FRAMEWORKS Digest - 5 Sep 2005 - Special issue (#2005-537)

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Date: Mon Sep 05 2005 - 10:16:58 PDT

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There are 6 messages totalling 1078 lines in this issue.

Topics in this special issue:

  1. British Artists' Film & Video Study Collection
  2. political and power relationships (3)
  3. film as art object
  4. Massachusetts College of Art Film Society Schedule FALL 2005 Version 1

__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.

----------------------------------------------------------------------

Date: Mon, 5 Sep 2005 15:40:01 +0100
From: Steven Ball <email suppressed>
Subject: British Artists' Film & Video Study Collection

BRITISH ARTISTS’ FILM AND VIDEO STUDY COLLECTION
at Central Saint Martins College of Art and Design

New on the Study Collection website
http://www.studycollection.org.uk

ONLINE EXHIBITIONS
The Study Collection is pleased to announce its new series of Online
Exhibitions.

'Defining Filmaktion' curated by Lucy Reynolds explores the origins,
objectives and output of the 1970s film and performance
artists who exhibited together as Filmaktion. The exhibition includes
over thirty rare images and documents relating to the work
of William Raban, Annabel Nicolson, Malcolm Le Grice and Gill Eatherley
among others.

'Image is Everything' curated by Esther Johnson investigates the ways
that film and video artists have represented their moving
image work through defining still images. Over forty images are
featured, representing the wide range and variety of British
Artists’ film and video works.

This series of Online Exhibitions has been made possible with the
assistance of the Arts Council of England.

RESEARCH PAPERS
The Study Collection is happy to publish academics’ and artists’
research papers relating to British artists' film and video. Two
recently submitted papers are now online.

'Story, Script and the Spaces in Between' by Sarah Turner considers the
unfulfilled potential of script to explore repetition and
variation, rhythm, musicality and above all, abstraction.

'An Analysis of the soundtrack in the work of Malcolm Le Grice' in which
Orlene Denice McMahon redresses the relative lack
of consideration of the manipulation and function of sound in
avant-garde film concentrating in particular on Malcolm Le Grice's
work.

STUDY COLLECTION CATALOGUES
The website also contains comprehensive catalogues of the Study
Collection’s holdings of materials available to researchers,
including artists’ video, image and document collections, a complete
list of all publications, magazines and artists' monographs
and links to information about artists' film and video organizations and
events.

DATABASE OF KNOWN ARTISTS AND WORKS
The searchable database aims to provide information about all known film
and video artists' works to 2000.

VISIT US
The Study Collection is open by appointment for postgraduate, doctorate
research and to independent researchers and
curators.

British Artists' Film & Video Study Collection
Room 203
Central Saint Martins College of Art and Design
Southampton Row
London WC1B 4AP
Telephone: 44 (0)20 7514 8159
email: email suppressed

http://www.studycollection.org.uk
If you wish to be removed from our mailing list please let us know.

__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.

------------------------------

Date: Mon, 5 Sep 2005 08:18:18 -0700
From: Pablo Marin <email suppressed>
Subject: Re: political and power relationships

Fred Camper wrote:

"My tentative hypothesis is that the people who go
gaga over much of this stuff do so out of total and
abject ignorance of the history of film as an art. Not
knowing the language that's already established, they
think these poorly-photographed imitations of Lumiere
on video, or that Barney's sub-Fellini fantasy worlds
(and I don't even like Fellini), are somehow
interesting."

this month at Malba (in buenos aires) theres a program
of Warhol curated by Mary Lea Bandy and Klaus
Biesenbach of MoMA that consists of a bunch of his
screen tests and sleep, kiss, blow job, eat, empire
projected -on dvd- in a gallery on some kind of
canvas, imitating a sort "picture in motion". !!!
what is the point of doing something as stupid (and
unattractive) as this? this people thinks that this
digitalization-installation legitimates artists like
Warhol or Frampton?
what´s worst is that some peolple go and see 10
minutes of Empire or Sleep and thinks they´re capable
of judging it.

Pablo Marin
Buenos Aires.

______________________________________________________
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__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.

