street-side peanut vendors, the
  changing image of Chicago's working class, the evolution of urban
  journalism, and the ultimate selfless job of parenting come under
  examination in this fascinating work. Split Pillow is a Chicago-based
  non-profit motion picture production and media literacy education
  company now in its sixth season of producing a full season of new works
  by Chicago filmmakers primarily for Chicago audiences.

5/17
New York, New York: Jefferson Presents...
http://www.moma.org/calendar/poprally/upcoming.php#2
8PM, The Museum of Modern Art, Theater 3 (Celeste Bartos Theater)

 THE MUSEUM OF MODERN ART POPRALLY SERIES PRESENTS PITTSBURGH'S
 EXPERIMENTAL FILM COLLECTIVE JEFFERSON PRESENTS...
  PopRally invites you to a screening of films by the experimental
  Pittsburgh film collective Jefferson Presents… The artists present
  all-new work in 16mm celluloid film using combinations of uncommon
  vintage "analyst" projectors. A number of these special one-of-a-kind
  projection performances will be accompanied by live sound by several
  Pittsburgh based musicians. Appearances by established filmmakers and
  newer artists—including Adam Abrams, Tony Balko, Mike Bonello, Olivia
  Ciummo, tENTATIVELY, a cONVENIENCE, Tara Merenda, Caleb Morgan, Gordon
  Nelson, Ross Nugent, Greg Pierce, Brian Dean Richmond and Rebbyro,
  showcase the best of Pittsburgh's experimental film scene. Steven X.
  Boyle, Nick Falwell, Samuel Gangwish, and Jim Lingo contribute sound
  works.

5/17
San Francisco, California: Other Cinema
http://www.othercinema.com/
8:30, 992 Valencia Street

 NOTENDO + POTTER-BELMAR
  In Carl Diehl's paranormal polemic on Metaphortean Phenomena, circuit-
  bending, globsters, and glitches are advanced as missing links in
  techno- cultural evolution. The perceived obsolescence of blurry Bigfoot
  pics is reclaimed as an adaptive strategy to short-circuit saturated
  surveillance- a counter-narrative of radical ambiguity! Featuring Jason
  Jones' Son of Sasquatch performance, noteNdo's (also in person) live
  Nintendo hacking, Jesse England's VCR-wrangling, and Gijs Gieskes, Phil
  Stearns, and LoVid's electro-anomalies. The evening rounds out with the
  vidsonic trips of San Antonio's Potter-Belmar Labs, improvising
  cine-miasmic trajectories thru Fortean space! Come early for Leonard
  Nimoy, Lori Surfer, Sam Green's plaster Bigfoot, and Jefree Anderson's
  UFO update. *$8.

--------------------
SUNDAY, MAY 18, 2008
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5/18
Chicago, Illinois: White Light Cinema
http://www.whitelightcinema.com
6:30pm & 9:00pm, The Nightingale (1084 N. Milwaukee Ave.)

 TEAROOM - WITH FILMMAKER WILLIAM E. JONES IN PERSON!
  White Light Cinema and The Nightingale are pleased to co-present an
  evening with the acclaimed Los Angeles-based filmmaker William E. Jones,
  who will screen his controversial new work Tearoom (1962/2007, 56 mins.,
  video), which was selected for the 2008 Whitney Biennial. A provocative
  act of appropriation, Jones presents original 1962 police surveillance
  footage of a men's bathroom with only very minor intervention. The
  images are raw and powerful and the film invites exploration from a
  number of perspectives: portraiture, queer history, anthropology,
  sociology, documentary, voyeurism, structural film, and ever
  kinesthetics. It is a rich work, both fascinating and disturbing. Jones
  writes: "Tearoom consists of footage shot by the police in the course of
  a crackdown on public sex in the American Midwest. In the summer of
  1962, the Mansfield, Ohio Police Department photographed men in a
  restroom under the main square of the city. The cameramen hid in a
  closet and watched the clandestine activities through a two-way mirror.
  The film they shot was used in court as evidence against the defendants,
  all of whom were found guilty of sodomy, which at that time carried a
  mandatory minimum sentence of one year in the state penitentiary. The
  original surveillance footage shot by the police came into the
  possession of director William E. Jones while he was researching this
  case for a documentary project. The unedited scenes of ordinary men of
  various races and classes meeting to have sex were so powerful that the
  director decided to present the footage with a minimum of intervention.
  Tearoom is a radical example of film presented 'as found' for the
  purpose of circulating historical images that have otherwise been
  suppressed." Jones has published a companion book Tearoom (2nd Cannons
  Publications), which contains many historical texts relating to the
  Mansfield cases, as well as over 100 frame enlargements from the video.
  Limited copies of the book will be available for sale at the screenings.
  Showing with Tearoom is a short experimental video Jones made from the
  original footage: Mansfield 1962 (2006, 9 mins., video). Additional
  information on Tearoom, including reviews, interviews with Jones, and
  historical texts relating to the case, can be found at Jones' website:
  www.williamejones.com. William E. Jones has been making work for nearly
  twenty years. His films Massillon (1991) and Finished (1997) were both
  highly acclaimed documentary-essay works and his recent video v.o.
  (2006) has had great success on the film festival circuit and at film
  venues around the world. His films and videos were the subject of a
  retrospective at the Tate Modern in London in 2005. He works in the
  adult video industry under the name Hudson Wilcox and teaches film
  history at Art Center College of Design under his own name. Admission:
  $7.00-10.00, sliding scale.

5/18
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:00 pm, Silent Movie Theatre, 611 N. Fairfax Ave.

 FILMFORUM PRESENTS NOISY PEOPLE: FILM + LIVE PERFORMANCE!
  Noisy People (2006, 76 minutes, video) is a feature length video
  documentary by musician Tim Perkis following the tightly-knit group of
  unusual sound artists and musicians from the San Francisco
  improvisational music community. After the screening will be a LIVE
  PERFORMANCE by a quartet of the subjects of the film -- Tom Dill, Gino
  Robair, Phillip Greenlief, and Tim Perkis. Los Angeles Filmforum,
  copresented with Cinefamily and NewTown, at the Silent Movie Theatre,
  611 N. Fairfax Ave (South of Melrose) Park at Fairfax High School across
  the street. General admission $15; $12 for Filmforum and Cinefamily
  members. www.lafilmforum.org or www.silentmovietheatre.com

5/18
San Francisco, California: SFAI
3pm, SFMOMA, 151 Third Street

 LATENT IMAGES: SFAI MFA FILM & VIDEO SCREENING
  Part of a long history within SFAI's Film department of working beyond
  the boundaries of traditional narrative and treating film and video as
  fine arts, Latent Images presents the best of an exciting body of work
  from eleven emerging film and video artists: Rodney O'Neal Austin
  (Albert), Matthew Bonner (A Film about Idealism), Chris Kennedy (Lay
  Claim to an Island), Ryota Mori (Electric Lights), Alex Musto (En
  Passant and Generation's End), Vanessa O'Neill (Sanctuary), Jonathan
  Sajda (Arcadia and Isabelle, Oceans Be Damned), SEO Won-Tae
  (Sugar-coated Film), Rosario Sotelo (Recámara), Michiko Takahashi
  (Sugar-coated Film), and Laura Zaylea (Flower Fall). Though
  participating artists work from within their own perspectives and
  sensibilities, they are all committed to exploring and expanding the
  expressive potential of the moving image. From the lighthearted to the
  sublime, from the political to the personal, these works eschew easy
  categorization and, in turn, reconfigure both the ways in which meaning
  is found and the ways in which we come to see.

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For info on FrameWorks, contact Pip Chodorov at <email suppressed>.