From: Ron Toole (email suppressed)
Date: Tue Oct 30 2007 - 11:26:26 PDT
I wonder this too. Not only in projection, but also in image capture. Does anyone know of a video camera that incorporates a shutter?
I feel burnt after digital projection. I've reasoned it's because I've been in a continuous spotlight for the past however long the projection was. I'm accustomed to the half-black of film projection, where I still get to spend some time with myself, where I get a break from imagery, where I'm (invited) to use my brain for 1/48th of a second every 1/24th of a second, or however frequently black happens in shuttered projection. To me, the exact duration of black doesn't matter so much as the emotional duration does.
Jeff Kreines <email suppressed> wrote: On Oct 30, 2007, at 12:19 PM, Steve Polta wrote:
> Some have suggested that the black spaces allow for
> micro-daydreams, and that this is important to the
> cinematic experience.
Of course, there are no black spaces in digital projection, unless
the filmmaker adds them (using a higher framerate and adding black
frames between each frame, akin to how sequential-image 3D is
projected these days). I wonder how the lack of a black space
changes the viewing experience?
Sounds like an experiment for James Bond to conduct in Chicago.
For info on FrameWorks, contact Pip Chodorov at
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.