From: Dennis Miller (email suppressed)
Date: Sun Jan 21 2007 - 08:19:05 PST
>I guess I was thinking of Canada as a center for animation. In any case,
>animation does seem to be an area that manages a great deal of
>international cross over. And there's a distinguished amount of work from
>"small" countries.
You might be interested to know that for our recent call for work to the
Visual Music Marathon, we got animated films from 25 countries! Very
impressive...
D.
----- Original Message -----
From: "Chuck Kleinhans" <email suppressed>
To: <email suppressed>
Sent: Sunday, January 21, 2007 11:07 AM
Subject: Re: Moving the Image
> Thanks for the correction. His book on Fishinger is fantastic!
>
> I guess I was thinking of Canada as a center for animation. In any
> case, animation does seem to be an area that manages a great deal of
> international cross over. And there's a distinguished amount of work
> from "small" countries. Again, it depends relatively rarely on spoken
> language, and the character of animation makes creating sound tracks in
> different languages relatively easy. Perhaps many animators start out
> thinking beyond their national borders in terms of addressing an
> audience.
>
> CHUCK
>
>
> On Jan 20, 2007, at 3:52 PM, C Keefer wrote:
>
>> William Moritz was born in Arizona and was an American critic.
>>
>> Bio at:
>> http://www.centerforvisualmusic.org/Moritz.htm
>>
>> Cindy Keefer
>> CVM
>> www.centerforvisualmusic.org
>
>
> __________________________________________________________________
> For info on FrameWorks, contact Pip Chodorov at <email suppressed>.
__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.