------------------------------

Date: Mon, 5 Sep 2005 08:56:02 -0700
From: Cari Machet <email suppressed>
Subject: Re: film as art object

konrade wrote:

>
> James was trying to explain the squeemishness around
> critical
> dialog on Frameworks about specific films. Michael
> was
> complaining about talk about the same old same old.
> But a lot
> of the films mentioned here haven't been seen by
> many people.
> A lot of the mentions of films are premiere
> announcements rather
> than reviews. What's the purpose of kvetching out
> of the blue
> on film work that one thinks is bad, like Carrie
> did? On the
> other hand i don't see any reason NOT to respond
> negatively, and
> cogently, to a positive review. It's just that the
> tenor of
> this list has evolved more towards discussion of
> common issues
> than individual taste.
>

i paid alot for my education it hopefully at least
gave me the standing to be able to critically analyze
art work without it being considered "kvetching out
of the blue" (or "bitching" for the non-yiddish
speakers) -
at the art institute of chicago (and other places i
went) we had critiques lots of them whereby individual
taste discussions got us to the common issues and the
uncommon - it was sort of the point - as there, the
rest of the world is either full of lazy people,
unintelligent people, or fear based thinkers - james
was having trouble with that i think and i was
agreeing with him - this is tuchlus (or "purpose" for
the non-yiddish speakers) enough i think

__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.

------------------------------

Date: Mon, 5 Sep 2005 12:46:43 EDT
From: Steven Budden <email suppressed>
Subject: Re: political and power relationships

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Many of these installation artists are working to destroy the myth of genius
and the myth of art in general. In this way I sometimes think when the work
is bad it is supposed to somehow negate being lumped into the tradition of
fine art. I know many video artists loathe the idea of the classical and
modernity (and many don't). Granted most installation art is terrible, but so is
most of all art.

While a few examples are time based in a traditional film sense, other
examples operate on another level... the minimalist, Judd/ Turrel/ Irwin sense,
where the time it takes you to move your eyes around the room makes it a "time"
based art. Most of the installation artists I know came out of painting/
installation/ sculpture (pre stardom but having some sucess).

I should say I've also seen many video installations that were brilliant in
the traditional fine art sense. For these artists the room just opens up a
host of possibilities.

But personally I don't see it as the film tradition being destroyed or
resuscitated. I see it as a completely different genre. I think artists and
curators who show films in this context are film lovers that want film to be seen
in any high profile venue (and any form) they can get.

What I personally don't like about most video installation (and some film)
art is the rapidity of the imagery or form/ the lack of attention span. This
mood has already been so thoroughly absorbed by television commercials that I
can often think of nothing else.

Viola vs. Brakhage? One is underground and one is mainstream new york fine
art. But I agree filmmakers need to create more opportunities for their work to
be seen. I think colleges are a good venue... as in an artist lecturing
with a body of work and discussing their influences.

Steven

"High-finnish weirdness has never been so boring."
-Kenneth Baker's review of Matthew Barney. Ouch.

In a message dated 9/5/2005 7:57:35 AM Pacific Daylight Time,
email suppressed writes:

Maybe there's something else going on in these video installations that
I'm not understanding. Maybe I'm wrong. Maybe they are "conceptual" and
I don't get the concept. But good conceptual art, all the way down to
Yoko Ono's early 1960s index card descriptions of performances, takes
care with its materials, however limited.

__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.

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<DIV> Steven </DIV>
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__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.

-------------------------------1125938803--

------------------------------

Date: Mon, 5 Sep 2005 12:56:17 EDT
From: Steven Budden <email suppressed>
Subject: Re: political and power relationships

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Speak of the devil. Pipilotti Rist's video projection Homo Sapiens Sapiens
on the cover of art in america this month. A child's face is projected onto
the ceiling of a church in Venice... viewers laying on the floor.

(I saw her lecture a year ago. I think she is one of the few who has the
capacity to make great video installations).

Also an article about the Venice Biennale: caption heading... Some politics,
Some Installations, Lots of Video.

Steven

__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.

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Date: Mon, 5 Sep 2005 13:17:45 -0400
From: Adam Savje <email suppressed>
Subject: Massachusetts College of Art Film Society Schedule FALL 2005 Version 1

This is a multi-part message in MIME format.

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Massachusetts College of Art Film Society

Fall 2005 Schedule

Version 1

=20

ALL SHOWS BEGIN AT 8PM SHARP=20

ON WEDNESDAY NIGHTS=20

UNLESS OTHERWISE NOTED.

