From: john porter (email suppressed)
Date: Thu Feb 16 2006 - 13:16:02 PST
Thanks Henriette,
What are all the projection formats?
Couldn't find any info on the website.
John.
--- Henriette Huldisch
<email suppressed> wrote:
> 2006 WHITNEY BIENNIAL: DAY FOR NIGHT
>
> FILM, VIDEO, AND PERFORMANCE PROGRAM
>
> FILM INSTALLATION: CAMERON JAMIE
> March 5, March 26, April 9, May 20 28 11 am 6 pm
> Wednesday Thursday 11 am 6 pm
> Fridays 1 9 pm unless otherwise noted
> Saturday-Sunday 11 am 1:30 pm
>
> Cameron Jamie
> Kranky Klaus, 2002-3; 26:10 min. Soundtrack by the
> Melvins
> Commissioned and produced by Artangel, London;
> courtesy Artangel, London
>
> SCHEDULED SCREENINGS
>
> PROGRAM 1
> Saturday, March 4
> Sunday, May 14
>
> 2 pm
> FILMS WITH MUSIC FROM CHINA HAITI JAMAICA NORTH
> AMERICA
> Organized by Mathias Poledna in conjunction with his
> film installation Version on view in the exhibition.
>
> Maya Deren, Meditation on Violence, 1948; 13 min.
> Mathias Poledna, Sufferers' Version, 2004; 6:20 min.
>
> 2:30 pm
> PROGRAM.
> Two programs of films organized by Christopher
> Williams.
>
> March 4
> Otto Mühl, Grimuid, 1967; 13 min.
> Joris Ivens, De Brug (The Bridge), 1928; 11 min.
> Harun Farocki, Ein Bild (An Image), 1983; 25 min.
> Peter Kubelka, Arnulf Rainer, 1958-60; 6:30 min.
> David Lamelas, A Study of Relationships between
> Inner and Outer Space, 1969; 20 min.
> Yves Allégret and Eli Lotar, Ténériffe, 1932. 35mm
> film; 20 min.
> Jean Painlevé, Les Amours de la pieuvre (The Love
> Life of the Octopus), 1965; 13 min.
> Jean Rouch, Les Maîtres fous (Mad Masters), 1955; 36
> min.
> Morgan Fisher, Picture and Sound Rushes, 1973; 11
> min.
>
> May 14
> Otto Mühl, Grimuid, 1967. 16mm film; 13 min.
> Carl Theodor Dreyer, Storstrømsbroen (The Storstrom
> Bridge), 1950; 7 min.
> Tony Conrad, The Flicker, 1966; 30 min.
> Joris Ivens, A Valparaiso, 1963; 37 min.
> Peter Kubelka, Unsere Afrikareise (Our Trip to
> Africa), 1961-66; 12:30 min.
> John Baldessari, Ice Cubes Sliding, 1974; 3 min.
> Luis Buñuel, Las Hurdes, tierra sin pan (Land
> Without Bread), 1932; 27 min.
>
> PROGRAM 2: THROUGH A GLASS DARKLY
> Saturday, March 11
>
> 2 pm, 4 pm
> Steven Parrino, NECROPOLIS (THE LUCIFER CRANK) for
> ANGER, 2004; 27 min. Camera: Amy Granat and Larry 7
>
> Jutta Koether and Stephen Parrino, Electrophilia,
> 2002; 30 min.
> Recorded live at Manhattan Avenue, Brooklyn, New
> York, summer of 2002
>
> Jutta Koether, Holler Holler Coler and
> Electrophilia, 2003; 35 min.
> Recorded live at Greene Naftali Gallery, March 2003
>
> PROGRAM 3: VARIETIES OF SLOW
> Sunday, March 12
> Saturday, May 6
>
> 11:30 am 6 pm
> Andrew Lampert
>
> Varieties of Slow, 2005; duration variable. Courtesy
> Public Opinion Laboratory, New York
> Piano and String Quartet Piano and String Quartet,
> 2004; duration variable
> Okkyung Duet, 2004 05. Live film and music
> performance. 5 pm, May 6 only.
