From: Sam Wells (email suppressed)
Date: Fri Feb 09 2007 - 07:36:29 PST
> If you are doing telecine then the colourist might be
> able to fix it in the mix if it isn't too bad.
I'm not sure that's easy. And you have to go deeper than what you
could do in telecine....
10 % of the Super 16 negative of Mira Nair's "Monsoon Wedding" was a
digital blowup to 35mm (the rest optical) because of X-ray damage
suffered at the airport in Mumbai (I know this because I asked them -
Swiss Effects - about the blowup)...
Shots on medium speed stock say 7274 (200 Tungsten) looked more like
400 or 500 speed stock push processed....
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.