=20

September 7th

Normal Love By Jack Smith

=20

September 14th=20

*Note: 7:30pm Start Time
"Star Spangled to Death" By Ken Jacobs Part 1
September 15th THURSDAY

*Note: 7:30pm Start Time

"Star Spangled to Death" By Ken Jacobs Part 2

=20

September 20th TUESDAY

*Note: 7:30pm Start Time

"Star Spangled to Death" By Ken Jacobs Part 1

=20

September 21st

*Note: 7:30pm Start Time

"Star Spangled to Death" By Ken Jacobs Part 2

=20

September 28th

"Orgia" By Willard Moss

"Schmeerguntz" By Gunvor Nelson

"Near the Big Chakra" By Anne Severson

"Fuses" By Carolee Schneeman

"Plumbline" By Carolee Schneeman

"Hurry, Hurry" By Marie Menken

=20

October 3rd MONDAY

Rebecca Baron

"How Little We Know of Our Neighbors" and more

Artist will be Present.

=20

October 5th

NO SCREENING

=20

October 12th

TENTATIVELY

Lana Lin=20

Artist will be Present.

=20

October 19th

Madeline Gallagher and Bettina Johae =20

Artists will be Present.

=20

October 26th

TBA

=20

November 2th

"The House is Black" By Forough Farrokhzad

Reassemblage by Trinh T. Minh-ha

"Sfi' Kim (Talking to the Dead)" By Soon Mi Yoo

Artist will be Present.

"In the Street" by Helen Levitt

=20

November 9th

"In Loving Memory" By Robb Todd

Artist will be Present.

Women in Struggle by Buthina Khoury

=20

November 16th

Martha Colburn

"Cosmetic emergency"
Artist will be Present.

=20

www.marthacolburn.com

=20

November 23th

No Screening

=20

November 30th

TBA

=20

December 7th

TBA

=20

All Shows Begin Promptly At 8 p.m. Unless otherwise noted.

$4 Suggested Donation

To change your email address, to be removed from this list,
or for any questions please email me and I will help you.
Adam Savje
email suppressed
Massachusetts College of Art Film Society
Film Department
Screening Room 1 East HAll
621 Huntington Avenue
Boston, MA 02115
Film Society Information: 617.879.7441

