From: Frederick Smith (email suppressed)
Date: Wed Feb 21 2007 - 06:14:31 PST
Make them pay a 'comitment fee' that is returned when they finish the
course, or is kept if they fail to? It needn't be large.
----- Original Message -----
From: "ben d" <email suppressed>
To: <email suppressed>
Sent: Wednesday, February 21, 2007 6:25 AM
Subject: Re: Announcing Super-8 Filmmaking Classes
> I've been teaching free Super-8 and 16mm drop-in classes including
> handprocessing, camera loans and film sales at cost from the Purple
> Thistle Centre in East Vancouver for the last year and a half. It's also
> where we do the processing workshops for the Project8 festival. It's been
> really successful, but people have been slack on finishing work, possibly
> due to it being free? Anyone have any ideas on how to get students to
> follow through with finishing work within the framework of a every Tuesday
> night class?
> Ben Donoghue
> PS-We just secured a 16/35 Oxberry animation stand for our film/animation
> "It is a society, and not a technique, which has made the cinema like
> this. It could have been historical examinations, theory, essay, memoirs.
> It could have been the film I am making at this moment." -Guy Debord
>>From: Pip Chodorov <email suppressed>
>>Reply-To: Experimental Film Discussion List <email suppressed>
>>To: email suppressed
>>Subject: Re: Announcing Super-8 Filmmaking Classes
>>Date: Wed, 21 Feb 2007 12:10:45 +0100
>>Yes it's curious how popular super-8 has become this year. I recently
>>bought a dozen cameras and viewers and splicers on ebay for two 4-month
>>super-8 workshops, in Paris and Vienna, that both started in January. The
>>equipment I had was lying dormant for two years and suddenly I didn't have
>>For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.