>
> PROGRAM 4: IRA COHEN
> Friday, March 17
> Friday, May 12
>
> 7 pm
> Poet, photographer, and filmmaker Ira Cohen reads
> from his work, along with a special screening of his
> psychedelic film The Invasion of Thunderbolt Pagoda
> (1968).
>
> PROGRAM 5: EXPERIMENTAL I
> Saturday, March 18
> Sunday, April 23
>
> 2 pm
> Michael Snow
> WVLNT (Wavelength for Those Who Don't Have the Time.
> Originally 45 Minutes, Now 15!), 1966-67/2003; 15
> min.
> SSHTOORRTY, 2005; 20 min.
>
> Jeanne Liotta, Eclipse, 2005; 3:30 min. Sound by
> BDF.
>
> Louise Bourque
> Jours en fleurs, 2003; 4:30 min.
> L'éclat du mal/The Bleeding Heart of It, 2005; 8
> min.
>
> Christina Battle
> nostalgia (april 2001 to present), 2005; 4 min.
> the distance between here and there, 2005; 7:30 min.
> buffalo lifts, 2004; 3 min.
>
> Martha Colburn, Cosmetic Emergency, 2005; 8 min.
>
> 4 pm
> SERIAL PLEASURES
> David Gatten, The Great Art of Knowing, 2004; 37
> min.
>
> Lewis Klahr, The Two Minutes to Zero Trilogy,
> 2003-04
> Two Days to Zero, 2004; 23 min.
> Two Hours to Zero, 2004; 9 min.
> Two Minutes to Zero, 2003; 1 min. Music by Glenn
> Branca from The Ascension (1981)
>
> PROGRAM 6: EXPERIMENTAL II
> Sunday, March 19
> Saturday, April 8
>
> 2 pm
> WITH A LITTLE HELP FROM MY FRIENDS
> Doug Henry
> Not Afraid of Bob, 2003; 8 sec.
> Winners, 2003; 38 sec.
> Hey/What, 2003; 30 sec.
> Mickey Mouse Ears, 2003; 36 sec.
>
> Joe Gibbons
> A Time to Die, 2005; 8 min.
> Doppelganger Part 1, 2005; approx. 15 min.
> Tony Conrad with Joe Gibbons and Louise Bourque, The
> Producer, 2005; 17 min.
>
> Marie Losier, The Ontological Cowboy, 2005; 13 min.
>
> 3 pm
> JAMES BENNING
> 13 Lakes, 2005; 135 min.
> One Way Boogie Woogie/27 Years Later, 1978/2005; 121
> min.
>
> *There will be a 15-minute intermission between the
> two films.
>
> PROGRAM 7: POLITICS I
> Saturday, March 25
> Sunday, May 7
>
> 2 pm
> PICTURES FROM AFGHANISTAN
> Dominic Angerame, Anaconda Targets, 2004; 12 min.
>
> Siddiq Barmak, Osama, 2003; 83 min.
> Studio Film Club presents Barmak's Osama, the first
> feature film made in post-Taliban Afghanistan.
>
> *See below (April 15-16) for further Studio Film
> Club screenings.
>
> 4 pm
> THE TIME WE KILLED
> Jennifer Reeves, The Time We Killed, 2004; 94 min.
>
> PROGRAM 8: TAYLOR MEAD
> Saturday, April 1
> Sunday, April 30
>
> 2 pm
> Actor, poet, and Warhol film legend Mead reads
> poetry live. The program also includes the
> documentary Excavating Taylor Mead (2005) by William
> A. Kirkley.
>
> PROGRAM 9: POLITICS II Sunday, April 2
>
=== message truncated ===
John Porter, Toronto, Canada
http://www.super8porter.ca/
email suppressed
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