=20

__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.

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<SPAN=20
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<SPAN=20
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<o:p></o:p></DIV>
<DIV class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-layout-grid-align: none"><SPAN=20
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<st1:time Minute=3D"30" Hour=3D"19"><SPAN=20
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<DIV class=3DMsoNormal=20
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style=3D"mso-spacerun: yes"> =93Star Spangled to Death=94 By =
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<DIV>
<SPAN=20
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THURSDAY<o:p></o:p>
<SPAN=20
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<st1:time Minute=3D"30" Hour=3D"19"><SPAN=20
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Time<o:p></o:p>
<SPAN=20
style=3D"FONT-SIZE: 18pt; COLOR: black; FONT-FAMILY: Verdana"><SPAN=20
style=3D"mso-spacerun: yes"> =93Star Spangled to Death=94 By =
Ken Jacobs=20
Part 2<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: =
Verdana"><o:p> </o:p>
<SPAN=20
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TUESDAY<o:p></o:p>
<SPAN=20
style=3D"FONT-SIZE: 18pt; COLOR: black; FONT-FAMILY: Verdana">*Note:=20
<st1:time Minute=3D"30" Hour=3D"19"><SPAN=20
style=3D"FONT-SIZE: 18pt; COLOR: black; FONT-FAMILY: =
Verdana">7:30pm</st1:time><SPAN=20
style=3D"FONT-SIZE: 18pt; COLOR: black; FONT-FAMILY: Verdana"> Start=20
Time<o:p></o:p>
<SPAN=20
style=3D"FONT-SIZE: 18pt; COLOR: black; FONT-FAMILY: Verdana"><SPAN=20
style=3D"mso-spacerun: yes"> =93Star Spangled to Death=94 By =
Ken Jacobs=20
Part 1<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: =
Verdana"><o:p> </o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">September =
21st<o:p></o:p>
<SPAN=20
style=3D"FONT-SIZE: 18pt; COLOR: black; FONT-FAMILY: Verdana">*Note:=20
<st1:time Minute=3D"30" Hour=3D"19"><SPAN=20
style=3D"FONT-SIZE: 18pt; COLOR: black; FONT-FAMILY: =
Verdana">7:30pm</st1:time><SPAN=20
style=3D"FONT-SIZE: 18pt; COLOR: black; FONT-FAMILY: Verdana"> Start=20
Time<o:p></o:p>
<SPAN=20
style=3D"FONT-SIZE: 18pt; COLOR: black; FONT-FAMILY: Verdana"><SPAN=20
style=3D"mso-spacerun: yes"> =93Star Spangled to Death=94 By =
Ken Jacobs=20
Part 2<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana"><o:p><FONT=20
size=3D2> </o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">September=20
28th<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">=93Orgia=94 =
By Willard=20
Moss<o:p></o:p>
<SPAN=20
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Nelson<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">=93Near the =
Big Chakra=94 By=20
Anne Severson<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">=93Fuses=94 =
By Carolee=20
Schneeman<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">=93Plumbline=94 By Carolee=20
Schneeman<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">=93Hurry, =
Hurry=94 By Marie=20
Menken<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana"><o:p><FONT=20
size=3D2> </o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">October =
3rd<SPAN=20
style=3D"mso-spacerun: yes">  =
MONDAY<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">Rebecca=20
Baron<o:p></o:p>
<SPAN=20
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Little We Know of=20
Our Neighbors=94 and more<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">Artist will =
be=20
Present.<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana"><o:p><FONT=20
size=3D2> </o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">October=20
5th<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">NO=20
SCREENING<o:p></o:p>
<SPAN=20
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size=3D2> </o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">October=20
12th<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana"><FONT=20
size=3D2>TENTATIVELY<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">Lana Lin=20
<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">Artist will =
be=20
Present.<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana"><o:p><FONT=20
size=3D2> </o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">October=20
19th<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">Madeline Gallagher and =
B<SPAN=20
style=3D"FONT-FAMILY: Verdana">ettina Johae  =20
<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">Artists will =
be=20
Present.<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana"><o:p><FONT=20
size=3D2> </o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">October=20
26th<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana"><FONT=20
size=3D2>TBA<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana"><o:p><FONT=20
size=3D2> </o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">November=20
2th<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">=93The House is Black=94 =
By<SPAN=20
style=3D"FONT-FAMILY: Verdana"> Forough Farrokhzad<SPAN=20
style=3D"COLOR: black"><o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">Reassemblage =
by Trinh T.=20
Minh-ha<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">=93Sfi=92 =
Kim (Talking to=20
the Dead)=94 By Soon Mi Yoo<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">Artist will =
be=20
Present.<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">=93In the =
Street=94 by Helen=20
Levitt<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana"><o:p><FONT=20
size=3D2> </o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">November=20
9th<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">=93In Loving =
Memory=94 By=20
Robb Todd<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">Artist will =
be=20
Present.<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">Women in Struggle by =
<SPAN=20
style=3D"FONT-FAMILY: Verdana">Buthina Khoury<SPAN=20
style=3D"COLOR: black"><o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana"><o:p><FONT=20
size=3D2> </o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">November=20
16th<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">Martha=20
Colburn<o:p></o:p>
<SPAN=20
style=3D"FONT-FAMILY: Verdana">=93Cosmetic =
emergency=94 <SPAN=20
style=3D"COLOR: black">Artist will be =
Present.<o:p></o:p>
<SPAN=20
style=3D"FONT-FAMILY: Verdana"><o:p> </o:p>
<SPAN=20
style=3D"FONT-FAMILY: Verdana">www.marthacolburn.com<SPAN =

style=3D"COLOR: black"><o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana"><o:p><FONT=20
size=3D2> </o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">November=20
23th<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">No=20
Screening<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana"><o:p><FONT=20
size=3D2> </o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">November=20
30th<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana"><FONT=20
size=3D2>TBA<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana"><o:p><FONT=20
size=3D2> </o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">December=20
7th<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana"><FONT=20
size=3D2>TBA<o:p></o:p>
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana"><o:p></o:p> 
<SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana"><o:p><SPAN=20
style=3D"COLOR: black; FONT-FAMILY: =
Verdana"><o:p><st1:place><st1:PlaceName><SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">All Shows =
Begin Promptly=20
At 8 p.m. Unless otherwise =
noted.</st1:PlaceName></st1:place>
<st1:place><st1:PlaceName><SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">$4 Suggested =

Donation</st1:PlaceName></st1:place>
<st1:place><st1:PlaceName><SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Verdana">To change =
your email=20
address, to be removed from this list, or for any questions please =
email me=20
and I will help you. Adam Savje <A=20
href=3D"mailto:email suppressed"><FONT=20
size=3D2>email suppressed</A> <FONT=20
size=3D2>Massachusetts College of Art Film Society Film =
Department Screening=20
Room 1 East HAll 621 Huntington Avenue Boston, MA 02115 Film =
Society=20
Information: 617.879.7441</st1:PlaceName></st1:place>
</o:p><FONT=20
size=3D2> </o:p></DIV></DIV></BODY></HTML>

__________________________________________________________________
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.

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End of FRAMEWORKS Digest - 5 Sep 2005 - Special issue (#2005-537)
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