From: gyoungblood (email suppressed)
Date: Fri Aug 31 2007 - 10:27:11 PDT
Peter Hutton frames each shot in black as a way of emphasizing the films' resemblance to a series of still photographs.
----- Original Message -----
From: flick harrison
To: email suppressed
Sent: Friday, August 31, 2007 10:55 AM
Subject: Re: [FRAMEWORKS] cutting to black
I cut at an ad agency a bit right now.
We cut to black as the cheapest (in every sense of the word) way to avoid jarring edits. Connect any two images without a jump cut. The end.
Dipping to black (i.e. 7 frames of fade before and after) is even better but it takes a half second out of your 30...
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On 26-Aug-07, at 10:06 AM, Minou Norouzi wrote:
anyone able to recommend reading resources on the subject of 'cutting to black' as an editing device?
i am looking for theoreticians who have explored filmmakers use of black as a constructional device....
__________________________________________________________________ For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.